Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1029
of 909177 performers
Top 1%
Natalia Tena works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Natalia Tena appears in 16 films in the Nutevio catalogue, and none of them would work the same way without Natalia. A tree is a tree is the clearest case: a film rated 10.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, documentary. It is a style built on what is withheld as much as what is played.
Working with Chad Stahelski, Laura Mañá, David Yates and others, Natalia Tena helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
A tree is a tree (2026) as Voice (English) · Harry Potter and the Deathly Hallows: Part 2 (2011) as Nymphadora Tonks · Harry Potter and the Deathly Hallows: Part 1 (2010) as Nymphadora Tonks
Career snapshot
Ranked #1029 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
16
2002–2026
Career length
24 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
10.0
A tree is a tree
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
10.0
A tree is a tree
Most frequent director
David Yates
4 films together
Longest collaboration
4×
With David Yates
Most common genre
Thriller
5 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.3 average MV
The 2000s are where the work and the material meet. Harry Potter and the Half-Blood Prince, Harry Potter and the Order of the Phoenix, Mrs. Henderson Presents — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.3
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Harry Potter and the Half-Blood Prince, Harry Potter and the Order of the Phoenix, Mrs. Henderson Presents.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.72 films | 5.31 film | 5.42 films |
| Action | — | — | 7.71 film |
| Thriller | — | — | 6.15 films |
| Comedy | 6.72 films | — | 6.41 film |
| Crime | — | — | 7.71 film |
| Romance | 6.71 film | 5.72 films | — |
| Horror | — | — | 5.63 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2002About a Boy
Where our catalogue meets this career, as Ellie.
First Nutevio masterpiece · Highest rated performance · Career peak · Most recent film
2026A tree is a tree
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 10.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Voice (English).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
16 of 16 films
as Voice (English)
Directed by Unknown
as Nymphadora Tonks
Directed by David Yates
as Nymphadora Tonks
Directed by David Yates
as Nymphadora Tonks
Directed by David Yates
as Nymphadora Tonks
Directed by David Yates
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Voice (English)
A tree is a tree (2026)
Performance score9.9
The performance the rest of the career is read through. Voice (English) gives Natalia Tena a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Nymphadora Tonks
Harry Potter and the Deathly Hallows: Part 2 (2011)
Performance score8.0
Harry Potter and the Deathly Hallows: Part 2 asks for something the previous films did not, and gets it. Nymphadora Tonks is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Nymphadora Tonks
Harry Potter and the Deathly Hallows: Part 1 (2010)
Performance score7.8
Harry Potter and the Deathly Hallows: Part 1 asks for something the previous films did not, and gets it. Nymphadora Tonks is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Nymphadora Tonks
Harry Potter and the Half-Blood Prince (2009)
Performance score7.7
Harry Potter and the Half-Blood Prince asks for something the previous films did not, and gets it. Nymphadora Tonks is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Voice (English)
Start here. A tree is a tree is the clearest statement of what Natalia Tena does — accessible, 87 minutes, and rated 10.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Natalia at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Harry Potter and the Order of the Phoenix (2007)
A deliberate change of key after A tree is a tree — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Harry Potter and the Half-Blood Prince (2009)
Same director as Harry Potter and the Order of the Phoenix, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Harry Potter and the Deathly Hallows: Part 1 (2010)
Same director as Harry Potter and the Half-Blood Prince, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Harry Potter and the Deathly Hallows: Part 2 (2011)
Same director as Harry Potter and the Deathly Hallows: Part 1, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
David Yates
Director
4 films together
Notably Harry Potter and the Deathly Hallows: Part 2
Chris Weitz
Director
1 film together
Notably About a Boy
Stephen Frears
Director
1 film together
Notably Mrs. Henderson Presents
Laura Mañá
Director
1 film together
Notably I Love You, Stupid
Chad Stahelski
Director
1 film together
Notably John Wick: Chapter 4
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Yates
Director
4 films together · 8.0 avg MV
A working relationship rather than a booking — 4 films, and the register shifts each time.
Best film together
Harry Potter and the Deathly Hallows: Part 2Chad Stahelski
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
John Wick: Chapter 4Stephen Frears
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mrs. Henderson PresentsChris Weitz
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
About a BoyLaura Mañá
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I Love You, StupidSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
A tree is a tree
as Voice (English)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Bel Ami
as Rachel the Prostitute
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
A tree is a tree
as Voice (English)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Harry Potter and the Deathly Hallows: Part 1
as Nymphadora Tonks
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A tree is a tree
as Voice (English)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Natalia Tena has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
24 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
5 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
A tree is a tree
as Voice (English)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
A tree is a tree
as Voice (English)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Bel Ami
as Rachel the Prostitute
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Harry Potter and the Half-Blood Prince
as Nymphadora Tonks
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
A tree is a tree
as Voice (English)
Images that would survive with the sound switched off.
Best action sequence
John Wick: Chapter 4
as Katia
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
About a Boy
as Ellie
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harry Potter and the Deathly Hallows: Part 1
as Nymphadora Tonks
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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