Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#19184
of 909177 performers
Top 5%
Marianne Faithfull represents the rare performer whose career became more ambitious with every decade — 58 years in, and Marianne is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Marianne Faithfull appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Marianne. Dune is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for music, documentary, science fiction. It is a style built on what is withheld as much as what is played.
Working with Denis Villeneuve, Gero von Boehm, Julien Magnat and others, Marianne Faithfull helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Dune (2021) as Bene Gesserit Ancestor (voice) · Broken English (2026) as Self · Paris Je T'aime (2006) as Marianne (Le Marais)
Career snapshot
Ranked #19184 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1968–2026
Career length
58 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Dune
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.8
Dune
Most frequent director
Denis Villeneuve
1 film together
Longest collaboration
1×
With Denis Villeneuve
Most common genre
Documentary
4 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.9
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.2 average MV
The 2020s are where the work and the material meet. Broken English, Dune, Helmut Newton: The Bad and the Beautiful — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.2
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1960s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Sympathy for the Devil.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1960s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | — | 6.82 films | — | — |
| Thriller | — | — | 6.11 film | — |
| Crime | — | — | 6.11 film | — |
| Romance | — | 6.81 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Self - Backing Singer (uncredited).
Highest rated performance
2021Dune
8.0 on the Nutevio scale, the top of the catalogue for this performer.
Career peak · Most recent film
2026Broken English
Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Self
Directed by Unknown
as Bene Gesserit Ancestor (voice)
Directed by Denis Villeneuve
as Marianne (Le Marais)
Directed by Joel Coen
as Maria Teresa
Directed by Sofia Coppola
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
Broken English (2026)
Performance score8.1
The performance the rest of the career is read through. Self gives Marianne Faithfull a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Bene Gesserit Ancestor (voice)
Dune (2021)
Performance score7.8
Dune asks for something the previous films did not, and gets it. Bene Gesserit Ancestor (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Marianne (Le Marais)
Paris Je T'aime (2006)
Performance score6.7
Paris Je T'aime asks for something the previous films did not, and gets it. Marianne (Le Marais) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Maria Teresa
Marie Antoinette (2006)
Performance score6.6
Marie Antoinette asks for something the previous films did not, and gets it. Maria Teresa is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Broken English is the clearest statement of what Marianne Faithfull does — accessible, 99 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Marianne at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Paris Je T'aime (2006)
A deliberate change of key after Broken English — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Marie Antoinette (2006)
Keeps the drama register of Paris Je T'aime but asks for a colder reading of it.
Helmut Newton: The Bad and the Beautiful (2020)
A deliberate change of key after Marie Antoinette — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Dune (2021)
A deliberate change of key after Helmut Newton: The Bad and the Beautiful — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jean-Luc Godard
Director
1 film together
Notably Sympathy for the Devil
Joel Coen
Director
1 film together
Notably Paris Je T'aime
Sofia Coppola
Director
1 film together
Notably Marie Antoinette
Julien Magnat
Director
1 film together
Notably Faces in the Crowd
Gero von Boehm
Director
1 film together
Notably Helmut Newton: The Bad and the Beautiful
Denis Villeneuve
Director
1 film together
Notably Dune
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Denis Villeneuve
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DuneJoel Coen
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Paris Je T'aimeSofia Coppola
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Marie AntoinetteJean-Luc Godard
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sympathy for the DevilGero von Boehm
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Helmut Newton: The Bad and the BeautifulJulien Magnat
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Faces in the CrowdSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Dune
as Bene Gesserit Ancestor (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Paris Je T'aime
as Marianne (Le Marais)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Dune
as Bene Gesserit Ancestor (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Dune
as Bene Gesserit Ancestor (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Broken English
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Marianne Faithfull has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
58 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Documentary Legend
Awarded
4 catalogue titles in documentary, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Dune
as Bene Gesserit Ancestor (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Dune
as Bene Gesserit Ancestor (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Paris Je T'aime
as Marianne (Le Marais)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Faces in the Crowd
as Dr. Langenkamp
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Dune
as Bene Gesserit Ancestor (voice)
Images that would survive with the sound switched off.
Best action sequence
Dune
as Bene Gesserit Ancestor (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Paris Je T'aime
as Marianne (Le Marais)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Dune
as Bene Gesserit Ancestor (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Works with the same directors — Denis Villeneuve
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Have your say
Community
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Reference
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