Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#13095
of 909177 performers
Top 5%
Peter Diamond represents the rare performer whose career became more ambitious with every decade — 34 years in, and Peter is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Peter Diamond appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Peter. The Empire Strikes Back is the clearest case: a film rated 8.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, screen presence. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, adventure, fantasy. It is a style built on what is withheld as much as what is played.
Working with Steven Spielberg, Russell Mulcahy, Blake Edwards and others, Peter Diamond helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Empire Strikes Back (1980) as Snowtrooper Gunner (uncredited) · Star Wars (1977) as Stormtrooper / Tusken Raider / Death Star Trooper / Garouf Lafoe (uncredited) · Raiders of the Lost Ark (1981) as German Soldier (uncredited)
Career snapshot
Ranked #13095 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1955–1989
Career length
34 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.6
The Empire Strikes Back
Average Nutevio score
7.5
Across catalogue work
Highest IMDb rating
8.4
The Empire Strikes Back
Most frequent director
Steven Spielberg
2 films together
Longest collaboration
2×
With Steven Spielberg
Most common genre
Action
5 titles
Average runtime
1h 59m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.4
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
8.5 average MV
The 1970s are where the work and the material meet. Star Wars — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
8.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
8.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Dam Busters.
Most productive era
1980s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1960s | 1970s | 1980s |
|---|---|---|---|---|
| Drama | 6.61 film | — | — | — |
| Action | — | — | 8.51 film | 7.94 films |
| Comedy | — | — | — | 7.01 film |
| Romance | — | — | — | 7.01 film |
| Horror | — | 6.31 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1955The Dam Busters
Where our catalogue meets this career, as Tail Gunner (uncredited).
Highest rated performance · Career peak
8.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1989Indiana Jones and the Last Crusade
The current state of the argument, as German Soldier (uncredited).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Snowtrooper Gunner (uncredited)
Directed by Irvin Kershner
as Stormtrooper / Tusken Raider / Death Star Trooper / Garouf Lafoe (uncredited)
Directed by George Lucas
as German Soldier (uncredited)
Directed by Steven Spielberg
as German Soldier (uncredited)
Directed by Steven Spielberg
as Man in Bar (uncredited)
Directed by Blake Edwards
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Snowtrooper Gunner (uncredited)
The Empire Strikes Back (1980)
Performance score8.3
The performance the rest of the career is read through. Snowtrooper Gunner (uncredited) gives Peter Diamond a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Stormtrooper / Tusken Raider / Death Star Trooper / Garouf Lafoe (uncredited)
Star Wars (1977)
Performance score8.2
Star Wars asks for something the previous films did not, and gets it. Stormtrooper / Tusken Raider / Death Star Trooper / Garouf Lafoe (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
German Soldier (uncredited)
Indiana Jones and the Last Crusade (1989)
Performance score7.8
Indiana Jones and the Last Crusade asks for something the previous films did not, and gets it. German Soldier (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
German Soldier (uncredited)
Raiders of the Lost Ark (1981)
Performance score7.8
Raiders of the Lost Ark asks for something the previous films did not, and gets it. German Soldier (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Snowtrooper Gunner (uncredited)
Start here. The Empire Strikes Back is the clearest statement of what Peter Diamond does — accessible, 124 minutes, and rated 8.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Peter at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Star Wars (1977)
Keeps the action register of The Empire Strikes Back but asks for a colder reading of it.
Raiders of the Lost Ark (1981)
Keeps the action register of Star Wars but asks for a colder reading of it.
Victor/Victoria (1982)
A deliberate change of key after Raiders of the Lost Ark — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Indiana Jones and the Last Crusade (1989)
A deliberate change of key after Victor/Victoria — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Steven Spielberg
Director
2 films together
Notably Raiders of the Lost Ark
Michael Anderson
Director
1 film together
Notably The Dam Busters
John Gilling
Director
1 film together
Notably The Plague of the Zombies
George Lucas
Director
1 film together
Notably Star Wars
Irvin Kershner
Director
1 film together
Notably The Empire Strikes Back
Blake Edwards
Director
1 film together
Notably Victor/Victoria
Russell Mulcahy
Director
1 film together
Notably Highlander
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Steven Spielberg
Director
2 films together · 8.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Raiders of the Lost ArkIrvin Kershner
Director
1 film together · 8.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Empire Strikes BackGeorge Lucas
Director
1 film together · 8.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Star WarsBlake Edwards
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Victor/VictoriaRussell Mulcahy
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HighlanderMichael Anderson
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Dam BustersJohn Gilling
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Plague of the ZombiesSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Empire Strikes Back
as Snowtrooper Gunner (uncredited)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Victor/Victoria
as Man in Bar (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Empire Strikes Back
as Snowtrooper Gunner (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Indiana Jones and the Last Crusade
as German Soldier (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Empire Strikes Back
as Snowtrooper Gunner (uncredited)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Peter Diamond has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
34 years of relevant work — not merely a long career, but a long career of choices.
Action Legend
Awarded
5 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Empire Strikes Back
as Snowtrooper Gunner (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Empire Strikes Back
as Snowtrooper Gunner (uncredited)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Victor/Victoria
as Man in Bar (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Plague of the Zombies
as Zombie
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Empire Strikes Back
as Snowtrooper Gunner (uncredited)
Images that would survive with the sound switched off.
Best action sequence
Indiana Jones and the Last Crusade
as German Soldier (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Dam Busters
as Tail Gunner (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Star Wars
as Stormtrooper / Tusken Raider / Death Star Trooper / Garouf Lafoe (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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