Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#19366
of 909177 performers
Top 5%
Lucille Soong represents the rare performer whose career became more ambitious with every decade — 62 years in, and Lucille is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lucille Soong appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Lucille. Raya and the Last Dragon is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, fantasy, family. It is a style built on what is withheld as much as what is played.
Working with Nisha Ganatra, Don Hall, Mark Waters and others, Lucille Soong helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Raya and the Last Dragon (2021) as Dang Hu (voice) · Just Like Heaven (2005) as Chinese Exorcist · Freakier Friday (2025) as Grandma Chiang
Career snapshot
Ranked #19366 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1963–2025
Career length
62 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Raya and the Last Dragon
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.8
Raya and the Last Dragon
Most frequent director
Mark Waters
2 films together
Longest collaboration
2×
With Mark Waters
Most common genre
Comedy
4 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.1
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.0
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.3 average MV
The 2020s are where the work and the material meet. Freakier Friday, Raya and the Last Dragon — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1960s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. 55 Days at Peking.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1960s | 1990s | 2000s | 2020s |
|---|---|---|---|---|
| Drama | 6.71 film | 6.11 film | — | — |
| Action | — | 6.11 film | — | 7.81 film |
| Thriller | — | 6.11 film | — | — |
| Comedy | — | — | 6.63 films | 6.81 film |
| Crime | — | 6.11 film | — | — |
| Romance | — | — | 7.01 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Concubine (uncredited).
Highest rated performance · Career peak
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Freakier Friday
The current state of the argument, as Grandma Chiang.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Dang Hu (voice)
Directed by Don Hall
as Chinese Exorcist
Directed by Mark Waters
as Grandma Chiang
Directed by Nisha Ganatra
as Pei-Pei's Mom
Directed by Mark Waters
as Concubine (uncredited)
Directed by Nicholas Ray
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Dang Hu (voice)
Raya and the Last Dragon (2021)
Performance score7.6
The performance the rest of the career is read through. Dang Hu (voice) gives Lucille Soong a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Chinese Exorcist
Just Like Heaven (2005)
Performance score6.9
Just Like Heaven asks for something the previous films did not, and gets it. Chinese Exorcist is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Grandma Chiang
Freakier Friday (2025)
Performance score6.7
Freakier Friday asks for something the previous films did not, and gets it. Grandma Chiang is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Pei-Pei's Mom
Freaky Friday (2003)
Performance score6.6
Freaky Friday asks for something the previous films did not, and gets it. Pei-Pei's Mom is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Dang Hu (voice)
Start here. Raya and the Last Dragon is the clearest statement of what Lucille Soong does — accessible, 107 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lucille at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
55 Days at Peking (1963)
A deliberate change of key after Raya and the Last Dragon — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Freaky Friday (2003)
A deliberate change of key after 55 Days at Peking — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Just Like Heaven (2005)
Same director as Freaky Friday, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Freakier Friday (2025)
Keeps the comedy register of Just Like Heaven but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Mark Waters
Director
2 films together
Notably Just Like Heaven
Nicholas Ray
Director
1 film together
Notably 55 Days at Peking
James Foley
Director
1 film together
Notably The Corruptor
Mike Mitchell
Director
1 film together
Notably Sky High
Don Hall
Director
1 film together
Notably Raya and the Last Dragon
Nisha Ganatra
Director
1 film together
Notably Freakier Friday
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Mark Waters
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Just Like HeavenDon Hall
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Raya and the Last DragonNisha Ganatra
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Freakier FridayNicholas Ray
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
55 Days at PekingMike Mitchell
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sky HighJames Foley
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The CorruptorSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Raya and the Last Dragon
as Dang Hu (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Raya and the Last Dragon
as Dang Hu (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Raya and the Last Dragon
as Dang Hu (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
55 Days at Peking
as Concubine (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Raya and the Last Dragon
as Dang Hu (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lucille Soong has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
62 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Raya and the Last Dragon
as Dang Hu (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Raya and the Last Dragon
as Dang Hu (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Raya and the Last Dragon
as Dang Hu (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Raya and the Last Dragon
as Dang Hu (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Raya and the Last Dragon
as Dang Hu (voice)
Images that would survive with the sound switched off.
Best action sequence
Raya and the Last Dragon
as Dang Hu (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Raya and the Last Dragon
as Dang Hu (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Sky High
as Cook
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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