Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#70038
of 909177 performers
Top 10%
Pierre Aussedat represents the rare performer whose career became more ambitious with every decade — 36 years in, and Pierre is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Pierre Aussedat appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Pierre. De Gaulle: Liberté is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, emotional range, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, comedy. It is a style built on what is withheld as much as what is played.
Working with Mona Achache, Roman Polanski, Jean-Marie Poiré and others, Pierre Aussedat helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
De Gaulle: Liberté (2026) as Georges Catroux · The Visitors (1993) as Sergent-chef Morlet · Cyrano de Bergerac (1990) as First Marquis
Career snapshot
Ranked #70038 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1990–2026
Career length
36 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
De Gaulle: Liberté
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
7.8
De Gaulle: Liberté
Most frequent director
Mona Achache
1 film together
Longest collaboration
1×
With Mona Achache
Most common genre
Drama
4 titles
Average runtime
1h 19m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.1 average MV
The 1990s are where the work and the material meet. The Visitors, Cyrano de Bergerac — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.1
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Visitors, Cyrano de Bergerac.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.11 film | 7.01 film | 6.82 films |
| Thriller | — | 7.01 film | — |
| Comedy | 7.12 films | — | 0.01 film |
| Romance | 7.11 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as First Marquis.
Highest rated performance · Career peak · Most recent film
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Georges Catroux.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Sergent-chef Morlet
Directed by Jean-Marie Poiré
as First Marquis
Directed by Jean-Paul Rappeneau
as Colonel at Picquart's Arrest
Directed by Roman Polanski
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Georges Catroux
De Gaulle: Liberté (2026)
Performance score7.1
The performance the rest of the career is read through. Georges Catroux gives Pierre Aussedat a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Sergent-chef Morlet
The Visitors (1993)
Performance score7.0
The Visitors asks for something the previous films did not, and gets it. Sergent-chef Morlet is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
First Marquis
Cyrano de Bergerac (1990)
Performance score7.0
Cyrano de Bergerac asks for something the previous films did not, and gets it. First Marquis is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Colonel at Picquart's Arrest
An Officer and a Spy (2019)
Performance score6.9
An Officer and a Spy asks for something the previous films did not, and gets it. Colonel at Picquart's Arrest is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Georges Catroux
Start here. De Gaulle: Liberté is the clearest statement of what Pierre Aussedat does — accessible, 0 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Pierre at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Cyrano de Bergerac (1990)
Keeps the drama register of De Gaulle: Liberté but asks for a colder reading of it.
The Visitors (1993)
Keeps the comedy register of Cyrano de Bergerac but asks for a colder reading of it.
An Officer and a Spy (2019)
A deliberate change of key after The Visitors — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Harvey (2023)
A deliberate change of key after An Officer and a Spy — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jean-Paul Rappeneau
Director
1 film together
Notably Cyrano de Bergerac
Jean-Marie Poiré
Director
1 film together
Notably The Visitors
Roman Polanski
Director
1 film together
Notably An Officer and a Spy
Mona Achache
Director
1 film together
Notably Little Girl Blue
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jean-Marie Poiré
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The VisitorsJean-Paul Rappeneau
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cyrano de BergeracRoman Polanski
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
An Officer and a SpyMona Achache
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Little Girl BlueSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Cyrano de Bergerac
as First Marquis
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Cyrano de Bergerac
as First Marquis
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Cyrano de Bergerac
as First Marquis
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
An Officer and a Spy
as Colonel at Picquart's Arrest
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
De Gaulle: Liberté
as Georges Catroux
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Pierre Aussedat has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
36 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Visitors
as Sergent-chef Morlet
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
An Officer and a Spy
as Colonel at Picquart's Arrest
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Cyrano de Bergerac
as First Marquis
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Visitors
as Sergent-chef Morlet
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
De Gaulle: Liberté
as Georges Catroux
Images that would survive with the sound switched off.
Best action sequence
De Gaulle: Liberté
as Georges Catroux
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Cyrano de Bergerac
as First Marquis
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harvey
as Doctor Chumley
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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