Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3246
of 909177 performers
Top 1%
Noah Robbins works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Noah Robbins appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Noah. The Trial of the Chicago 7 is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, thriller, romance. It is a style built on what is withheld as much as what is played.
Working with Steven Spielberg, Greg Berlanti, David Wachtenheim and others, Noah Robbins helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Trial of the Chicago 7 (2020) as Lee Weiner · Disclosure Day (2026) as Agent Munsey · Leo (2023) as Waiter / Kiosk Attendant (voice)
Career snapshot
Ranked #3246 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2018–2026
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
The Trial of the Chicago 7
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.7
The Trial of the Chicago 7
Most frequent director
Steven Spielberg
1 film together
Longest collaboration
1×
With Steven Spielberg
Most common genre
Comedy
5 titles
Average runtime
1h 54m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.2 average MV
The 2020s are where the work and the material meet. Disclosure Day, Fly Me to the Moon, Leo — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.2
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Villains, Set It Up, The Week Of.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 7.02 films |
| Thriller | 6.21 film | 7.61 film |
| Comedy | 6.23 films | 7.12 films |
| Romance | 6.91 film | 6.81 film |
| Horror | 6.21 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2018Set It Up
Where our catalogue meets this career, as Intern Bo.
Highest rated performance · Career peak
2020The Trial of the Chicago 7
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Disclosure Day
The current state of the argument, as Agent Munsey.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Agent Munsey
Directed by Steven Spielberg
as Waiter / Kiosk Attendant (voice)
Directed by David Wachtenheim
as Intern Bo
Directed by Claire Scanlon
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lee Weiner
The Trial of the Chicago 7 (2020)
Performance score7.5
The performance the rest of the career is read through. Lee Weiner gives Noah Robbins a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Agent Munsey
Disclosure Day (2026)
Performance score7.4
Disclosure Day asks for something the previous films did not, and gets it. Agent Munsey is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Waiter / Kiosk Attendant (voice)
Leo (2023)
Performance score7.2
Leo asks for something the previous films did not, and gets it. Waiter / Kiosk Attendant (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Intern Bo
Set It Up (2018)
Performance score6.8
Set It Up asks for something the previous films did not, and gets it. Intern Bo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lee Weiner
Start here. The Trial of the Chicago 7 is the clearest statement of what Noah Robbins does — accessible, 130 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Noah at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Set It Up (2018)
A deliberate change of key after The Trial of the Chicago 7 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Leo (2023)
Keeps the comedy register of Set It Up but asks for a colder reading of it.
Fly Me to the Moon (2024)
Keeps the comedy register of Leo but asks for a colder reading of it.
Disclosure Day (2026)
A deliberate change of key after Fly Me to the Moon — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Robert Smigel
Director
1 film together
Notably The Week Of
Claire Scanlon
Director
1 film together
Notably Set It Up
Kitty Green
Director
1 film together
Notably The Assistant
Aaron Sorkin
Director
1 film together
Notably The Trial of the Chicago 7
David Wachtenheim
Director
1 film together
Notably Leo
Greg Berlanti
Director
1 film together
Notably Fly Me to the Moon
Steven Spielberg
Director
1 film together
Notably Disclosure Day
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Aaron Sorkin
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Trial of the Chicago 7Steven Spielberg
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Disclosure DayDavid Wachtenheim
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
LeoClaire Scanlon
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Set It UpGreg Berlanti
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fly Me to the MoonKitty Green
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The AssistantRobert Smigel
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Week OfSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Trial of the Chicago 7
as Lee Weiner
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Trial of the Chicago 7
as Lee Weiner
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Trial of the Chicago 7
as Lee Weiner
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Leo
as Waiter / Kiosk Attendant (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Trial of the Chicago 7
as Lee Weiner
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Noah Robbins has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Trial of the Chicago 7
as Lee Weiner
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Disclosure Day
as Agent Munsey
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Trial of the Chicago 7
as Lee Weiner
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Disclosure Day
as Agent Munsey
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Trial of the Chicago 7
as Lee Weiner
Images that would survive with the sound switched off.
Best action sequence
The Trial of the Chicago 7
as Lee Weiner
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Trial of the Chicago 7
as Lee Weiner
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Disclosure Day
as Agent Munsey
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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