Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#79813
of 909177 performers
Top 10%
Mark Monero represents the rare performer whose career became more ambitious with every decade — 40 years in, and Mark is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Mark Monero appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Mark. Wild Bill is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, comedy. It is a style built on what is withheld as much as what is played.
Working with Ben Wheatley, Dexter Fletcher, Alex Cox, Mark Monero helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Wild Bill (2011) as Freddy · Sid and Nancy (1986) as Jah Clive · Good Boy (2023) as Funeral Director
Career snapshot
Ranked #79813 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1986–2026
Career length
40 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
Wild Bill
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
6.8
Wild Bill
Most frequent director
Ben Wheatley
3 films together
Longest collaboration
3×
With Ben Wheatley
Most common genre
Drama
4 titles
Average runtime
1h 18m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
6.7 average MV
The 1980s are where the work and the material meet. Sid and Nancy — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
6.7
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Sid and Nancy.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.71 film | 6.81 film | 6.32 films |
| Action | — | 6.31 film | 5.01 film |
| Thriller | — | — | 5.61 film |
| Comedy | — | — | 6.23 films |
| Crime | — | 6.31 film | — |
| Romance | 6.71 film | — | — |
| Horror | — | — | 5.82 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1986Sid and Nancy
Where our catalogue meets this career, as Jah Clive.
Highest rated performance
2011Wild Bill
6.8 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2023Good Boy
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Bulk
The current state of the argument, as Anton Chambers.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Jah Clive
Directed by Alex Cox
as Anton Chambers
Directed by Ben Wheatley
as Ratboy
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Funeral Director
Good Boy (2023)
Performance score6.8
The performance the rest of the career is read through. Funeral Director gives Mark Monero a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Freddy
Wild Bill (2011)
Performance score6.7
Wild Bill asks for something the previous films did not, and gets it. Freddy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jah Clive
Sid and Nancy (1986)
Performance score6.6
Sid and Nancy asks for something the previous films did not, and gets it. Jah Clive is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Anton Chambers
Bulk (2026)
Performance score6.5
Bulk asks for something the previous films did not, and gets it. Anton Chambers is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Funeral Director
Start here. Good Boy is the clearest statement of what Mark Monero does — accessible, 16 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Mark at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Sid and Nancy (1986)
Keeps the drama register of Good Boy but asks for a colder reading of it.
Wild Bill (2011)
Keeps the drama register of Sid and Nancy but asks for a colder reading of it.
Members Club (2024)
A deliberate change of key after Wild Bill — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Bulk (2026)
A deliberate change of key after Members Club — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ben Wheatley
Director
3 films together · 5.6 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Free FireDexter Fletcher
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wild BillAlex Cox
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sid and NancySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Sid and Nancy
as Jah Clive
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Sid and Nancy
as Jah Clive
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Sid and Nancy
as Jah Clive
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Sid and Nancy
as Jah Clive
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Good Boy
as Funeral Director
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Mark Monero has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
40 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Wild Bill
as Freddy
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Free Fire
as Jimmy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Sid and Nancy
as Jah Clive
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Free Fire
as Jimmy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Free Fire
as Jimmy
Images that would survive with the sound switched off.
Best action sequence
Free Fire
as Jimmy
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Diddly Squat
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Free Fire
as Jimmy
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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