Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6043
of 909177 performers
Top 1%
Maggie Siff works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Maggie Siff appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Maggie. The Short History of the Long Road is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, action, science fiction. It is a style built on what is withheld as much as what is played.
Working with J Blakeson, Paul McGuigan, Judd Apatow and others, Maggie Siff helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Short History of the Long Road (2019) as Cheryl · Michael Clayton (2007) as Attorney #1 · Push (2009) as Teresa Stowe
Career snapshot
Ranked #6043 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2007–2019
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
The Short History of the Long Road
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.0
The Short History of the Long Road
Most frequent director
J Blakeson
1 film together
Longest collaboration
1×
With J Blakeson
Most common genre
Drama
4 titles
Average runtime
1h 52m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.5 average MV
The 2010s are where the work and the material meet. The Short History of the Long Road, The 5th Wave — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.5
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Push, Leaves of Grass, Funny People.
Most productive era
2000s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s |
|---|---|---|
| Drama | 6.13 films | 7.01 film |
| Action | 6.21 film | 5.91 film |
| Thriller | 6.33 films | — |
| Comedy | 5.83 films | — |
| Crime | 6.42 films | — |
| Romance | 5.61 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Lily.
Highest rated performance · Career peak · Most recent film
2019The Short History of the Long Road
7.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Cheryl.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Attorney #1
Directed by Tony Gilroy
as Lisa Sullivan
Directed by J Blakeson
as Teresa Stowe
Directed by Paul McGuigan
as Rabbi Zimmerman
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Cheryl
The Short History of the Long Road (2019)
Performance score7.1
The performance the rest of the career is read through. Cheryl gives Maggie Siff a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Attorney #1
Michael Clayton (2007)
Performance score6.7
Michael Clayton asks for something the previous films did not, and gets it. Attorney #1 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lisa Sullivan
The 5th Wave (2016)
Performance score6.5
The 5th Wave asks for something the previous films did not, and gets it. Lisa Sullivan is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Teresa Stowe
Push (2009)
Performance score6.5
Push asks for something the previous films did not, and gets it. Teresa Stowe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Cheryl
Start here. The Short History of the Long Road is the clearest statement of what Maggie Siff does — accessible, 90 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Maggie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Michael Clayton (2007)
Keeps the drama register of The Short History of the Long Road but asks for a colder reading of it.
Push (2009)
Keeps the thriller register of Michael Clayton but asks for a colder reading of it.
Leaves of Grass (2009)
Keeps the thriller register of Push but asks for a colder reading of it.
The 5th Wave (2016)
A deliberate change of key after Leaves of Grass — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Tony Gilroy
Director
1 film together
Notably Michael Clayton
Helen Hunt
Director
1 film together
Notably Then She Found Me
Judd Apatow
Director
1 film together
Notably Funny People
Paul McGuigan
Director
1 film together
Notably Push
J Blakeson
Director
1 film together
Notably The 5th Wave
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tony Gilroy
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Michael ClaytonPaul McGuigan
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PushJ Blakeson
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The 5th WaveJudd Apatow
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Funny PeopleHelen Hunt
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Then She Found MeSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Michael Clayton
as Attorney #1
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Then She Found Me
as Lily
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Short History of the Long Road
as Cheryl
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Michael Clayton
as Attorney #1
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Short History of the Long Road
as Cheryl
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Maggie Siff has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Short History of the Long Road
as Cheryl
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Michael Clayton
as Attorney #1
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Then She Found Me
as Lily
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Michael Clayton
as Attorney #1
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Push
as Teresa Stowe
Images that would survive with the sound switched off.
Best action sequence
Push
as Teresa Stowe
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Then She Found Me
as Lily
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Push
as Teresa Stowe
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Edward Norton
Built a career in the same territory: comedy and adventure
Have your say
Community
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Reference
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