Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#52029
of 909177 performers
Top 10%
Philippe Uchan works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Philippe Uchan appears in 18 films in the Nutevio catalogue, and none of them would work the same way without Philippe. See You Up There is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, comedy, romance. It is a style built on what is withheld as much as what is played.
Working with Jean-Pierre Jeunet, Pascal Elbé, Woody Allen and others, Philippe Uchan helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
See You Up There (2017) as Labourdin · Bye Bye Morons (2020) as Mr. Kurtzmann · Just the Two of Us (2023) as Jérôme Vierson
Career snapshot
Ranked #52029 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
18
2017–2026
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
See You Up There
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
7.8
See You Up There
Most frequent director
Pascal Elbé
2 films together
Longest collaboration
2×
With Pascal Elbé
Most common genre
Comedy
12 titles
Average runtime
1h 34m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. Conviction, New Biz in the Hood, Bécassine ! — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Conviction, New Biz in the Hood, Bécassine !.
Most productive era
2020s
14 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.73 films | 5.67 films |
| Thriller | — | 7.01 film |
| Comedy | 5.32 films | 6.310 films |
| Crime | 7.51 film | 6.81 film |
| Romance | — | 6.55 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2017See You Up There
Where our catalogue meets this career, as Labourdin. 7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Violette
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
18 of 18 films
as Mr. Kurtzmann
Directed by Albert Dupontel
as Labourdin
Directed by Albert Dupontel
as Olivier Durandet
Directed by Unknown
as Jérôme Vierson
Directed by Unknown
as Claude
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Mr. Kurtzmann
Bye Bye Morons (2020)
Performance score7.3
The performance the rest of the career is read through. Mr. Kurtzmann gives Philippe Uchan a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Labourdin
See You Up There (2017)
Performance score7.3
See You Up There asks for something the previous films did not, and gets it. Labourdin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Olivier Durandet
Conviction (2019)
Performance score7.0
Conviction asks for something the previous films did not, and gets it. Olivier Durandet is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Jérôme Vierson
Just the Two of Us (2023)
Performance score6.9
Just the Two of Us asks for something the previous films did not, and gets it. Jérôme Vierson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Mr. Kurtzmann
Start here. Bye Bye Morons is the clearest statement of what Philippe Uchan does — accessible, 87 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Philippe at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
See You Up There (2017)
Same director as Bye Bye Morons, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Conviction (2019)
Keeps the drama register of See You Up There but asks for a colder reading of it.
Masquerade (2022)
Same director as Conviction, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Just the Two of Us (2023)
Same director as Masquerade, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Albert Dupontel
Director
2 films together
Notably See You Up There
Pascal Elbé
Director
2 films together
Notably Hear Me Out
Mohamed Hamidi
Director
1 film together
Notably New Biz in the Hood
Jean-Patrick Benes
Director
1 film together
Notably Family Swap
Clémentine Célarié
Director
1 film together
Notably Pierre & Jeanne
Jérôme Commandeur
Director
1 film together
Notably Employee of the Month
Franck Dubosc
Director
1 film together
Notably Rumba Therapy
Woody Allen
Director
1 film together
Notably Coup de chance
Jean-Pierre Jeunet
Director
1 film together
Notably Violette
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Albert Dupontel
Director
2 films together · 7.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
See You Up TherePascal Elbé
Director
2 films together · 6.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Hear Me OutClémentine Célarié
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pierre & JeanneWoody Allen
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Coup de chanceFranck Dubosc
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Rumba TherapyJérôme Commandeur
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Employee of the MonthJean-Patrick Benes
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Family SwapMohamed Hamidi
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
New Biz in the HoodJean-Pierre Jeunet
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
VioletteSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
See You Up There
as Labourdin
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Just the Two of Us
as Jérôme Vierson
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
See You Up There
as Labourdin
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Masquerade
as Claude
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Bye Bye Morons
as Mr. Kurtzmann
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Philippe Uchan has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
12 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
See You Up There
as Labourdin
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
See You Up There
as Labourdin
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Coup de chance
as Doug
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
See You Up There
as Labourdin
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
See You Up There
as Labourdin
Images that would survive with the sound switched off.
Best action sequence
Masquerade
as Claude
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Masquerade
as Claude
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Just the Two of Us
as Jérôme Vierson
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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