Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#9667
of 909177 performers
Top 5%
Rachel Wilson represents the rare performer whose career became more ambitious with every decade — 27 years in, and Rachel is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Rachel Wilson appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Rachel. Plan C is the clearest case: a film rated 10.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Scott Cavalheiro, Jacob Chase, Vincenzo Natali and others, Rachel Wilson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Plan C (2026) as Soap Opera (voice) · Come Play (2020) as Jennifer · Austin Powers: The Spy Who Shagged Me (1999) as Fan
Career snapshot
Ranked #9667 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
1999–2026
Career length
27 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
10.0
Plan C
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
10.0
Plan C
Most frequent director
Scott Cavalheiro
1 film together
Longest collaboration
1×
With Scott Cavalheiro
Most common genre
Horror
5 titles
Average runtime
1h 36m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.0 average MV
The 2020s are where the work and the material meet. Plan C, Dear David, Come Play — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.0
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Austin Powers: The Spy Who Shagged Me, Anywhere but Here.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.11 film | 6.21 film | — |
| Thriller | — | 6.21 film | 7.32 films |
| Comedy | 6.22 films | — | 10.01 film |
| Crime | 6.31 film | 6.01 film | 10.01 film |
| Romance | 6.11 film | — | — |
| Horror | — | 5.23 films | 5.62 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1999Austin Powers: The Spy Who Shagged Me
Where our catalogue meets this career, as Fan.
First Nutevio masterpiece · Highest rated performance · Career peak · Most recent film
2026Plan C
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 10.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Soap Opera (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Soap Opera (voice)
Directed by Scott Cavalheiro
as Linda
Directed by Unknown
as Jennifer
Directed by Jacob Chase
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Soap Opera (voice)
Plan C (2026)
Performance score9.5
The performance the rest of the career is read through. Soap Opera (voice) gives Rachel Wilson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Linda
Dear David (2023)
Performance score6.5
Dear David asks for something the previous films did not, and gets it. Linda is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jennifer
Come Play (2020)
Performance score6.5
Come Play asks for something the previous films did not, and gets it. Jennifer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Natalie Humboldt
In the Tall Grass (2019)
Performance score6.5
In the Tall Grass asks for something the previous films did not, and gets it. Natalie Humboldt is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Soap Opera (voice)
Start here. Plan C is the clearest statement of what Rachel Wilson does — accessible, 89 minutes, and rated 10.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Rachel at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Backstabbing for Beginners (2018)
Keeps the thriller register of Plan C but asks for a colder reading of it.
In the Tall Grass (2019)
A deliberate change of key after Backstabbing for Beginners — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Come Play (2020)
Keeps the horror register of In the Tall Grass but asks for a colder reading of it.
Dear David (2023)
Keeps the horror register of Come Play but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Jay Roach
Director
1 film together
Notably Austin Powers: The Spy Who Shagged Me
Bruce McDonald
Director
1 film together
Notably Hellions
Per Fly
Director
1 film together
Notably Backstabbing for Beginners
Vincenzo Natali
Director
1 film together
Notably In the Tall Grass
Jacob Chase
Director
1 film together
Notably Come Play
Scott Cavalheiro
Director
1 film together
Notably Plan C
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Scott Cavalheiro
Director
1 film together · 10.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Plan CJacob Chase
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Come PlayJay Roach
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Austin Powers: The Spy Who Shagged MePer Fly
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Backstabbing for BeginnersVincenzo Natali
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In the Tall GrassBruce McDonald
Director
1 film together · 3.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HellionsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Plan C
as Soap Opera (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Backstabbing for Beginners
as Lily
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Plan C
as Soap Opera (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Austin Powers: The Spy Who Shagged Me
as Fan
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Plan C
as Soap Opera (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Rachel Wilson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
27 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Horror Legend
Awarded
5 catalogue titles in horror, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Plan C
as Soap Opera (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Plan C
as Soap Opera (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Backstabbing for Beginners
as Lily
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Come Play
as Jennifer
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Plan C
as Soap Opera (voice)
Images that would survive with the sound switched off.
Best action sequence
Austin Powers: The Spy Who Shagged Me
as Fan
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Anywhere but Here
as Sylvia
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
In the Tall Grass
as Natalie Humboldt
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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