Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#94036
of 909177 performers
Top 25%
Matthew Faber works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Matthew Faber appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Matthew. Natural Born Killers is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, romance. It is a style built on what is withheld as much as what is played.
Working with Ang Lee, Oliver Stone, Tim Robbins, Matthew Faber helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Natural Born Killers (1994) as Kid #1 · Bob Roberts (1992) as Calvin · Ride with the Devil (1999) as Turner Rawls
Career snapshot
Ranked #94036 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1992–2005
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Natural Born Killers
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.0
Natural Born Killers
Most frequent director
Ang Lee
1 film together
Longest collaboration
1×
With Ang Lee
Most common genre
Drama
4 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.7 average MV
The 1990s are where the work and the material meet. Ride with the Devil, Natural Born Killers, Bob Roberts — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.7
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Ride with the Devil, Natural Born Killers, Bob Roberts.
Most productive era
1990s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s |
|---|---|---|
| Drama | 6.73 films | 6.21 film |
| Thriller | 7.11 film | — |
| Comedy | 6.61 film | 6.21 film |
| Crime | 7.11 film | — |
| Romance | 6.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1992Bob Roberts
Where our catalogue meets this career, as Calvin.
Highest rated performance · Career peak
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2005Palindromes
The current state of the argument, as Mark Wiener.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Kid #1
Directed by Oliver Stone
as Calvin
Directed by Tim Robbins
as Mark Wiener
Directed by Unknown
as Turner Rawls
Directed by Ang Lee
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Kid #1
Natural Born Killers (1994)
Performance score7.0
The performance the rest of the career is read through. Kid #1 gives Matthew Faber a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Calvin
Bob Roberts (1992)
Performance score6.6
Bob Roberts asks for something the previous films did not, and gets it. Calvin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mark Wiener
Palindromes (2005)
Performance score6.5
Palindromes asks for something the previous films did not, and gets it. Mark Wiener is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Turner Rawls
Ride with the Devil (1999)
Performance score6.5
Ride with the Devil asks for something the previous films did not, and gets it. Turner Rawls is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Kid #1
Start here. Natural Born Killers is the clearest statement of what Matthew Faber does — accessible, 119 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Matthew at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Bob Roberts (1992)
Keeps the drama register of Natural Born Killers but asks for a colder reading of it.
Ride with the Devil (1999)
Keeps the drama register of Bob Roberts but asks for a colder reading of it.
Palindromes (2005)
Keeps the drama register of Ride with the Devil but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Oliver Stone
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Natural Born KillersTim Robbins
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bob RobertsAng Lee
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ride with the DevilSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Natural Born Killers
as Kid #1
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Ride with the Devil
as Turner Rawls
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Natural Born Killers
as Kid #1
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Natural Born Killers
as Kid #1
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Natural Born Killers
as Kid #1
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Matthew Faber has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Natural Born Killers
as Kid #1
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Natural Born Killers
as Kid #1
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Ride with the Devil
as Turner Rawls
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Natural Born Killers
as Kid #1
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Natural Born Killers
as Kid #1
Images that would survive with the sound switched off.
Best action sequence
Ride with the Devil
as Turner Rawls
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Natural Born Killers
as Kid #1
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Ride with the Devil
as Turner Rawls
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Cillian Murphy
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Morgan Freeman
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Have your say
Community
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Our readers argue about this one. Make your case, or read the ranked debate already in progress.
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Reference
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