Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24660
of 909177 performers
Top 5%
Matt Lintz works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Matt Lintz appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Matt. Marvel Studios' 2021 Disney+ Day Special is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, drama, thriller. It is a style built on what is withheld as much as what is played.
Working with Gary Ross, Chris Columbus, Michael Cuesta and others, Matt Lintz helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Marvel Studios' 2021 Disney+ Day Special (2021) as Bruno Carrelli (archive footage) · Free State of Jones (2016) as Matthew Yates · Kill the Messenger (2014) as Eric Webb
Career snapshot
Ranked #24660 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2010–2026
Career length
16 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
Marvel Studios' 2021 Disney+ Day Special
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
6.9
Marvel Studios' 2021 Disney+ Day Special
Most frequent director
Gary Ross
1 film together
Longest collaboration
1×
With Gary Ross
Most common genre
Drama
4 titles
Average runtime
1h 37m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.6 average MV
The 2020s are where the work and the material meet. Grizzly Night, Marvel Studios' 2021 Disney+ Day Special — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Free State of Jones, Pixels, Kill the Messenger.
Most productive era
2010s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.53 films | 6.31 film |
| Action | 6.33 films | — |
| Thriller | 6.61 film | 6.31 film |
| Comedy | 5.92 films | — |
| Crime | 6.61 film | — |
| Romance | 6.01 film | — |
| Horror | 6.31 film | 6.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2010The Crazies
Where our catalogue meets this career, as Distraught Son #2.
Highest rated performance · Career peak
2021Marvel Studios' 2021 Disney+ Day Special
6.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Grizzly Night
The current state of the argument, as Roy Ducat.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Bruno Carrelli (archive footage)
Directed by Unknown
as Matthew Yates
Directed by Gary Ross
as Eric Webb
Directed by Michael Cuesta
as Roy Ducat
Directed by Unknown
as Matty
Directed by Chris Columbus
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Bruno Carrelli (archive footage)
Marvel Studios' 2021 Disney+ Day Special (2021)
Performance score6.8
The performance the rest of the career is read through. Bruno Carrelli (archive footage) gives Matt Lintz a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Matthew Yates
Free State of Jones (2016)
Performance score6.7
Free State of Jones asks for something the previous films did not, and gets it. Matthew Yates is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Eric Webb
Kill the Messenger (2014)
Performance score6.6
Kill the Messenger asks for something the previous films did not, and gets it. Eric Webb is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Roy Ducat
Grizzly Night (2026)
Performance score6.5
Grizzly Night asks for something the previous films did not, and gets it. Roy Ducat is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bruno Carrelli (archive footage)
Start here. Marvel Studios' 2021 Disney+ Day Special is the clearest statement of what Matt Lintz does — accessible, 14 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Matt at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Kill the Messenger (2014)
A deliberate change of key after Marvel Studios' 2021 Disney+ Day Special — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Pixels (2015)
A deliberate change of key after Kill the Messenger — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Free State of Jones (2016)
Keeps the action register of Pixels but asks for a colder reading of it.
Grizzly Night (2026)
Keeps the drama register of Free State of Jones but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Breck Eisner
Director
1 film together
Notably The Crazies
Kirk Jones
Director
1 film together
Notably What to Expect When You're Expecting
Michael Cuesta
Director
1 film together
Notably Kill the Messenger
Chris Columbus
Director
1 film together
Notably Pixels
Gary Ross
Director
1 film together
Notably Free State of Jones
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Gary Ross
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Free State of JonesMichael Cuesta
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Kill the MessengerBreck Eisner
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The CraziesKirk Jones
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
What to Expect When You're ExpectingChris Columbus
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PixelsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Free State of Jones
as Matthew Yates
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
What to Expect When You're Expecting
as Disruptive Kid
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Marvel Studios' 2021 Disney+ Day Special
as Bruno Carrelli (archive footage)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
What to Expect When You're Expecting
as Disruptive Kid
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Marvel Studios' 2021 Disney+ Day Special
as Bruno Carrelli (archive footage)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Matt Lintz has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Kill the Messenger
as Eric Webb
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Kill the Messenger
as Eric Webb
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
What to Expect When You're Expecting
as Disruptive Kid
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Kill the Messenger
as Eric Webb
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Free State of Jones
as Matthew Yates
Images that would survive with the sound switched off.
Best action sequence
The Crazies
as Distraught Son #2
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
What to Expect When You're Expecting
as Disruptive Kid
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Free State of Jones
as Matthew Yates
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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