Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4895
of 909177 performers
Top 1%
Nana Visitor represents the rare performer whose career became more ambitious with every decade — 43 years in, and Nana is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Nana Visitor appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Nana. Ted 2 is the clearest case: a film rated 6.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, comedy, fantasy. It is a style built on what is withheld as much as what is played.
Working with Seth MacFarlane, Michael Winner, Nana Visitor helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Ted 2 (2015) as Adoption Agent · The Sentinel (1977) as Girl at End (as Nana Tucker) · The Resident (2011) as Real Estate Agent
Career snapshot
Ranked #4895 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1977–2020
Career length
43 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.3
Ted 2
Average Nutevio score
5.6
Across catalogue work
Highest IMDb rating
6.3
Ted 2
Most frequent director
Seth MacFarlane
1 film together
Longest collaboration
1×
With Seth MacFarlane
Most common genre
Comedy
3 titles
Average runtime
1h 45m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
6.2 average MV
The 1970s are where the work and the material meet. The Sentinel — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
6.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
6.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Sentinel.
Most productive era
2010s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | — | 5.81 film | — | — |
| Thriller | — | — | 5.81 film | — |
| Comedy | — | 5.81 film | 6.31 film | 4.11 film |
| Horror | 6.21 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
1977The Sentinel
Where our catalogue meets this career, as Girl at End (as Nana Tucker). Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
2015Ted 2
6.3 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
The current state of the argument, as Samantha Stamen.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Samantha Stamen
Directed by Unknown
as Adoption Agent
Directed by Seth MacFarlane
as Real Estate Agent
Directed by Unknown
as Galena Greenleaf
Directed by Unknown
as Girl at End (as Nana Tucker)
Directed by Michael Winner
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Samantha Stamen
Unbelievable!!!!! (2020)
Performance score6.5
The performance the rest of the career is read through. Samantha Stamen gives Nana Visitor a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Adoption Agent
Ted 2 (2015)
Performance score6.5
Ted 2 asks for something the previous films did not, and gets it. Adoption Agent is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Real Estate Agent
The Resident (2011)
Performance score6.5
The Resident asks for something the previous films did not, and gets it. Real Estate Agent is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Galena Greenleaf
Swing Vote (2008)
Performance score6.5
Swing Vote asks for something the previous films did not, and gets it. Galena Greenleaf is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Samantha Stamen
Start here. Unbelievable!!!!! is the clearest statement of what Nana Visitor does — accessible, 105 minutes, and rated 4.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Nana at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Sentinel (1977)
A deliberate change of key after Unbelievable!!!!! — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Swing Vote (2008)
A deliberate change of key after The Sentinel — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Resident (2011)
Same director as Swing Vote, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Ted 2 (2015)
A deliberate change of key after The Resident — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Seth MacFarlane
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ted 2Michael Winner
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The SentinelSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Ted 2
as Adoption Agent
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Swing Vote
as Galena Greenleaf
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Sentinel
as Girl at End (as Nana Tucker)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ted 2
as Adoption Agent
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Unbelievable!!!!!
as Samantha Stamen
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Nana Visitor has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
43 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Sentinel
as Girl at End (as Nana Tucker)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Sentinel
as Girl at End (as Nana Tucker)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Swing Vote
as Galena Greenleaf
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Sentinel
as Girl at End (as Nana Tucker)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Ted 2
as Adoption Agent
Images that would survive with the sound switched off.
Best action sequence
The Sentinel
as Girl at End (as Nana Tucker)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Swing Vote
as Galena Greenleaf
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Sentinel
as Girl at End (as Nana Tucker)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Jamie Harris
Built a career in the same territory: drama and fantasy
Matt Damon
Built a career in the same territory: drama and fantasy
Michael Caine
Built a career in the same territory: drama and thriller
Tom Hanks
Built a career in the same territory: comedy and drama
Bonnie Hunt
Built a career in the same territory: comedy and drama
Morgan Freeman
Built a career in the same territory: drama and thriller
Have your say
Community
Which Nana Visitor performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
