Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#17855
of 909177 performers
Top 5%
Marilyn Manson works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Marilyn Manson appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Marilyn. The Nine Lives of Ozzy Osbourne is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for music, documentary, science fiction. It is a style built on what is withheld as much as what is played.
Working with Josh Boone, Asia Argento, Michael Moore, Marilyn Manson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Nine Lives of Ozzy Osbourne (2020) as Self · Bowling for Columbine (2002) as Self · In Whose Name? (2025) as Self
Career snapshot
Ranked #17855 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2002–2025
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
The Nine Lives of Ozzy Osbourne
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.5
Bowling for Columbine
Most frequent director
Josh Boone
1 film together
Longest collaboration
1×
With Josh Boone
Most common genre
Documentary
3 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.8 average MV
The 2020s are where the work and the material meet. In Whose Name?, The New Mutants, The Nine Lives of Ozzy Osbourne — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.8
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Rise: Blood Hunter, The Heart Is Deceitful Above All Things, Bowling for Columbine.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.52 films | — | — |
| Action | 5.31 film | — | — |
| Thriller | 5.31 film | — | — |
| Comedy | — | 6.11 film | — |
| Crime | — | 6.11 film | — |
| Horror | 5.31 film | — | 6.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Self.
Highest rated performance · Career peak
2020The Nine Lives of Ozzy Osbourne
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025In Whose Name?
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Self
Directed by Unknown
as Smiling Man (voice)
Directed by Josh Boone
as David Dolores Frank
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
The Nine Lives of Ozzy Osbourne (2020)
Performance score7.5
The performance the rest of the career is read through. Self gives Marilyn Manson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
Bowling for Columbine (2002)
Performance score7.2
Bowling for Columbine asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
In Whose Name? (2025)
Performance score6.8
In Whose Name? asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Smiling Man (voice)
The New Mutants (2020)
Performance score6.5
The New Mutants asks for something the previous films did not, and gets it. Smiling Man (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. The Nine Lives of Ozzy Osbourne is the clearest statement of what Marilyn Manson does — accessible, 86 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Marilyn at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Bowling for Columbine (2002)
Keeps the documentary register of The Nine Lives of Ozzy Osbourne but asks for a colder reading of it.
Wrong Cops (2013)
A deliberate change of key after Bowling for Columbine — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The New Mutants (2020)
A deliberate change of key after Wrong Cops — same instrument, unfamiliar tuning, and the reason range gets mentioned.
In Whose Name? (2025)
A deliberate change of key after The New Mutants — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Moore
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bowling for ColumbineJosh Boone
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The New MutantsAsia Argento
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Heart Is Deceitful Above All ThingsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Bowling for Columbine
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Bowling for Columbine
as Self
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Bowling for Columbine
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Bowling for Columbine
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Nine Lives of Ozzy Osbourne
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Marilyn Manson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Documentary Legend
Awarded
3 catalogue titles in documentary, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Nine Lives of Ozzy Osbourne
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Nine Lives of Ozzy Osbourne
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Bowling for Columbine
as Self
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wrong Cops
as David Dolores Frank
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Nine Lives of Ozzy Osbourne
as Self
Images that would survive with the sound switched off.
Best action sequence
Rise: Blood Hunter
as Juan Ton
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Bowling for Columbine
as Self
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The New Mutants
as Smiling Man (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Edward Norton
Built a career in the same territory: comedy and adventure
Have your say
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Reference
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