Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#55631
of 909177 performers
Top 10%
Nicolas Coster represents the rare performer whose career became more ambitious with every decade — 67 years in, and Nicolas is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Nicolas Coster appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Nicolas. All the President's Men is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, romance. It is a style built on what is withheld as much as what is played.
Working with Robin Bain, Warren Beatty, Sidney Poitier and others, Nicolas Coster helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
All the President's Men (1976) as Markham · Reds (1981) as Paul Trullinger · Stir Crazy (1980) as Warden Henry Sampson
Career snapshot
Ranked #55631 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1953–2020
Career length
67 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
All the President's Men
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.7
All the President's Men
Most frequent director
Robin Bain
1 film together
Longest collaboration
1×
With Robin Bain
Most common genre
Drama
3 titles
Average runtime
2h 2m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.9
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
6.8 average MV
The 1970s are where the work and the material meet. The Electric Horseman, All the President's Men — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
6.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Desert Rats.
Most productive era
1970s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1970s | 1980s | 2020s |
|---|---|---|---|---|
| Drama | — | 6.82 films | 6.71 film | — |
| Action | 6.31 film | — | — | — |
| Thriller | — | 7.51 film | — | 4.51 film |
| Comedy | — | 6.21 film | 6.51 film | — |
| Crime | — | — | 6.51 film | — |
| Romance | — | 6.21 film | 6.71 film | — |
| Horror | — | — | — | 4.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1953The Desert Rats
Where our catalogue meets this career, as Medic (uncredited).
Highest rated performance · Career peak
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Archbishop Norman.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Markham
Directed by Alan J. Pakula
as Paul Trullinger
Directed by Warren Beatty
as Archbishop Norman
Directed by Robin Bain
as Warden Henry Sampson
Directed by Sidney Poitier
as Fitzgerald
Directed by Sydney Pollack
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Markham
All the President's Men (1976)
Performance score7.3
The performance the rest of the career is read through. Markham gives Nicolas Coster a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Paul Trullinger
Reds (1981)
Performance score6.6
Reds asks for something the previous films did not, and gets it. Paul Trullinger is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Archbishop Norman
The Last Exorcist (2020)
Performance score6.5
The Last Exorcist asks for something the previous films did not, and gets it. Archbishop Norman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Warden Henry Sampson
Stir Crazy (1980)
Performance score6.5
Stir Crazy asks for something the previous films did not, and gets it. Warden Henry Sampson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Markham
Start here. All the President's Men is the clearest statement of what Nicolas Coster does — accessible, 138 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Nicolas at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Electric Horseman (1979)
Keeps the drama register of All the President's Men but asks for a colder reading of it.
Stir Crazy (1980)
Keeps the comedy register of The Electric Horseman but asks for a colder reading of it.
Reds (1981)
A deliberate change of key after Stir Crazy — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Last Exorcist (2020)
A deliberate change of key after Reds — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Robert Wise
Director
1 film together
Notably The Desert Rats
Alan J. Pakula
Director
1 film together
Notably All the President's Men
Sydney Pollack
Director
1 film together
Notably The Electric Horseman
Sidney Poitier
Director
1 film together
Notably Stir Crazy
Warren Beatty
Director
1 film together
Notably Reds
Robin Bain
Director
1 film together
Notably The Last Exorcist
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Alan J. Pakula
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All the President's MenWarren Beatty
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RedsSidney Poitier
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stir CrazyRobert Wise
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Desert RatsSydney Pollack
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Electric HorsemanRobin Bain
Director
1 film together · 4.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Last ExorcistSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
All the President's Men
as Markham
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Reds
as Paul Trullinger
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
All the President's Men
as Markham
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
All the President's Men
as Markham
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
All the President's Men
as Markham
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Nicolas Coster has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
67 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
All the President's Men
as Markham
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
All the President's Men
as Markham
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Reds
as Paul Trullinger
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
All the President's Men
as Markham
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
All the President's Men
as Markham
Images that would survive with the sound switched off.
Best action sequence
The Desert Rats
as Medic (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Electric Horseman
as Fitzgerald
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Electric Horseman
as Fitzgerald
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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