Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#20337
of 909177 performers
Top 5%
Maggie Cheung represents the rare performer whose career became more ambitious with every decade — 40 years in, and Maggie is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Maggie Cheung appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Maggie. In the Mood for Love is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, action. It is a style built on what is withheld as much as what is played.
Working with Wong Kar-Wai, Zhang Yimou, Stanley Tong Gwai-Lai and others, Maggie Cheung helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
In the Mood for Love (2000) as Su Li-zhen · In the Mood for Love 2001 (2025) as Su Li Zhen · Hero (2002) as Flying Snow
Career snapshot
Ranked #20337 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1985–2025
Career length
40 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
In the Mood for Love
Average Nutevio score
7.3
Across catalogue work
Highest IMDb rating
8.1
In the Mood for Love
Most frequent director
Wong Kar-Wai
4 films together
Longest collaboration
4×
With Wong Kar-Wai
Most common genre
Drama
5 titles
Average runtime
1h 27m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.3
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.7 average MV
The 2000s are where the work and the material meet. Hero, In the Mood for Love — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.7
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. As Tears Go By, Police Story 2, Police Story.
Most productive era
1980s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2020s |
|---|---|---|---|---|
| Drama | 7.01 film | 7.31 film | 7.72 films | 7.41 film |
| Action | 7.22 films | 6.91 film | 7.41 film | — |
| Thriller | 7.11 film | 6.91 film | — | — |
| Comedy | 7.31 film | — | — | — |
| Crime | 7.13 films | 7.12 films | — | — |
| Romance | 7.01 film | 7.31 film | 8.01 film | 7.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1985Police Story
Where our catalogue meets this career, as May.
Highest rated performance · Career peak
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Su Li Zhen.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Flying Snow
Directed by Zhang Yimou
as Su Li-zhen
Directed by Wong Kar-Wai
as May
Directed by Jackie Chan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Su Li-zhen
In the Mood for Love (2000)
Performance score8.5
The performance the rest of the career is read through. Su Li-zhen gives Maggie Cheung a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Su Li Zhen
In the Mood for Love 2001 (2025)
Performance score8.0
In the Mood for Love 2001 asks for something the previous films did not, and gets it. Su Li Zhen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Flying Snow
Hero (2002)
Performance score7.7
Hero asks for something the previous films did not, and gets it. Flying Snow is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Su Li-zhen
Days of Being Wild (1990)
Performance score7.6
Days of Being Wild asks for something the previous films did not, and gets it. Su Li-zhen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Su Li-zhen
Start here. In the Mood for Love is the clearest statement of what Maggie Cheung does — accessible, 99 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Maggie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Police Story (1985)
A deliberate change of key after In the Mood for Love — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Days of Being Wild (1990)
Keeps the crime register of Police Story but asks for a colder reading of it.
Hero (2002)
Keeps the drama register of Days of Being Wild but asks for a colder reading of it.
In the Mood for Love 2001 (2025)
Keeps the drama register of Hero but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Wong Kar-Wai
Director
4 films together
Notably In the Mood for Love
Jackie Chan
Director
2 films together
Notably Police Story
Stanley Tong Gwai-Lai
Director
1 film together
Notably Police Story 3: Super Cop
Zhang Yimou
Director
1 film together
Notably Hero
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Wong Kar-Wai
Director
4 films together · 7.4 avg MV
A working relationship rather than a booking — 4 films, and the register shifts each time.
Best film together
In the Mood for LoveJackie Chan
Director
2 films together · 7.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Police StoryZhang Yimou
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HeroStanley Tong Gwai-Lai
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Police Story 3: Super CopSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
In the Mood for Love
as Su Li-zhen
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
In the Mood for Love
as Su Li-zhen
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
In the Mood for Love
as Su Li-zhen
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Hero
as Flying Snow
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
In the Mood for Love
as Su Li-zhen
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Maggie Cheung has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
40 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
In the Mood for Love
as Su Li-zhen
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Police Story 2
as May
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
In the Mood for Love 2001
as Su Li Zhen
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Police Story 2
as May
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Hero
as Flying Snow
Images that would survive with the sound switched off.
Best action sequence
Hero
as Flying Snow
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hero
as Flying Snow
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
In the Mood for Love 2001
as Su Li Zhen
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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