Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#131141
of 909177 performers
Top 25%
Pierre Mondy represents the rare performer whose career became more ambitious with every decade — 28 years in, and Pierre is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Pierre Mondy appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Pierre. The Seventh Company Has Been Found is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with Pino Van Lamsweerde, Paul Brizzi, Robert Lamoureux and others, Pierre Mondy helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Seventh Company Has Been Found (1975) as Sergent-chef Chaudard · Now Where Did the Seventh Company Get to? (1973) as Sergent-chef Chaudard · Asterix in Britain (1986) as Cétinlapsus (voice)
Career snapshot
Ranked #131141 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1958–1986
Career length
28 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
The Seventh Company Has Been Found
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
7.3
The Seventh Company Has Been Found
Most frequent director
Robert Lamoureux
2 films together
Longest collaboration
2×
With Robert Lamoureux
Most common genre
Comedy
5 titles
Average runtime
1h 36m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
6.9 average MV
The 1970s are where the work and the material meet. The Seventh Company Has Been Found, Now Where Did the Seventh Company Get to? — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
6.9
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Neither Seen Nor Recognized.
Most productive era
1970s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1960s | 1970s | 1980s |
|---|---|---|---|---|
| Thriller | — | 6.61 film | — | — |
| Comedy | 6.61 film | — | 6.92 films | 6.62 films |
| Crime | — | 6.61 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1958Neither Seen Nor Recognized
Where our catalogue meets this career, as M. Bluette.
Highest rated performance · Career peak
1973Now Where Did the Seventh Company Get to?
6.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Cétinlapsus (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Sergent-chef Chaudard
Directed by Robert Lamoureux
as Sergent-chef Chaudard
Directed by Robert Lamoureux
as Caius (voice)
Directed by Paul Brizzi
as Cétinlapsus (voice)
Directed by Pino Van Lamsweerde
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Sergent-chef Chaudard
Now Where Did the Seventh Company Get to? (1973)
Performance score7.5
The performance the rest of the career is read through. Sergent-chef Chaudard gives Pierre Mondy a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Sergent-chef Chaudard
The Seventh Company Has Been Found (1975)
Performance score7.3
The Seventh Company Has Been Found asks for something the previous films did not, and gets it. Sergent-chef Chaudard is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Caius (voice)
Asterix vs. Caesar (1985)
Performance score7.0
Asterix vs. Caesar asks for something the previous films did not, and gets it. Caius (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Cétinlapsus (voice)
Asterix in Britain (1986)
Performance score6.9
Asterix in Britain asks for something the previous films did not, and gets it. Cétinlapsus (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Sergent-chef Chaudard
Start here. Now Where Did the Seventh Company Get to? is the clearest statement of what Pierre Mondy does — accessible, 95 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Pierre at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Neither Seen Nor Recognized (1958)
Keeps the comedy register of Now Where Did the Seventh Company Get to? but asks for a colder reading of it.
The Seventh Company Has Been Found (1975)
Keeps the comedy register of Neither Seen Nor Recognized but asks for a colder reading of it.
Asterix vs. Caesar (1985)
Keeps the comedy register of The Seventh Company Has Been Found but asks for a colder reading of it.
Asterix in Britain (1986)
Keeps the comedy register of Asterix vs. Caesar but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Robert Lamoureux
Director
2 films together
Notably The Seventh Company Has Been Found
Yves Robert
Director
1 film together
Notably Neither Seen Nor Recognized
Anatole Litvak
Director
1 film together
Notably The Night of the Generals
Paul Brizzi
Director
1 film together
Notably Asterix vs. Caesar
Pino Van Lamsweerde
Director
1 film together
Notably Asterix in Britain
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Robert Lamoureux
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Seventh Company Has Been FoundPino Van Lamsweerde
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Asterix in BritainAnatole Litvak
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Night of the GeneralsYves Robert
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Neither Seen Nor RecognizedPaul Brizzi
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Asterix vs. CaesarSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Now Where Did the Seventh Company Get to?
as Sergent-chef Chaudard
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Asterix vs. Caesar
as Caius (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Now Where Did the Seventh Company Get to?
as Sergent-chef Chaudard
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Night of the Generals
as Kopatski
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Now Where Did the Seventh Company Get to?
as Sergent-chef Chaudard
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Pierre Mondy has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
28 years of relevant work — not merely a long career, but a long career of choices.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Night of the Generals
as Kopatski
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Night of the Generals
as Kopatski
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Asterix vs. Caesar
as Caius (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Night of the Generals
as Kopatski
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Asterix in Britain
as Cétinlapsus (voice)
Images that would survive with the sound switched off.
Best action sequence
Asterix vs. Caesar
as Caius (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Asterix vs. Caesar
as Caius (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Asterix vs. Caesar
as Caius (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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