Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12651
of 909177 performers
Top 5%
Luis Tosar works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Luis Tosar appears in 19 films in the Nutevio catalogue, and none of them would work the same way without Luis. Mondays in the Sun is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, action, crime. It is a style built on what is withheld as much as what is played.
Working with Thomas Hescott, Daniel Guzmán, Rafael Cobos and others, Luis Tosar helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Mondays in the Sun (2002) as Jose · Undercover (2024) as Ángel "el Inhumano" · Adú (2020) as Gonzalo
Career snapshot
Ranked #12651 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
19
2002–2025
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Mondays in the Sun
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
7.2
Mondays in the Sun
Most frequent director
Daniel Calparsoro
2 films together
Longest collaboration
2×
With Daniel Calparsoro
Most common genre
Drama
16 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.6 average MV
The 2000s are where the work and the material meet. Miami Vice, Mondays in the Sun — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Miami Vice, Mondays in the Sun.
Most productive era
2020s
11 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.21 film | 6.46 films | 6.09 films |
| Action | 6.01 film | — | 6.43 films |
| Thriller | 6.01 film | 6.63 films | 6.55 films |
| Comedy | 7.21 film | — | 2.01 film |
| Crime | 6.01 film | 6.71 film | 6.43 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
Where our catalogue meets this career, as Jose. 7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Golpes
The current state of the argument, as Sabino.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
19 of 19 films
as Ángel "el Inhumano"
Directed by Arantxa Echevarría
as Mario
Directed by Paco Plaza
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Jose
Mondays in the Sun (2002)
Performance score7.6
The performance the rest of the career is read through. Jose gives Luis Tosar a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ángel "el Inhumano"
Undercover (2024)
Performance score7.5
Undercover asks for something the previous films did not, and gets it. Ángel "el Inhumano" is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Gonzalo
Adú (2020)
Performance score7.5
Adú asks for something the previous films did not, and gets it. Gonzalo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Mario
Eye for an Eye (2019)
Performance score7.4
Eye for an Eye asks for something the previous films did not, and gets it. Mario is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Jose
Start here. Mondays in the Sun is the clearest statement of what Luis Tosar does — accessible, 113 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Luis at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Eye for an Eye (2019)
Keeps the drama register of Mondays in the Sun but asks for a colder reading of it.
Out in the Open (2019)
Keeps the drama register of Eye for an Eye but asks for a colder reading of it.
Adú (2020)
Keeps the drama register of Out in the Open but asks for a colder reading of it.
Undercover (2024)
Keeps the drama register of Adú but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Daniel Calparsoro
Director
2 films together
Notably All the Names of God
Michael Mann
Director
1 film together
Notably Miami Vice
Paco Plaza
Director
1 film together
Notably Eye for an Eye
Salvador Calvo
Director
1 film together
Notably Adú
Jaume Balagueró
Director
1 film together
Notably The Vault
Juan Diego Botto
Director
1 film together
Notably On the Fringe
Arantxa Echevarría
Director
1 film together
Notably Undercover
Rafael Cobos
Director
1 film together
Notably Golpes
Daniel Guzmán
Director
1 film together
Notably The Redemption
Thomas Hescott
Director
1 film together
Notably The Gay Collection | Volume I | Presented by Shortz!
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Daniel Calparsoro
Director
2 films together · 6.5 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
All the Names of GodArantxa Echevarría
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UndercoverSalvador Calvo
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AdúJaume Balagueró
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The VaultPaco Plaza
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Eye for an EyeJuan Diego Botto
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
On the FringeDaniel Guzmán
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The RedemptionMichael Mann
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Miami ViceRafael Cobos
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GolpesThomas Hescott
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Gay Collection | Volume I | Presented by Shortz!Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Mondays in the Sun
as Jose
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Adú
as Gonzalo
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Mondays in the Sun
as Jose
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Miami Vice
as Arcángel de Jesús Montoya
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Mondays in the Sun
as Jose
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Luis Tosar has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
16 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Mondays in the Sun
as Jose
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Undercover
as Ángel "el Inhumano"
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Adú
as Gonzalo
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Courier
as Francisco Escámez
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Vault
as Simón
Images that would survive with the sound switched off.
Best action sequence
All the Names of God
as Santi
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Eye for an Eye
as Mario
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Out in the Open
as Pastor
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: drama and thriller
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Have your say
Community
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Reference
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