Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#233256
of 909177 performers
Top 50%
Max Herbrechter works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Max Herbrechter appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Max. Anna und ihr Untermieter - Volles Haus is the clearest case: a film rated 6.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, screen presence, rewatchability. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for crime, comedy. It is a style built on what is withheld as much as what is played.
Working with , Max Herbrechter helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Anna und ihr Untermieter - Volles Haus (2026) as Klaus · Der Kroatien-Krimi: Tote Mädchen (2020) as Tomislav Kovacic · Der Kroatien-Krimi: Tränenhochzeit (2020) as Tomislav Kovacic
Career snapshot
Ranked #233256 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.0
Anna und ihr Untermieter - Volles Haus
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
6.0
Anna und ihr Untermieter - Volles Haus
Most frequent director
—
Longest collaboration
—
Most common genre
Crime
2 titles
Average runtime
0h 0m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.0 average MV
The 2010s are where the work and the material meet. Zimmer mit Stall - Berge versetzen — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Zimmer mit Stall - Berge versetzen.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Comedy | 6.01 film | — |
| Crime | — | 6.02 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2019Zimmer mit Stall - Berge versetzen
Where our catalogue meets this career, as Ingo Ehrlich. 6.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Anna und ihr Untermieter - Volles Haus
The current state of the argument, as Klaus.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Klaus
Anna und ihr Untermieter - Volles Haus (2026)
Performance score6.5
The performance the rest of the career is read through. Klaus gives Max Herbrechter a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Tomislav Kovacic
Der Kroatien-Krimi: Tote Mädchen (2020)
Performance score6.5
Der Kroatien-Krimi: Tote Mädchen asks for something the previous films did not, and gets it. Tomislav Kovacic is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Tomislav Kovacic
Der Kroatien-Krimi: Tränenhochzeit (2020)
Performance score6.5
Der Kroatien-Krimi: Tränenhochzeit asks for something the previous films did not, and gets it. Tomislav Kovacic is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Ingo Ehrlich
Zimmer mit Stall - Berge versetzen (2019)
Performance score6.5
Zimmer mit Stall - Berge versetzen asks for something the previous films did not, and gets it. Ingo Ehrlich is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Klaus
Start here. Anna und ihr Untermieter - Volles Haus is the clearest statement of what Max Herbrechter does — accessible, 0 minutes, and rated 6.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Max at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Zimmer mit Stall - Berge versetzen (2019)
Same director as Anna und ihr Untermieter - Volles Haus, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Der Kroatien-Krimi: Tote Mädchen (2020)
Same director as Zimmer mit Stall - Berge versetzen, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Der Kroatien-Krimi: Tränenhochzeit (2020)
Same director as Der Kroatien-Krimi: Tote Mädchen, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Not enough analysed work in the catalogue yet. This section fills in automatically as titles are imported.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Anna und ihr Untermieter - Volles Haus
as Klaus
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Der Kroatien-Krimi: Tote Mädchen
as Tomislav Kovacic
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Zimmer mit Stall - Berge versetzen
as Ingo Ehrlich
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Der Kroatien-Krimi: Tote Mädchen
as Tomislav Kovacic
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Anna und ihr Untermieter - Volles Haus
as Klaus
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Max Herbrechter has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Crime Legend
Awarded
2 catalogue titles in crime, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Anna und ihr Untermieter - Volles Haus
as Klaus
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Der Kroatien-Krimi: Tote Mädchen
as Tomislav Kovacic
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Der Kroatien-Krimi: Tote Mädchen
as Tomislav Kovacic
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Der Kroatien-Krimi: Tote Mädchen
as Tomislav Kovacic
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Der Kroatien-Krimi: Tränenhochzeit
as Tomislav Kovacic
Images that would survive with the sound switched off.
Best action sequence
Der Kroatien-Krimi: Tränenhochzeit
as Tomislav Kovacic
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Der Kroatien-Krimi: Tränenhochzeit
as Tomislav Kovacic
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Anna und ihr Untermieter - Volles Haus
as Klaus
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Tom Hanks
Built a career in the same territory: comedy and crime
Bonnie Hunt
Built a career in the same territory: comedy and crime
Harvey Keitel
Built a career in the same territory: comedy and crime
Matt Damon
Built a career in the same territory: crime
Michael Caine
Built a career in the same territory: crime
Cillian Murphy
Built a career in the same territory: crime
Have your say
Community
Which Max Herbrechter performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
