Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3507
of 909177 performers
Top 1%
Max Greenfield works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Max Greenfield appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Max. The Valet is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, music, drama. It is a style built on what is withheld as much as what is played.
Working with Jerry Seinfeld, Chelsea Peretti, Emerald Fennell and others, Max Greenfield helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Valet (2022) as Vincent Royce · Promising Young Woman (2020) as Joe · The Big Short (2015) as Mortgage Broker
Career snapshot
Ranked #3507 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2014–2026
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
The Valet
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
7.5
The Valet
Most frequent director
David Wain
2 films together
Longest collaboration
2×
With David Wain
Most common genre
Comedy
12 titles
Average runtime
1h 40m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.5 average MV
The 2010s are where the work and the material meet. What Men Want, A Futile and Stupid Gesture, The Glass Castle — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.5
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. What Men Want, A Futile and Stupid Gesture, The Glass Castle.
Most productive era
2010s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.86 films | 3.72 films |
| Action | — | 6.31 film |
| Thriller | 7.01 film | 7.41 film |
| Comedy | 6.47 films | 4.65 films |
| Crime | 6.82 films | 7.41 film |
| Romance | 6.21 film | 7.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Jake.
Highest rated performance · Career peak
2022The Valet
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Joe
Directed by Emerald Fennell
as David
Directed by Destin Daniel Cretton
as Mortgage Broker
Directed by Adam McKay
as Tom
Directed by Ric Roman Waugh
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Vincent Royce
The Valet (2022)
Performance score7.8
The performance the rest of the career is read through. Vincent Royce gives Max Greenfield a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Joe
Promising Young Woman (2020)
Performance score7.2
Promising Young Woman asks for something the previous films did not, and gets it. Joe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
David
The Glass Castle (2017)
Performance score7.2
The Glass Castle asks for something the previous films did not, and gets it. David is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Mortgage Broker
The Big Short (2015)
Performance score7.2
The Big Short asks for something the previous films did not, and gets it. Mortgage Broker is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Vincent Royce
Start here. The Valet is the clearest statement of what Max Greenfield does — accessible, 123 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Max at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Big Short (2015)
Keeps the comedy register of The Valet but asks for a colder reading of it.
The Glass Castle (2017)
Keeps the drama register of The Big Short but asks for a colder reading of it.
Shot Caller (2017)
Keeps the drama register of The Glass Castle but asks for a colder reading of it.
Promising Young Woman (2020)
Keeps the crime register of Shot Caller but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
David Wain
Director
2 films together
Notably A Futile and Stupid Gesture
Jesse Zwick
Director
1 film together
Notably About Alex
Rob Thomas
Director
1 film together
Notably Veronica Mars
Adam McKay
Director
1 film together
Notably The Big Short
Ric Roman Waugh
Director
1 film together
Notably Shot Caller
Destin Daniel Cretton
Director
1 film together
Notably The Glass Castle
Adam Shankman
Director
1 film together
Notably What Men Want
Sean McNamara
Director
1 film together
Notably Cats & Dogs 3: Paws Unite
Emerald Fennell
Director
1 film together
Notably Promising Young Woman
Chelsea Peretti
Director
1 film together
Notably First Time Female Director
Jerry Seinfeld
Director
1 film together
Notably Unfrosted
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Wain
Director
2 films together · 6.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
A Futile and Stupid GestureEmerald Fennell
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Promising Young WomanAdam McKay
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Big ShortDestin Daniel Cretton
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Glass CastleRic Roman Waugh
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Shot CallerRob Thomas
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Veronica MarsSean McNamara
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cats & Dogs 3: Paws UniteAdam Shankman
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
What Men WantJesse Zwick
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
About AlexJerry Seinfeld
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UnfrostedChelsea Peretti
Director
1 film together · 3.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
First Time Female DirectorSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Valet
as Vincent Royce
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Valet
as Vincent Royce
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Valet
as Vincent Royce
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Big Short
as Mortgage Broker
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Valet
as Vincent Royce
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Max Greenfield has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
12 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Valet
as Vincent Royce
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Promising Young Woman
as Joe
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Valet
as Vincent Royce
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Promising Young Woman
as Joe
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Valet
as Vincent Royce
Images that would survive with the sound switched off.
Best action sequence
Cats & Dogs 3: Paws Unite
as Roger the Dog (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Veronica Mars
as Leo D'Amato
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
A Futile and Stupid Gesture
as Chris Miller
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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