Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4138
of 909177 performers
Top 1%
Natasha Rothwell works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Natasha Rothwell appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Natasha. Love, Simon is the clearest case: a film rated 7.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, comedy. It is a style built on what is withheld as much as what is played.
Working with Jeff Fowler, Chris Buck, Paul King and others, Natasha Rothwell helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Love, Simon (2018) as Ms. Albright · Sonic the Hedgehog 3 (2024) as Rachel · Sonic the Hedgehog 2 (2022) as Rachel
Career snapshot
Ranked #4138 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2018–2024
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.9
Love, Simon
Average Nutevio score
6.9
Across catalogue work
Highest IMDb rating
8.0
Love, Simon
Most frequent director
Jeff Fowler
3 films together
Longest collaboration
3×
With Jeff Fowler
Most common genre
Comedy
9 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.3 average MV
The 2010s are where the work and the material meet. Wyrm, Love, Simon — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Wyrm, Love, Simon.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.91 film | — |
| Action | — | 7.24 films |
| Comedy | 7.32 films | 6.97 films |
| Romance | 7.32 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2018Love, Simon
Where our catalogue meets this career, as Ms. Albright. 7.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Mommy Shark (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Ms. Albright
Directed by Greg Berlanti
as Rachel
Directed by Jeff Fowler
as Rachel
Directed by Jeff Fowler
as Rachel
Directed by Jeff Fowler
as Mommy Shark (voice)
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Ms. Albright
Love, Simon (2018)
Performance score7.7
The performance the rest of the career is read through. Ms. Albright gives Natasha Rothwell a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Rachel
Sonic the Hedgehog 3 (2024)
Performance score7.4
Sonic the Hedgehog 3 asks for something the previous films did not, and gets it. Rachel is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Rachel
Sonic the Hedgehog (2020)
Performance score7.4
Sonic the Hedgehog asks for something the previous films did not, and gets it. Rachel is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Rachel
Sonic the Hedgehog 2 (2022)
Performance score7.2
Sonic the Hedgehog 2 asks for something the previous films did not, and gets it. Rachel is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Ms. Albright
Start here. Love, Simon is the clearest statement of what Natasha Rothwell does — accessible, 110 minutes, and rated 7.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Natasha at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Sonic the Hedgehog (2020)
Keeps the comedy register of Love, Simon but asks for a colder reading of it.
Sonic the Hedgehog 2 (2022)
Same director as Sonic the Hedgehog, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Sonic the Hedgehog 3 (2024)
Same director as Sonic the Hedgehog 2, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Baby Shark's Big Movie (2024)
Keeps the comedy register of Sonic the Hedgehog 3 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Jeff Fowler
Director
3 films together
Notably Sonic the Hedgehog 3
Greg Berlanti
Director
1 film together
Notably Love, Simon
Patty Jenkins
Director
1 film together
Notably Wonder Woman 1984
Miguel Arteta
Director
1 film together
Notably Like a Boss
Dave Willis
Director
1 film together
Notably Aqua Teen Forever: Plantasm
Paul King
Director
1 film together
Notably Wonka
Chris Buck
Director
1 film together
Notably Wish
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jeff Fowler
Director
3 films together · 7.4 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Sonic the Hedgehog 3Greg Berlanti
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love, SimonPaul King
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WonkaPatty Jenkins
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wonder Woman 1984Dave Willis
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Aqua Teen Forever: PlantasmChris Buck
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WishMiguel Arteta
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Like a BossSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Love, Simon
as Ms. Albright
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Love, Simon
as Ms. Albright
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Love, Simon
as Ms. Albright
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Love, Simon
as Ms. Albright
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Love, Simon
as Ms. Albright
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Natasha Rothwell has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
9 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Love, Simon
as Ms. Albright
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Sonic the Hedgehog 3
as Rachel
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Baby Shark's Big Movie
as Mommy Shark (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wish
as Sakina (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Sonic the Hedgehog 2
as Rachel
Images that would survive with the sound switched off.
Best action sequence
Sonic the Hedgehog 2
as Rachel
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Baby Shark's Big Movie
as Mommy Shark (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Wonder Woman 1984
as Carol (Co-Worker)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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