Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#35063
of 909177 performers
Top 5%
Lindsey Ginter works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lindsey Ginter appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Lindsey. Bound by Honor is the clearest case: a film rated 7.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, action, science fiction. It is a style built on what is withheld as much as what is played.
Working with Sacha Gervasi, Michael Bay, Clark Johnson and others, Lindsey Ginter helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Bound by Honor (1993) as Officer Young · Gattaca (1997) as Mission Commander · Pearl Harbor (2001) as Captain Low
Career snapshot
Ranked #35063 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1993–2012
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.9
Bound by Honor
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
8.2
Bound by Honor
Most frequent director
Michael Bay
2 films together
Longest collaboration
2×
With Michael Bay
Most common genre
Drama
5 titles
Average runtime
2h 13m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.9 average MV
The 1990s are where the work and the material meet. Mercury Rising, Gattaca, Beverly Hills Cop III — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.9
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Mercury Rising, Gattaca, Beverly Hills Cop III.
Most productive era
1990s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s |
|---|---|---|---|
| Drama | 7.33 films | 7.01 film | 6.61 film |
| Action | 6.12 films | 6.21 film | 6.21 film |
| Thriller | 7.12 films | 6.21 film | — |
| Comedy | 5.91 film | — | — |
| Crime | 6.73 films | 6.21 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
1993Bound by Honor
Where our catalogue meets this career, as Officer Young. 7.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2012Hitchcock
The current state of the argument, as Male Prop Master.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Officer Young
Directed by Taylor Hackford
as Mission Commander
Directed by Andrew Niccol
as Captain Low
Directed by Michael Bay
as Male Prop Master
Directed by Sacha Gervasi
as Old NASA Scientist
Directed by Michael Bay
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Officer Young
Bound by Honor (1993)
Performance score7.7
The performance the rest of the career is read through. Officer Young gives Lindsey Ginter a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mission Commander
Gattaca (1997)
Performance score7.4
Gattaca asks for something the previous films did not, and gets it. Mission Commander is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Captain Low
Pearl Harbor (2001)
Performance score6.9
Pearl Harbor asks for something the previous films did not, and gets it. Captain Low is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Male Prop Master
Hitchcock (2012)
Performance score6.6
Hitchcock asks for something the previous films did not, and gets it. Male Prop Master is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Officer Young
Start here. Bound by Honor is the clearest statement of what Lindsey Ginter does — accessible, 190 minutes, and rated 7.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lindsey at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Gattaca (1997)
Keeps the drama register of Bound by Honor but asks for a colder reading of it.
Pearl Harbor (2001)
Keeps the drama register of Gattaca but asks for a colder reading of it.
Transformers: Dark of the Moon (2011)
Same director as Pearl Harbor, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Hitchcock (2012)
A deliberate change of key after Transformers: Dark of the Moon — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Michael Bay
Director
2 films together
Notably Pearl Harbor
Taylor Hackford
Director
1 film together
Notably Bound by Honor
John Landis
Director
1 film together
Notably Beverly Hills Cop III
Andrew Niccol
Director
1 film together
Notably Gattaca
Clark Johnson
Director
1 film together
Notably S.W.A.T.
Sacha Gervasi
Director
1 film together
Notably Hitchcock
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Bay
Director
2 films together · 6.6 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Pearl HarborTaylor Hackford
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bound by HonorAndrew Niccol
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GattacaSacha Gervasi
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HitchcockClark Johnson
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
S.W.A.T.John Landis
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beverly Hills Cop IIISix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Gattaca
as Mission Commander
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Pearl Harbor
as Captain Low
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Bound by Honor
as Officer Young
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pearl Harbor
as Captain Low
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Bound by Honor
as Officer Young
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lindsey Ginter has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Bound by Honor
as Officer Young
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Bound by Honor
as Officer Young
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Pearl Harbor
as Captain Low
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Bound by Honor
as Officer Young
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Bound by Honor
as Officer Young
Images that would survive with the sound switched off.
Best action sequence
Transformers: Dark of the Moon
as Old NASA Scientist
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Bound by Honor
as Officer Young
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Pearl Harbor
as Captain Low
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and crime
Edward Norton
Built a career in the same territory: comedy and adventure
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Reference
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