Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#44934
of 909177 performers
Top 5%
Lukman Sardi works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lukman Sardi appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Lukman. The Science of Fictions is the clearest case: a film rated 8.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, horror. It is a style built on what is withheld as much as what is played.
Working with Joko Anwar, Sidharta Tata, Reza Rahadian, Lukman Sardi helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Science of Fictions (2020) as Jumik · Ghost in the Cell (2026) as Pendi · On Your Lap (2025) as Hasan
Career snapshot
Ranked #44934 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
2019–2027
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.2
The Science of Fictions
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
8.2
The Science of Fictions
Most frequent director
Joko Anwar
2 films together
Longest collaboration
2×
With Joko Anwar
Most common genre
Drama
7 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. Gundala — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Gundala.
Most productive era
2020s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 6.07 films |
| Action | 6.21 film | 3.42 films |
| Thriller | — | 5.56 films |
| Comedy | — | 5.65 films |
| Crime | — | 6.21 film |
| Romance | — | 6.71 film |
| Horror | — | 4.73 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Gundala
Where our catalogue meets this career, as Ridwan Bahri.
Highest rated performance · Career peak
8.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2027Minal Aidin Mohon Maaf Minta Rizki
The current state of the argument, as Pak Arie.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as Sur's Father
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Jumik
The Science of Fictions (2020)
Performance score8.2
The performance the rest of the career is read through. Jumik gives Lukman Sardi a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Pendi
Ghost in the Cell (2026)
Performance score7.9
Ghost in the Cell asks for something the previous films did not, and gets it. Pendi is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Hasan
On Your Lap (2025)
Performance score7.6
On Your Lap asks for something the previous films did not, and gets it. Hasan is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sur's Father
Photocopier (2021)
Performance score6.8
Photocopier asks for something the previous films did not, and gets it. Sur's Father is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Jumik
Start here. The Science of Fictions is the clearest statement of what Lukman Sardi does — accessible, 106 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lukman at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Photocopier (2021)
Same director as The Science of Fictions, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
On Your Lap (2025)
Keeps the drama register of Photocopier but asks for a colder reading of it.
Ghost in the Cell (2026)
A deliberate change of key after On Your Lap — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Check Out Sekarang, Pay Later (Caper) (2026)
Keeps the comedy register of Ghost in the Cell but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Joko Anwar
Director
2 films together · 7.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Ghost in the CellReza Rahadian
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
On Your LapSidharta Tata
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Red Zone: Dead CitySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Science of Fictions
as Jumik
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Science of Fictions
as Jumik
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Science of Fictions
as Jumik
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
On Your Lap
as Hasan
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Science of Fictions
as Jumik
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lukman Sardi has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Science of Fictions
as Jumik
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Ghost in the Cell
as Pendi
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
On Your Lap
as Hasan
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Borderless Fog
as Panca
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Science of Fictions
as Jumik
Images that would survive with the sound switched off.
Best action sequence
Gundala
as Ridwan Bahri
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The East
as Bakar
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Ghost in the Cell
as Pendi
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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