Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5106
of 909177 performers
Top 1%
Martin Lawrence represents the rare performer whose career became more ambitious with every decade — 37 years in, and Martin is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Martin Lawrence appears in 19 films in the Nutevio catalogue, and none of them would work the same way without Martin. Martin: The Reunion is the clearest case: a film rated 9.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, documentary. It is a style built on what is withheld as much as what is played.
Working with Bilall Fallah, Rob Edwards, Stan Lathan and others, Martin Lawrence helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Martin: The Reunion (2022) as Self · Do the Right Thing (1989) as Cee · Bad Boys: Ride or Die (2024) as Marcus Burnett
Career snapshot
Ranked #5106 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
19
1989–2026
Career length
37 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
9.0
Martin: The Reunion
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
9.0
Martin: The Reunion
Most frequent director
Bilall Fallah
3 films together
Longest collaboration
3×
With Bilall Fallah
Most common genre
Comedy
15 titles
Average runtime
1h 45m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.8
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
7.6 average MV
The 1980s are where the work and the material meet. Do the Right Thing — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
7.6
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
7.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Do the Right Thing.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | 7.61 film | — | — | 5.71 film | — |
| Action | — | 6.82 films | 6.33 films | — | 6.93 films |
| Thriller | — | 7.01 film | — | — | 6.52 films |
| Comedy | — | 6.54 films | 6.25 films | 5.82 films | 7.14 films |
| Crime | — | 6.83 films | 6.23 films | — | 6.83 films |
| Romance | — | 5.71 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Cee.
First Nutevio masterpiece · Highest rated performance · Career peak
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 9.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026AFI Life Achievement Award: A Tribute to Eddie Murphy
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
19 of 19 films
as Self
Directed by Stan Lathan
as Marcus Burnett
Directed by Bilall Fallah
as Marcus
Directed by Bilall Fallah
as Detective Marcus Burnett
Directed by Michael Bay
as Marcus Burnett
Directed by Michael Bay
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
Martin: The Reunion (2022)
Performance score9.1
The performance the rest of the career is read through. Self gives Martin Lawrence a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Marcus Burnett
Bad Boys: Ride or Die (2024)
Performance score7.6
Bad Boys: Ride or Die asks for something the previous films did not, and gets it. Marcus Burnett is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Marcus
Bad Boys for Life (2020)
Performance score7.5
Bad Boys for Life asks for something the previous films did not, and gets it. Marcus is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Detective Marcus Burnett
Bad Boys II (2003)
Performance score7.4
Bad Boys II asks for something the previous films did not, and gets it. Detective Marcus Burnett is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Martin: The Reunion is the clearest statement of what Martin Lawrence does — accessible, 92 minutes, and rated 9.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Martin at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Bad Boys (1995)
Keeps the comedy register of Martin: The Reunion but asks for a colder reading of it.
Bad Boys II (2003)
Same director as Bad Boys, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Bad Boys for Life (2020)
Keeps the action register of Bad Boys II but asks for a colder reading of it.
Bad Boys: Ride or Die (2024)
Same director as Bad Boys for Life, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Bilall Fallah
Director
3 films together
Notably Bad Boys: Ride or Die
Michael Bay
Director
2 films together
Notably Bad Boys
Spike Lee
Director
1 film together
Notably Do the Right Thing
Reginald Hudlin
Director
1 film together
Notably Boomerang
Steve Oedekerk
Director
1 film together
Notably Nothing to Lose
Ted Demme
Director
1 film together
Notably Life
Dennis Dugan
Director
1 film together
Notably National Security
John Whitesell
Director
1 film together
Notably Big Momma's House 2
Roger Allers
Director
1 film together
Notably Open Season
Neil LaBute
Director
1 film together
Notably Death at a Funeral
Harmony Korine
Director
1 film together
Notably The Beach Bum
Stan Lathan
Director
1 film together
Notably Martin: The Reunion
Rob Edwards
Director
1 film together
Notably Sneaks
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Bilall Fallah
Director
3 films together · 6.9 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Bad Boys: Ride or DieMichael Bay
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Bad BoysStan Lathan
Director
1 film together · 9.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Martin: The ReunionSpike Lee
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Do the Right ThingTed Demme
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
LifeSteve Oedekerk
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Nothing to LoseRoger Allers
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Open SeasonDennis Dugan
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
National SecurityRob Edwards
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SneaksNeil LaBute
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Death at a FuneralJohn Whitesell
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Big Momma's House 2Harmony Korine
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Beach BumReginald Hudlin
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BoomerangSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Martin: The Reunion
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Do the Right Thing
as Cee
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Martin: The Reunion
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Do the Right Thing
as Cee
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Martin: The Reunion
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Martin Lawrence has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
37 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
15 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Martin: The Reunion
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Martin: The Reunion
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Boomerang
as Tyler
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Mindcage
as Jake Doyle
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Martin: The Reunion
as Self
Images that would survive with the sound switched off.
Best action sequence
Wild Hogs
as Bobby Davis
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Sneaks
as J.B. (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Bad Boys
as Marcus Burnett
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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