Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#17906
of 909177 performers
Top 5%
Lee Weaver represents the rare performer whose career became more ambitious with every decade — 42 years in, and Lee is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lee Weaver appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Lee. Donnie Darko is the clearest case: a film rated 7.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, romance, comedy. It is a style built on what is withheld as much as what is played.
Working with Karen Moncrieff, Judd Apatow, Richard Kelly and others, Lee Weaver helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Donnie Darko (2001) as Leroy · O Brother, Where Art Thou? (2000) as Blind Seer · The Thirteenth Floor (1999) as 30's Limo Driver
Career snapshot
Ranked #17906 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
1971–2013
Career length
42 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.9
Donnie Darko
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.8
Donnie Darko
Most frequent director
Karen Moncrieff
1 film together
Longest collaboration
1×
With Karen Moncrieff
Most common genre
Drama
4 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.8
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.2 average MV
The 2000s are where the work and the material meet. The 40 Year Old Virgin, Donnie Darko, O Brother, Where Art Thou? — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.2
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Heaven Can Wait, Vanishing Point.
Most productive era
1990s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1990s | 2000s | 2010s |
|---|---|---|---|---|
| Drama | 6.72 films | — | 7.91 film | 6.41 film |
| Action | 6.91 film | 5.91 film | — | — |
| Thriller | 6.91 film | 6.52 films | — | — |
| Comedy | 6.51 film | 5.51 film | 6.82 films | — |
| Crime | 6.91 film | — | 7.31 film | — |
| Romance | 6.51 film | — | 6.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1971Vanishing Point
Where our catalogue meets this career, as Jake.
Highest rated performance · Career peak
2001Donnie Darko
7.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Mr. George.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Leroy
Directed by Richard Kelly
as Blind Seer
Directed by Joel Coen
as Jake
Directed by Richard C. Sarafian
as 30's Limo Driver
Directed by Josef Rusnak
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Leroy
Donnie Darko (2001)
Performance score7.7
The performance the rest of the career is read through. Leroy gives Lee Weaver a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Blind Seer
O Brother, Where Art Thou? (2000)
Performance score7.2
O Brother, Where Art Thou? asks for something the previous films did not, and gets it. Blind Seer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jake
Vanishing Point (1971)
Performance score7.1
Vanishing Point asks for something the previous films did not, and gets it. Jake is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
30's Limo Driver
The Thirteenth Floor (1999)
Performance score6.9
The Thirteenth Floor asks for something the previous films did not, and gets it. 30's Limo Driver is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Leroy
Start here. Donnie Darko is the clearest statement of what Lee Weaver does — accessible, 114 minutes, and rated 7.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lee at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Vanishing Point (1971)
Keeps the drama register of Donnie Darko but asks for a colder reading of it.
The Thirteenth Floor (1999)
Keeps the thriller register of Vanishing Point but asks for a colder reading of it.
O Brother, Where Art Thou? (2000)
A deliberate change of key after The Thirteenth Floor — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Trials of Cate McCall (2013)
A deliberate change of key after O Brother, Where Art Thou? — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Richard C. Sarafian
Director
1 film together
Notably Vanishing Point
Warren Beatty
Director
1 film together
Notably Heaven Can Wait
Ivan Reitman
Director
1 film together
Notably Fathers' Day
Roland Emmerich
Director
1 film together
Notably Godzilla
Josef Rusnak
Director
1 film together
Notably The Thirteenth Floor
Joel Coen
Director
1 film together
Notably O Brother, Where Art Thou?
Richard Kelly
Director
1 film together
Notably Donnie Darko
Judd Apatow
Director
1 film together
Notably The 40 Year Old Virgin
Karen Moncrieff
Director
1 film together
Notably The Trials of Cate McCall
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Richard Kelly
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Donnie DarkoJoel Coen
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
O Brother, Where Art Thou?Josef Rusnak
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Thirteenth FloorRichard C. Sarafian
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Vanishing PointWarren Beatty
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Heaven Can WaitKaren Moncrieff
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Trials of Cate McCallJudd Apatow
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The 40 Year Old VirginRoland Emmerich
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GodzillaIvan Reitman
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fathers' DaySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Donnie Darko
as Leroy
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Heaven Can Wait
as Way Station Attendant
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Donnie Darko
as Leroy
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Godzilla
as Homeless Guy
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Donnie Darko
as Leroy
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lee Weaver has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
42 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Donnie Darko
as Leroy
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Donnie Darko
as Leroy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Heaven Can Wait
as Way Station Attendant
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Donnie Darko
as Leroy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Donnie Darko
as Leroy
Images that would survive with the sound switched off.
Best action sequence
Godzilla
as Homeless Guy
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Heaven Can Wait
as Way Station Attendant
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Godzilla
as Homeless Guy
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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