Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#30212
of 909177 performers
Top 5%
Peter Lawford represents the rare performer whose career became more ambitious with every decade — 80 years in, and Peter is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Peter Lawford appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Peter. Rat Pack is the clearest case: a film rated 9.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for documentary, history, war. It is a style built on what is withheld as much as what is played.
Working with Andrew Marton, Lewis Milestone, Otto Preminger and others, Peter Lawford helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Rat Pack (2022) as Self (archive footage) · Sid & Judy (2019) as Self (archive photos) · The Longest Day (1962) as Lord Lovat
Career snapshot
Ranked #30212 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
1942–2022
Career length
80 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
9.0
Rat Pack
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
9.0
Rat Pack
Most frequent director
Andrew Marton
1 film together
Longest collaboration
1×
With Andrew Marton
Most common genre
Drama
5 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.2
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
9.0 average MV
The 2020s are where the work and the material meet. Rat Pack — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
9.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
9.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1940s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Little Women, Easter Parade, Ziegfeld Follies.
Most productive era
1940s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1940s | 1950s | 1960s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | 6.93 films | — | 6.92 films | — | — |
| Action | — | — | 7.31 film | — | — |
| Thriller | — | — | 6.41 film | — | — |
| Comedy | 6.21 film | 6.41 film | 6.41 film | — | — |
| Crime | — | — | 6.41 film | — | — |
| Romance | 6.83 films | 6.41 film | — | — | — |
| Horror | 6.91 film | — | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1942Mrs. Miniver
Where our catalogue meets this career, as Pilot (uncredited).
First Nutevio masterpiece · Highest rated performance · Career peak · Most recent film
2022Rat Pack
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 9.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Self (archive footage).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Theodore "Laurie" Laurence
Directed by Mervyn LeRoy
as Self (archive photos)
Directed by Unknown
as Lord Lovat
Directed by Andrew Marton
as Jonathan Harrow III
Directed by Charles Walters
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Self (archive footage)
Rat Pack (2022)
Performance score8.6
The performance the rest of the career is read through. Self (archive footage) gives Peter Lawford a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Theodore "Laurie" Laurence
Little Women (1949)
Performance score7.4
Little Women asks for something the previous films did not, and gets it. Theodore "Laurie" Laurence is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self (archive photos)
Sid & Judy (2019)
Performance score7.2
Sid & Judy asks for something the previous films did not, and gets it. Self (archive photos) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Lord Lovat
The Longest Day (1962)
Performance score7.2
The Longest Day asks for something the previous films did not, and gets it. Lord Lovat is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self (archive footage)
Start here. Rat Pack is the clearest statement of what Peter Lawford does — accessible, 0 minutes, and rated 9.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Peter at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Easter Parade (1948)
A deliberate change of key after Rat Pack — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Little Women (1949)
Keeps the romance register of Easter Parade but asks for a colder reading of it.
The Longest Day (1962)
Keeps the drama register of Little Women but asks for a colder reading of it.
Sid & Judy (2019)
A deliberate change of key after The Longest Day — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
William Wyler
Director
1 film together
Notably Mrs. Miniver
Zoltan Korda
Director
1 film together
Notably Sahara
Albert Lewin
Director
1 film together
Notably The Picture of Dorian Gray
Vincente Minnelli
Director
1 film together
Notably Ziegfeld Follies
Charles Walters
Director
1 film together
Notably Easter Parade
Mervyn LeRoy
Director
1 film together
Notably Little Women
Stanley Donen
Director
1 film together
Notably Royal Wedding
Otto Preminger
Director
1 film together
Notably Exodus
Lewis Milestone
Director
1 film together
Notably Ocean's Eleven
Andrew Marton
Director
1 film together
Notably The Longest Day
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Andrew Marton
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Longest DayMervyn LeRoy
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Little WomenAlbert Lewin
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Picture of Dorian GrayZoltan Korda
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SaharaWilliam Wyler
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mrs. MiniverCharles Walters
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Easter ParadeOtto Preminger
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ExodusLewis Milestone
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ocean's ElevenStanley Donen
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Royal WeddingVincente Minnelli
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ziegfeld FolliesSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Rat Pack
as Self (archive footage)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Little Women
as Theodore "Laurie" Laurence
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Rat Pack
as Self (archive footage)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Sid & Judy
as Self (archive photos)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Rat Pack
as Self (archive footage)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Peter Lawford has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
80 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Rat Pack
as Self (archive footage)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Rat Pack
as Self (archive footage)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Little Women
as Theodore "Laurie" Laurence
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Picture of Dorian Gray
as David Stone
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Rat Pack
as Self (archive footage)
Images that would survive with the sound switched off.
Best action sequence
The Longest Day
as Lord Lovat
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Longest Day
as Lord Lovat
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Ziegfeld Follies
as Porky (segment "Number Please") (voice) (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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