Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3939
of 909177 performers
Top 1%
Lucas Till works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lucas Till appears in 16 films in the Nutevio catalogue, and none of them would work the same way without Lucas. X-Men: Days of Future Past is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for music, documentary, action. It is a style built on what is withheld as much as what is played.
Working with Sam Wrench, Barry Alexander Brown, Chris Wedge and others, Lucas Till helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
X-Men: Days of Future Past (2014) as Havok · Walk the Line (2005) as Young Jack Cash · X-Men: First Class (2011) as Alex Summers / Havok
Career snapshot
Ranked #3939 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
16
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
X-Men: Days of Future Past
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.5
X-Men: Days of Future Past
Most frequent director
Bryan Singer
2 films together
Longest collaboration
2×
With Bryan Singer
Most common genre
Action
8 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.5 average MV
The 2000s are where the work and the material meet. Laid to Rest, Walk the Line — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.5
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Laid to Rest, Walk the Line.
Most productive era
2010s
11 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.51 film | 6.33 films | 6.51 film |
| Action | — | 6.47 films | 5.61 film |
| Thriller | 5.41 film | 5.63 films | 5.61 film |
| Comedy | — | 6.02 films | — |
| Romance | 7.51 film | — | — |
| Horror | 5.41 film | 5.73 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2005Walk the Line
Where our catalogue meets this career, as Young Jack Cash. 7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Hannah Montana 20th Anniversary Special
The current state of the argument, as Self (archive footage).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
16 of 16 films
as Havok
Directed by Bryan Singer
as Young Jack Cash
Directed by James Mangold
as Bob Zellner
Directed by Barry Alexander Brown
as Alex Summers / Havok
Directed by Matthew Vaughn
as Self (archive footage)
Directed by Sam Wrench
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Havok
X-Men: Days of Future Past (2014)
Performance score7.3
The performance the rest of the career is read through. Havok gives Lucas Till a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Young Jack Cash
Walk the Line (2005)
Performance score7.3
Walk the Line asks for something the previous films did not, and gets it. Young Jack Cash is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Bob Zellner
Son of the South (2021)
Performance score7.2
Son of the South asks for something the previous films did not, and gets it. Bob Zellner is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Alex Summers / Havok
X-Men: First Class (2011)
Performance score7.2
X-Men: First Class asks for something the previous films did not, and gets it. Alex Summers / Havok is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Havok
Start here. X-Men: Days of Future Past is the clearest statement of what Lucas Till does — accessible, 132 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lucas at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Walk the Line (2005)
A deliberate change of key after X-Men: Days of Future Past — same instrument, unfamiliar tuning, and the reason range gets mentioned.
X-Men: First Class (2011)
A deliberate change of key after Walk the Line — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Son of the South (2021)
A deliberate change of key after X-Men: First Class — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Hannah Montana 20th Anniversary Special (2026)
A deliberate change of key after Son of the South — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Bryan Singer
Director
2 films together
Notably X-Men: Days of Future Past
James Mangold
Director
1 film together
Notably Walk the Line
Robert Hall
Director
1 film together
Notably Laid to Rest
Brian Levant
Director
1 film together
Notably The Spy Next Door
Jonathan Liebesman
Director
1 film together
Notably Battle: Los Angeles
Matthew Vaughn
Director
1 film together
Notably X-Men: First Class
Robert Luketic
Director
1 film together
Notably Paranoia
Park Chan-wook
Director
1 film together
Notably Stoker
David Hayter
Director
1 film together
Notably Wolves
D.J. Caruso
Director
1 film together
Notably The Disappointments Room
Chris Wedge
Director
1 film together
Notably Monster Trucks
Barry Alexander Brown
Director
1 film together
Notably Son of the South
Sam Wrench
Director
1 film together
Notably Hannah Montana 20th Anniversary Special
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Bryan Singer
Director
2 films together · 7.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
X-Men: Days of Future PastJames Mangold
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Walk the LineMatthew Vaughn
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
X-Men: First ClassSam Wrench
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hannah Montana 20th Anniversary SpecialPark Chan-wook
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
StokerBarry Alexander Brown
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Son of the SouthChris Wedge
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Monster TrucksDavid Hayter
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WolvesBrian Levant
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Spy Next DoorJonathan Liebesman
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Battle: Los AngelesRobert Luketic
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ParanoiaRobert Hall
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Laid to RestD.J. Caruso
Director
1 film together · 4.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Disappointments RoomSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
X-Men: Days of Future Past
as Havok
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Walk the Line
as Young Jack Cash
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Walk the Line
as Young Jack Cash
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
X-Men: Days of Future Past
as Havok
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
X-Men: Days of Future Past
as Havok
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lucas Till has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
8 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
X-Men: Days of Future Past
as Havok
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Stoker
as Chris Pitts
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Bravetown
as Josh Harvest
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Collective
as Sam Alexander
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
X-Men: Days of Future Past
as Havok
Images that would survive with the sound switched off.
Best action sequence
X-Men: Days of Future Past
as Havok
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Walk the Line
as Young Jack Cash
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Collective
as Sam Alexander
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: action and adventure
Elliot Page
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Have your say
Community
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Reference
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