Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4774
of 909177 performers
Top 1%
Molly Hagan works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Molly Hagan appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Molly. All My Life is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, tv movie. It is a style built on what is withheld as much as what is played.
Working with Clint Eastwood, Max Joseph, Allison Liddi-Brown and others, Molly Hagan helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
All My Life (2020) as Hope Marie Carter · Sully (2016) as Doreen Welsh · Election (1999) as Diane McAllister
Career snapshot
Ranked #4774 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
1996–2020
Career length
24 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
All My Life
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.8
All My Life
Most frequent director
Clint Eastwood
1 film together
Longest collaboration
1×
With Clint Eastwood
Most common genre
Drama
7 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.8 average MV
The 2020s are where the work and the material meet. All My Life — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Election, The Dentist.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | 6.91 film | 6.52 films | 6.53 films | 7.81 film |
| Thriller | 5.51 film | — | 6.71 film | — |
| Comedy | 6.91 film | 6.52 films | 6.81 film | — |
| Romance | — | — | 6.81 film | 7.81 film |
| Horror | 5.51 film | — | 6.71 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1996The Dentist
Where our catalogue meets this career, as Jessica.
Highest rated performance · Career peak · Most recent film
2020All My Life
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Hope Marie Carter.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Hope Marie Carter
Directed by Unknown
as Doreen Welsh
Directed by Clint Eastwood
as The Director
Directed by Allison Liddi-Brown
as Diane McAllister
Directed by Alexander Payne
as Francine
Directed by Max Joseph
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Hope Marie Carter
All My Life (2020)
Performance score7.6
The performance the rest of the career is read through. Hope Marie Carter gives Molly Hagan a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Doreen Welsh
Sully (2016)
Performance score7.1
Sully asks for something the previous films did not, and gets it. Doreen Welsh is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
The Director
Princess Protection Program (2009)
Performance score6.8
Princess Protection Program asks for something the previous films did not, and gets it. The Director is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Diane McAllister
Election (1999)
Performance score6.8
Election asks for something the previous films did not, and gets it. Diane McAllister is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Hope Marie Carter
Start here. All My Life is the clearest statement of what Molly Hagan does — accessible, 93 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Molly at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Election (1999)
Keeps the drama register of All My Life but asks for a colder reading of it.
Princess Protection Program (2009)
Keeps the comedy register of Election but asks for a colder reading of it.
We Are Your Friends (2015)
Keeps the comedy register of Princess Protection Program but asks for a colder reading of it.
Sully (2016)
Keeps the drama register of We Are Your Friends but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Brian Yuzna
Director
1 film together
Notably The Dentist
Alexander Payne
Director
1 film together
Notably Election
Neil Burger
Director
1 film together
Notably The Lucky Ones
Allison Liddi-Brown
Director
1 film together
Notably Princess Protection Program
Max Joseph
Director
1 film together
Notably We Are Your Friends
Clint Eastwood
Director
1 film together
Notably Sully
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Clint Eastwood
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SullyAlexander Payne
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ElectionMax Joseph
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
We Are Your FriendsAllison Liddi-Brown
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Princess Protection ProgramNeil Burger
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Lucky OnesBrian Yuzna
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The DentistSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
All My Life
as Hope Marie Carter
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
All My Life
as Hope Marie Carter
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
All My Life
as Hope Marie Carter
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Sully
as Doreen Welsh
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
All My Life
as Hope Marie Carter
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Molly Hagan has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
24 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
All My Life
as Hope Marie Carter
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
A Nasty Piece of Work
as Kiwi
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
All My Life
as Hope Marie Carter
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Dentist
as Jessica
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
All My Life
as Hope Marie Carter
Images that would survive with the sound switched off.
Best action sequence
All My Life
as Hope Marie Carter
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
We Are Your Friends
as Francine
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
All My Life
as Hope Marie Carter
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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