Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#33571
of 909177 performers
Top 5%
Raymond Ochoa works on transformation rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Raymond Ochoa appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Raymond. The Robot Chicken: Star Wars Episode III is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are transformation, versatility, emotional range. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for adventure, family, animation. It is a style built on what is withheld as much as what is played.
Working with Peter Sohn, Rob Minkoff, Simon Wells and others, Raymond Ochoa helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Robot Chicken: Star Wars Episode III (2010) as Young Anakin Skywalker / Student (voice) · A Christmas Carol (2009) as Caroline's Child (voice) · The Good Dinosaur (2015) as Arlo (voice)
Career snapshot
Ranked #33571 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2009–2015
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
The Robot Chicken: Star Wars Episode III
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.5
The Robot Chicken: Star Wars Episode III
Most frequent director
Peter Sohn
1 film together
Longest collaboration
1×
With Peter Sohn
Most common genre
Animation
5 titles
Average runtime
1h 23m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.0 average MV
The 2000s are where the work and the material meet. A Christmas Carol — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. A Christmas Carol.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s |
|---|---|---|
| Drama | 7.01 film | — |
| Action | — | 7.51 film |
| Comedy | — | 7.12 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Caroline's Child (voice).
Highest rated performance
2010The Robot Chicken: Star Wars Episode III
7.5 on the Nutevio scale, the top of the catalogue for this performer.
Career peak · Most recent film
Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Arlo (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Arlo (voice)
Directed by Peter Sohn
as Young Anakin Skywalker / Student (voice)
Directed by Unknown
as Caroline's Child (voice)
Directed by Robert Zemeckis
as Additional Voices (voice)
Directed by Rob Minkoff
as Martian Hatchling (voice)
Directed by Simon Wells
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Arlo (voice)
The Good Dinosaur (2015)
Performance score7.4
The performance the rest of the career is read through. Arlo (voice) gives Raymond Ochoa a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Young Anakin Skywalker / Student (voice)
The Robot Chicken: Star Wars Episode III (2010)
Performance score7.3
The Robot Chicken: Star Wars Episode III asks for something the previous films did not, and gets it. Young Anakin Skywalker / Student (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Caroline's Child (voice)
A Christmas Carol (2009)
Performance score6.9
A Christmas Carol asks for something the previous films did not, and gets it. Caroline's Child (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Additional Voices (voice)
Mr. Peabody & Sherman (2014)
Performance score6.6
Mr. Peabody & Sherman asks for something the previous films did not, and gets it. Additional Voices (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Arlo (voice)
Start here. The Good Dinosaur is the clearest statement of what Raymond Ochoa does — accessible, 93 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Raymond at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
A Christmas Carol (2009)
Keeps the family register of The Good Dinosaur but asks for a colder reading of it.
The Robot Chicken: Star Wars Episode III (2010)
Keeps the fantasy register of A Christmas Carol but asks for a colder reading of it.
Mars Needs Moms (2011)
Keeps the adventure register of The Robot Chicken: Star Wars Episode III but asks for a colder reading of it.
Mr. Peabody & Sherman (2014)
Keeps the adventure register of Mars Needs Moms but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Robert Zemeckis
Director
1 film together
Notably A Christmas Carol
Simon Wells
Director
1 film together
Notably Mars Needs Moms
Rob Minkoff
Director
1 film together
Notably Mr. Peabody & Sherman
Peter Sohn
Director
1 film together
Notably The Good Dinosaur
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Robert Zemeckis
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Christmas CarolPeter Sohn
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Good DinosaurRob Minkoff
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mr. Peabody & ShermanSimon Wells
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mars Needs MomsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
A Christmas Carol
as Caroline's Child (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
A Christmas Carol
as Caroline's Child (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Robot Chicken: Star Wars Episode III
as Young Anakin Skywalker / Student (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Mr. Peabody & Sherman
as Additional Voices (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Good Dinosaur
as Arlo (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Raymond Ochoa has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
5 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
A Christmas Carol
as Caroline's Child (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Robot Chicken: Star Wars Episode III
as Young Anakin Skywalker / Student (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
A Christmas Carol
as Caroline's Child (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Christmas Carol
as Caroline's Child (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Robot Chicken: Star Wars Episode III
as Young Anakin Skywalker / Student (voice)
Images that would survive with the sound switched off.
Best action sequence
The Robot Chicken: Star Wars Episode III
as Young Anakin Skywalker / Student (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
A Christmas Carol
as Caroline's Child (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
A Christmas Carol
as Caroline's Child (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Tom Hanks
Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Matt Damon
Built a career in the same territory: adventure and drama
Elliot Page
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
Catherine Lagaʻaia
Built a career in the same territory: adventure and family
Have your say
Community
Which Raymond Ochoa performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
