Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2470
of 909177 performers
Top 1%
Randy Havens works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Randy Havens appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Randy. Guardians of the Galaxy Vol. 3 is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, adventure. It is a style built on what is withheld as much as what is played.
Working with James Gunn, Michael Showalter, Leigh Janiak and others, Randy Havens helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Guardians of the Galaxy Vol. 3 (2023) as Till · The Suicide Squad (2021) as Star-Crossed Man · Instant Family (2018) as Michael
Career snapshot
Ranked #2470 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
2014–2023
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Guardians of the Galaxy Vol. 3
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.9
Guardians of the Galaxy Vol. 3
Most frequent director
James Gunn
2 films together
Longest collaboration
2×
With James Gunn
Most common genre
Drama
6 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.7 average MV
The 2010s are where the work and the material meet. Richard Jewell, Godzilla: King of the Monsters, Boy Erased — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.7
Across 8 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Richard Jewell, Godzilla: King of the Monsters, Boy Erased.
Most productive era
2010s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.95 films | 6.51 film |
| Action | 6.53 films | 7.82 films |
| Thriller | 6.11 film | — |
| Comedy | 6.93 films | 7.51 film |
| Crime | 7.12 films | — |
| Horror | — | 7.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014Let's Be Cops
Where our catalogue meets this career, as Dave.
Highest rated performance · Career peak · Most recent film
2023Guardians of the Galaxy Vol. 3
8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Till.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as Till
Directed by James Gunn
as Star-Crossed Man
Directed by James Gunn
as Michael
Directed by Unknown
as Sound Tech
Directed by Clint Eastwood
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Till
Guardians of the Galaxy Vol. 3 (2023)
Performance score7.8
The performance the rest of the career is read through. Till gives Randy Havens a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Star-Crossed Man
The Suicide Squad (2021)
Performance score7.3
The Suicide Squad asks for something the previous films did not, and gets it. Star-Crossed Man is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Michael
Instant Family (2018)
Performance score7.3
Instant Family asks for something the previous films did not, and gets it. Michael is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sound Tech
Richard Jewell (2019)
Performance score7.2
Richard Jewell asks for something the previous films did not, and gets it. Sound Tech is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Till
Start here. Guardians of the Galaxy Vol. 3 is the clearest statement of what Randy Havens does — accessible, 150 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Randy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Instant Family (2018)
A deliberate change of key after Guardians of the Galaxy Vol. 3 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Richard Jewell (2019)
Keeps the drama register of Instant Family but asks for a colder reading of it.
The Suicide Squad (2021)
A deliberate change of key after Richard Jewell — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Fear Street: 1666 (2021)
A deliberate change of key after The Suicide Squad — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
James Gunn
Director
2 films together
Notably Guardians of the Galaxy Vol. 3
Dean Devlin
Director
1 film together
Notably Geostorm
Jason Reitman
Director
1 film together
Notably The Front Runner
Joel Edgerton
Director
1 film together
Notably Boy Erased
Michael Dougherty
Director
1 film together
Notably Godzilla: King of the Monsters
Clint Eastwood
Director
1 film together
Notably Richard Jewell
Leigh Janiak
Director
1 film together
Notably Fear Street: 1666
Michael Showalter
Director
1 film together
Notably The Eyes of Tammy Faye
Behind the camera
Who casts this performer, how often, and what the pairing produces.
James Gunn
Director
2 films together · 7.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Guardians of the Galaxy Vol. 3Clint Eastwood
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Richard JewellLeigh Janiak
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fear Street: 1666Joel Edgerton
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Boy ErasedMichael Dougherty
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Godzilla: King of the MonstersMichael Showalter
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Eyes of Tammy FayeDean Devlin
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GeostormJason Reitman
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Front RunnerSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Guardians of the Galaxy Vol. 3
as Till
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Eyes of Tammy Faye
as Steve Pieters
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Guardians of the Galaxy Vol. 3
as Till
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Guardians of the Galaxy Vol. 3
as Till
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Guardians of the Galaxy Vol. 3
as Till
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Randy Havens has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Guardians of the Galaxy Vol. 3
as Till
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Guardians of the Galaxy Vol. 3
as Till
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Eyes of Tammy Faye
as Steve Pieters
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Fear Street: 1666
as George Fier
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Guardians of the Galaxy Vol. 3
as Till
Images that would survive with the sound switched off.
Best action sequence
Guardians of the Galaxy Vol. 3
as Till
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Logan Lucky
as CMS Cashier Manager
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Guardians of the Galaxy Vol. 3
as Till
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and crime
Robert Downey Jr.
Built a career in the same territory: drama and history
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Reference
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