Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#8851
of 909177 performers
Top 1%
Park Sung-woong is the performer our scores keep defending against the popular vote — a career of films that get better the further you stand from their release week.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Park Sung-woong appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Park. You Are the Apple of My Eye is the clearest case: a film rated 8.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, romance. It is a style built on what is withheld as much as what is played.
Working with Lee Cheol-ha, Kim Bong-han, Jung Woo-sung and others, Park Sung-woong helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
You Are the Apple of My Eye (2025) as Jin-woo's Father · The Spy Gone North (2018) as Han Chang-joo · The Closet (2020) as Myung-jin's Father
Career snapshot
Ranked #8851 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2018–2026
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.4
You Are the Apple of My Eye
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
8.4
You Are the Apple of My Eye
Most frequent director
Lee Cheol-ha
2 films together
Longest collaboration
2×
With Lee Cheol-ha
Most common genre
Action
8 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.7 average MV
The 2010s are where the work and the material meet. Rosebud, The Spy Gone North, The Great Battle — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.7
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Rosebud, The Spy Gone North, The Great Battle.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.31 film | 7.33 films |
| Action | 6.81 film | 6.47 films |
| Thriller | 7.31 film | 6.92 films |
| Comedy | 6.01 film | 7.33 films |
| Crime | — | 5.62 films |
| Romance | — | 8.41 film |
| Horror | — | 7.21 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Han Chang-joo.
Highest rated performance · Career peak
2025You Are the Apple of My Eye
8.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Oh Seok-hwan.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Jin-woo's Father
Directed by Unknown
as Oh Seok-hwan
Directed by Lee Cheol-ha
as Han Chang-joo
Directed by Yoon Jong-bin
as Li Shimin, Emperor Taizong of Tang
Directed by Unknown
as Myung-jin's Father
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Jin-woo's Father
You Are the Apple of My Eye (2025)
Performance score8.1
The performance the rest of the career is read through. Jin-woo's Father gives Park Sung-woong a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Oh Seok-hwan
OK! Madam (2020)
Performance score7.3
OK! Madam asks for something the previous films did not, and gets it. Oh Seok-hwan is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Han Chang-joo
The Spy Gone North (2018)
Performance score7.2
The Spy Gone North asks for something the previous films did not, and gets it. Han Chang-joo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Li Shimin, Emperor Taizong of Tang
The Great Battle (2018)
Performance score7.2
The Great Battle asks for something the previous films did not, and gets it. Li Shimin, Emperor Taizong of Tang is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Jin-woo's Father
Start here. You Are the Apple of My Eye is the clearest statement of what Park Sung-woong does — accessible, 102 minutes, and rated 8.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Park at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Spy Gone North (2018)
Keeps the drama register of You Are the Apple of My Eye but asks for a colder reading of it.
The Great Battle (2018)
Keeps the history register of The Spy Gone North but asks for a colder reading of it.
OK! Madam (2020)
Keeps the action register of The Great Battle but asks for a colder reading of it.
The Closet (2020)
A deliberate change of key after OK! Madam — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Lee Cheol-ha
Director
2 films together
Notably OK! Madam
Yoon Jong-bin
Director
1 film together
Notably The Spy Gone North
Lee Jung-jae
Director
1 film together
Notably Hunt
Jung Woo-sung
Director
1 film together
Notably A Man of Reason
Kim Bong-han
Director
1 film together
Notably The Wild
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Lee Cheol-ha
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
OK! MadamYoon Jong-bin
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Spy Gone NorthLee Jung-jae
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HuntJung Woo-sung
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Man of ReasonKim Bong-han
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The WildSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
You Are the Apple of My Eye
as Jin-woo's Father
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
You Are the Apple of My Eye
as Jin-woo's Father
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
You Are the Apple of My Eye
as Jin-woo's Father
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Hunt
as Tokyo Branch Agent 1
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
You Are the Apple of My Eye
as Jin-woo's Father
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Park Sung-woong has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
8 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
You Are the Apple of My Eye
as Jin-woo's Father
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Closet
as Myung-jin's Father
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
You Are the Apple of My Eye
as Jin-woo's Father
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Hunt
as Tokyo Branch Agent 1
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
You Are the Apple of My Eye
as Jin-woo's Father
Images that would survive with the sound switched off.
Best action sequence
OK! Madam
as Oh Seok-hwan
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
You Are the Apple of My Eye
as Jin-woo's Father
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
OK! Madam: Bon Voyage
as Oh Seok-hwan
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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