Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#23038
of 909177 performers
Top 5%
Lesley Sharp works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lesley Sharp appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Lesley. From Hell is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, drama. It is a style built on what is withheld as much as what is played.
Working with Lena Dunham, Marc Munden, James Marsh and others, Lesley Sharp helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
From Hell (2001) as Kate Eddowes · Help (2021) as Gaynor · Red Riding: The Year of Our Lord 1980 (2009) as Joan Hunter
Career snapshot
Ranked #23038 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2001–2025
Career length
24 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
From Hell
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.0
Help
Most frequent director
Lena Dunham
1 film together
Longest collaboration
1×
With Lena Dunham
Most common genre
Drama
4 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.6 average MV
The 2000s are where the work and the material meet. Red Riding: The Year of Our Lord 1980, Inkheart, From Hell — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.6
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Red Riding: The Year of Our Lord 1980, Inkheart, From Hell.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.61 film | — | 6.53 films |
| Thriller | 6.72 films | — | — |
| Comedy | — | 6.01 film | 6.32 films |
| Crime | 6.61 film | — | — |
| Romance | — | — | 6.51 film |
| Horror | 6.81 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2001From Hell
Where our catalogue meets this career, as Kate Eddowes. 6.8 on the Nutevio scale, the top of the catalogue for this performer.
Career peak · Most recent film
2025Pillion
Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Peggy.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Kate Eddowes
Directed by Albert Hughes
as Joan Hunter
Directed by James Marsh
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Peggy
Pillion (2025)
Performance score7.0
The performance the rest of the career is read through. Peggy gives Lesley Sharp a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Gaynor
Help (2021)
Performance score6.9
Help asks for something the previous films did not, and gets it. Gaynor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Kate Eddowes
From Hell (2001)
Performance score6.7
From Hell asks for something the previous films did not, and gets it. Kate Eddowes is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Joan Hunter
Red Riding: The Year of Our Lord 1980 (2009)
Performance score6.6
Red Riding: The Year of Our Lord 1980 asks for something the previous films did not, and gets it. Joan Hunter is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Peggy
Start here. Pillion is the clearest statement of what Lesley Sharp does — accessible, 107 minutes, and rated 6.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lesley at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
From Hell (2001)
A deliberate change of key after Pillion — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Red Riding: The Year of Our Lord 1980 (2009)
Keeps the mystery register of From Hell but asks for a colder reading of it.
Help (2021)
Keeps the drama register of Red Riding: The Year of Our Lord 1980 but asks for a colder reading of it.
Catherine Called Birdy (2022)
Keeps the drama register of Help but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Albert Hughes
Director
1 film together
Notably From Hell
James Marsh
Director
1 film together
Notably Red Riding: The Year of Our Lord 1980
Marc Munden
Director
1 film together
Notably Help
Lena Dunham
Director
1 film together
Notably Catherine Called Birdy
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Albert Hughes
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
From HellMarc Munden
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HelpJames Marsh
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Red Riding: The Year of Our Lord 1980Lena Dunham
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Catherine Called BirdySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
From Hell
as Kate Eddowes
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Pillion
as Peggy
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
From Hell
as Kate Eddowes
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Inkheart
as Mortola
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Pillion
as Peggy
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lesley Sharp has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
24 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
From Hell
as Kate Eddowes
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
From Hell
as Kate Eddowes
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Pillion
as Peggy
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Red Riding: The Year of Our Lord 1980
as Joan Hunter
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
From Hell
as Kate Eddowes
Images that would survive with the sound switched off.
Best action sequence
Inkheart
as Mortola
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Pillion
as Peggy
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Brighton
as Doreen
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Jamie Harris
Built a career in the same territory: adventure and drama
Morgan Freeman
Built a career in the same territory: crime and drama
Have your say
Community
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Reference
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