Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#19278
of 909177 performers
Top 5%
Molly Sims works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Molly Sims appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Molly. Yes Man is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, comedy, rewatchability. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, family. It is a style built on what is withheld as much as what is played.
Working with Tyler Spindel, Miguel Arteta, Will Gluck and others, Molly Sims helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Yes Man (2008) as Stephanie · YES DAY (2021) as Hiring Executive · The Wrong Missy (2020) as Melissa
Career snapshot
Ranked #19278 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2004–2025
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
Yes Man
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
6.7
Yes Man
Most frequent director
Tyler Spindel
2 films together
Longest collaboration
2×
With Tyler Spindel
Most common genre
Comedy
6 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.2 average MV
The 2000s are where the work and the material meet. Fired Up!, Yes Man, Starsky & Hutch — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.2
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Fired Up!, Yes Man, Starsky & Hutch.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2020s |
|---|---|---|
| Comedy | 6.23 films | 6.13 films |
| Crime | 5.81 film | — |
| Romance | 6.81 film | 5.82 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2004Starsky & Hutch
Where our catalogue meets this career, as Mrs. Feldman.
Highest rated performance · Career peak
2008Yes Man
6.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Kinda Pregnant
The current state of the argument, as Prenatal Workshop Teacher.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Stephanie
Directed by Peyton Reed
as Hiring Executive
Directed by Miguel Arteta
as Prenatal Workshop Teacher
Directed by Tyler Spindel
as Melissa
Directed by Tyler Spindel
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Stephanie
Yes Man (2008)
Performance score6.7
The performance the rest of the career is read through. Stephanie gives Molly Sims a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Hiring Executive
YES DAY (2021)
Performance score6.6
YES DAY asks for something the previous films did not, and gets it. Hiring Executive is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Prenatal Workshop Teacher
Kinda Pregnant (2025)
Performance score6.5
Kinda Pregnant asks for something the previous films did not, and gets it. Prenatal Workshop Teacher is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Melissa
The Wrong Missy (2020)
Performance score6.5
The Wrong Missy asks for something the previous films did not, and gets it. Melissa is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Stephanie
Start here. Yes Man is the clearest statement of what Molly Sims does — accessible, 104 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Molly at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Fired Up! (2009)
Keeps the comedy register of Yes Man but asks for a colder reading of it.
The Wrong Missy (2020)
Keeps the comedy register of Fired Up! but asks for a colder reading of it.
YES DAY (2021)
Keeps the comedy register of The Wrong Missy but asks for a colder reading of it.
Kinda Pregnant (2025)
Keeps the comedy register of YES DAY but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Tyler Spindel
Director
2 films together
Notably The Wrong Missy
Todd Phillips
Director
1 film together
Notably Starsky & Hutch
Peyton Reed
Director
1 film together
Notably Yes Man
Will Gluck
Director
1 film together
Notably Fired Up!
Miguel Arteta
Director
1 film together
Notably YES DAY
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tyler Spindel
Director
2 films together · 5.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Wrong MissyPeyton Reed
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Yes ManMiguel Arteta
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
YES DAYWill Gluck
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fired Up!Todd Phillips
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Starsky & HutchSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Yes Man
as Stephanie
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Yes Man
as Stephanie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Yes Man
as Stephanie
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Yes Man
as Stephanie
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Yes Man
as Stephanie
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Molly Sims has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
6 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Yes Man
as Stephanie
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Yes Man
as Stephanie
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Yes Man
as Stephanie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
YES DAY
as Hiring Executive
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Yes Man
as Stephanie
Images that would survive with the sound switched off.
Best action sequence
Starsky & Hutch
as Mrs. Feldman
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Kinda Pregnant
as Prenatal Workshop Teacher
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Yes Man
as Stephanie
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Joan Cusack
Built a career in the same territory: family and comedy
Greta Lee
Built a career in the same territory: family and comedy
Conan O'Brien
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Have your say
Community
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Reference
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