Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#27604
of 909177 performers
Top 5%
Masahiro Takashima works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Masahiro Takashima appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Masahiro. Kingdom 5: The Clash of Souls is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, screen presence. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for war, action, adventure. It is a style built on what is withheld as much as what is played.
Working with Shinsuke Sato, Takashi Miike, Koji Shiraishi and others, Masahiro Takashima helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Kingdom 5: The Clash of Souls (2026) as Shoubunkun · Kingdom III: The Flame of Destiny (2023) as Shou Bun Kun (Chang Wen Jun) · Kaguya-sama: Love Is War (2019) as Shirogane's Father
Career snapshot
Ranked #27604 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Kingdom 5: The Clash of Souls
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
8.0
Kingdom 5: The Clash of Souls
Most frequent director
Shinsuke Sato
5 films together
Longest collaboration
5×
With Shinsuke Sato
Most common genre
Action
6 titles
Average runtime
1h 58m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.2 average MV
The 2010s are where the work and the material meet. Kingdom, Kaguya-sama: Love Is War, Masquerade Hotel — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.2
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Kingdom, Kaguya-sama: Love Is War, Masquerade Hotel.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 6.53 films |
| Action | 7.31 film | 7.35 films |
| Thriller | — | 7.01 film |
| Comedy | 7.51 film | 5.71 film |
| Crime | 6.71 film | — |
| Romance | 7.51 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Kingdom
Where our catalogue meets this career, as Chang Wen Ju.
Highest rated performance · Career peak · Most recent film
2026Kingdom 5: The Clash of Souls
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Shoubunkun.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Shoubunkun
Directed by Shinsuke Sato
as Shou Bun Kun (Chang Wen Jun)
Directed by Shinsuke Sato
as Shirogane's Father
Directed by Hayato Kawai
as Chang Wen Jun
Directed by Shinsuke Sato
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Shoubunkun
Kingdom 5: The Clash of Souls (2026)
Performance score7.8
The performance the rest of the career is read through. Shoubunkun gives Masahiro Takashima a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Shou Bun Kun (Chang Wen Jun)
Kingdom III: The Flame of Destiny (2023)
Performance score7.3
Kingdom III: The Flame of Destiny asks for something the previous films did not, and gets it. Shou Bun Kun (Chang Wen Jun) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Shirogane's Father
Kaguya-sama: Love Is War (2019)
Performance score7.3
Kaguya-sama: Love Is War asks for something the previous films did not, and gets it. Shirogane's Father is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Chang Wen Jun
Kingdom 2: Far and Away (2022)
Performance score7.2
Kingdom 2: Far and Away asks for something the previous films did not, and gets it. Chang Wen Jun is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Shoubunkun
Start here. Kingdom 5: The Clash of Souls is the clearest statement of what Masahiro Takashima does — accessible, 133 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Masahiro at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Kaguya-sama: Love Is War (2019)
A deliberate change of key after Kingdom 5: The Clash of Souls — same instrument, unfamiliar tuning, and the reason range gets mentioned.
AI Amok (2020)
A deliberate change of key after Kaguya-sama: Love Is War — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Kingdom 2: Far and Away (2022)
A deliberate change of key after AI Amok — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Kingdom III: The Flame of Destiny (2023)
Same director as Kingdom 2: Far and Away, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Shinsuke Sato
Director
5 films together
Notably Kingdom 5: The Clash of Souls
Masayuki Suzuki
Director
1 film together
Notably Masquerade Hotel
Hayato Kawai
Director
1 film together
Notably Kaguya-sama: Love Is War
Yū Irie
Director
1 film together
Notably AI Amok
Tsutomu Hanabusa
Director
1 film together
Notably Grand Blue
Koji Shiraishi
Director
1 film together
Notably Safe Word
Takashi Miike
Director
1 film together
Notably Sham
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Shinsuke Sato
Director
5 films together · 7.4 avg MV
A working relationship rather than a booking — 5 films, and the register shifts each time.
Best film together
Kingdom 5: The Clash of SoulsHayato Kawai
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Kaguya-sama: Love Is WarYū Irie
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AI AmokTakashi Miike
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ShamMasayuki Suzuki
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Masquerade HotelKoji Shiraishi
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Safe WordTsutomu Hanabusa
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Grand BlueSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Kingdom 5: The Clash of Souls
as Shoubunkun
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Kaguya-sama: Love Is War
as Shirogane's Father
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Kingdom 5: The Clash of Souls
as Shoubunkun
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Kingdom: Return of the Great General
as Shoubunkun
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Kingdom 5: The Clash of Souls
as Shoubunkun
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Masahiro Takashima has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
6 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Kingdom 5: The Clash of Souls
as Shoubunkun
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Kingdom 5: The Clash of Souls
as Shoubunkun
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Kaguya-sama: Love Is War
as Shirogane's Father
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Masquerade Hotel
as Furuhashi
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Kingdom 5: The Clash of Souls
as Shoubunkun
Images that would survive with the sound switched off.
Best action sequence
Kingdom: Return of the Great General
as Shoubunkun
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Kingdom
as Chang Wen Ju
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Kingdom 2: Far and Away
as Chang Wen Jun
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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