Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#15669
of 909177 performers
Top 5%
Matthew Page works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Matthew Page appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Matthew. Sicario is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, science fiction. It is a style built on what is withheld as much as what is played.
Working with Keith Jardine, Ric Roman Waugh, Stephen Gaghan and others, Matthew Page helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Sicario (2015) as Operator · Lone Survivor (2013) as Army Intel Guy · Shot Caller (2017) as SHU Guard
Career snapshot
Ranked #15669 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2007–2025
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
Sicario
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.4
Lone Survivor
Most frequent director
Keith Jardine
1 film together
Longest collaboration
1×
With Keith Jardine
Most common genre
Drama
8 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.8 average MV
The 2010s are where the work and the material meet. Shot Caller, The Space Between Us, Gold — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.8
Across 11 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. In the Valley of Elah.
Most productive era
2010s
11 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.81 film | 6.87 films | — |
| Action | — | 6.94 films | 6.71 film |
| Thriller | 6.81 film | 6.95 films | 6.11 film |
| Comedy | — | 6.52 films | 6.71 film |
| Crime | 6.81 film | 7.22 films | — |
| Romance | — | 7.01 film | — |
| Horror | — | — | 5.42 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Guard.
Highest rated performance · Career peak
2013Lone Survivor
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Kill Me Again
The current state of the argument, as Sam.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Operator
Directed by Denis Villeneuve
as Army Intel Guy
Directed by Peter Berg
as Carter
Directed by Unknown
as SHU Guard
Directed by Ric Roman Waugh
as Colorado State Trooper
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Operator
Sicario (2015)
Performance score7.2
The performance the rest of the career is read through. Operator gives Matthew Page a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Army Intel Guy
Lone Survivor (2013)
Performance score7.2
Lone Survivor asks for something the previous films did not, and gets it. Army Intel Guy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Carter
The Paper Tigers (2020)
Performance score6.9
The Paper Tigers asks for something the previous films did not, and gets it. Carter is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
SHU Guard
Shot Caller (2017)
Performance score6.9
Shot Caller asks for something the previous films did not, and gets it. SHU Guard is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Operator
Start here. Sicario is the clearest statement of what Matthew Page does — accessible, 122 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Matthew at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Lone Survivor (2013)
Keeps the action register of Sicario but asks for a colder reading of it.
Shot Caller (2017)
Keeps the drama register of Lone Survivor but asks for a colder reading of it.
The Space Between Us (2017)
Keeps the drama register of Shot Caller but asks for a colder reading of it.
The Paper Tigers (2020)
Same director as The Space Between Us, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Paul Haggis
Director
1 film together
Notably In the Valley of Elah
Peter Berg
Director
1 film together
Notably Lone Survivor
Gore Verbinski
Director
1 film together
Notably The Lone Ranger
Stephen Sommers
Director
1 film together
Notably Odd Thomas
Michael Berry
Director
1 film together
Notably Frontera
Lenny Abrahamson
Director
1 film together
Notably Frank
Wes Ball
Director
1 film together
Notably Maze Runner: The Scorch Trials
Denis Villeneuve
Director
1 film together
Notably Sicario
Glenn Ficarra
Director
1 film together
Notably Whiskey Tango Foxtrot
Stephen Gaghan
Director
1 film together
Notably Gold
Ric Roman Waugh
Director
1 film together
Notably Shot Caller
Keith Jardine
Director
1 film together
Notably Kill Me Again
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Denis Villeneuve
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SicarioPeter Berg
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lone SurvivorRic Roman Waugh
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Shot CallerStephen Sommers
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Odd ThomasLenny Abrahamson
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FrankPaul Haggis
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In the Valley of ElahWes Ball
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Maze Runner: The Scorch TrialsStephen Gaghan
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GoldMichael Berry
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FronteraGlenn Ficarra
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Whiskey Tango FoxtrotKeith Jardine
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Kill Me AgainGore Verbinski
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Lone RangerSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Sicario
as Operator
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Space Between Us
as Colorado State Trooper
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Lone Survivor
as Army Intel Guy
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Sicario
as Operator
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Sicario
as Operator
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Matthew Page has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
8 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Odd Thomas
as Harlo Landerson
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Sicario
as Operator
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Space Between Us
as Colorado State Trooper
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
In the Valley of Elah
as Guard
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Sicario
as Operator
Images that would survive with the sound switched off.
Best action sequence
The Lone Ranger
as Soldier #3
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Whiskey Tango Foxtrot
as Lt. Stern
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Odd Thomas
as Harlo Landerson
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Our readers argue about this one. Make your case, or read the ranked debate already in progress.
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Reference
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