Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#19384
of 909177 performers
Top 5%
Moya Brady represents the rare performer whose career became more ambitious with every decade — 31 years in, and Moya is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Moya Brady appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Moya. Pride & Prejudice is the clearest case: a film rated 8.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, comedy, crime. It is a style built on what is withheld as much as what is played.
Working with Lena Dunham, Joe Wright, Terry Gilliam and others, Moya Brady helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Pride & Prejudice (2005) as Lambton Maid · The Soloist (2009) as Barely Dressed Woman · Scoop (2006) as Screamer
Career snapshot
Ranked #19384 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1994–2025
Career length
31 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.2
Pride & Prejudice
Average Nutevio score
5.5
Across catalogue work
Highest IMDb rating
8.1
Pride & Prejudice
Most frequent director
Joe Wright
2 films together
Longest collaboration
2×
With Joe Wright
Most common genre
Comedy
4 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.0 average MV
The 2000s are where the work and the material meet. The Soloist, The Imaginarium of Doctor Parnassus, Scoop — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The NeverEnding Story III.
Most productive era
2000s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2020s |
|---|---|---|---|
| Drama | — | 7.42 films | 6.11 film |
| Comedy | 4.51 film | 6.61 film | 3.02 films |
| Crime | — | — | 0.01 film |
| Romance | — | 8.21 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Urgl.
Highest rated performance · Career peak
8.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Schadenfreude
The current state of the argument, as Marge.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Barely Dressed Woman
Directed by Joe Wright
as Screamer
Directed by Woody Allen
as Marge
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lambton Maid
Pride & Prejudice (2005)
Performance score7.9
The performance the rest of the career is read through. Lambton Maid gives Moya Brady a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Barely Dressed Woman
The Soloist (2009)
Performance score6.6
The Soloist asks for something the previous films did not, and gets it. Barely Dressed Woman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Screamer
Scoop (2006)
Performance score6.6
Scoop asks for something the previous films did not, and gets it. Screamer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Marge
Schadenfreude (2025)
Performance score6.5
Schadenfreude asks for something the previous films did not, and gets it. Marge is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lambton Maid
Start here. Pride & Prejudice is the clearest statement of what Moya Brady does — accessible, 128 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Moya at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Scoop (2006)
A deliberate change of key after Pride & Prejudice — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Soloist (2009)
A deliberate change of key after Scoop — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Catherine Called Birdy (2022)
Keeps the drama register of The Soloist but asks for a colder reading of it.
Schadenfreude (2025)
Keeps the comedy register of Catherine Called Birdy but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Joe Wright
Director
2 films together
Notably Pride & Prejudice
Peter MacDonald
Director
1 film together
Notably The NeverEnding Story III
Woody Allen
Director
1 film together
Notably Scoop
Terry Gilliam
Director
1 film together
Notably The Imaginarium of Doctor Parnassus
Lena Dunham
Director
1 film together
Notably Catherine Called Birdy
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Joe Wright
Director
2 films together · 7.4 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Pride & PrejudiceWoody Allen
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ScoopTerry Gilliam
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Imaginarium of Doctor ParnassusLena Dunham
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Catherine Called BirdyPeter MacDonald
Director
1 film together · 4.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The NeverEnding Story IIISix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Pride & Prejudice
as Lambton Maid
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Pride & Prejudice
as Lambton Maid
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Pride & Prejudice
as Lambton Maid
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Scoop
as Screamer
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Pride & Prejudice
as Lambton Maid
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Moya Brady has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
31 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Pride & Prejudice
as Lambton Maid
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Pride & Prejudice
as Lambton Maid
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Soloist
as Barely Dressed Woman
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Imaginarium of Doctor Parnassus
as Aunty Flo
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Pride & Prejudice
as Lambton Maid
Images that would survive with the sound switched off.
Best action sequence
Pride & Prejudice
as Lambton Maid
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Pride & Prejudice
as Lambton Maid
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Pride & Prejudice
as Lambton Maid
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Jamie Harris
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Mark Ruffalo
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Have your say
Community
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Reference
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