Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24324
of 909177 performers
Top 5%
Richard Derr represents the rare performer whose career became more ambitious with every decade — 34 years in, and Richard is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Richard Derr appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Richard. When Worlds Collide is the clearest case: a film rated 6.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, adventure. It is a style built on what is withheld as much as what is played.
Working with Clint Eastwood, Paul Schrader, Rudolph Maté and others, Richard Derr helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
When Worlds Collide (1951) as David Randall · American Gigolo (1980) as Mr. Williams · Joan of Arc (1948) as Jean de Metz, a knight
Career snapshot
Ranked #24324 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1948–1982
Career length
34 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.4
When Worlds Collide
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
6.4
When Worlds Collide
Most frequent director
Clint Eastwood
1 film together
Longest collaboration
1×
With Clint Eastwood
Most common genre
Drama
3 titles
Average runtime
2h 0m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1950s
6.4 average MV
The 1950s are where the work and the material meet. When Worlds Collide — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1950s
6.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1950s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1940s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Joan of Arc.
Most productive era
1980s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1940s | 1950s | 1980s |
|---|---|---|---|
| Drama | 6.31 film | 6.41 film | 6.31 film |
| Action | — | — | 6.11 film |
| Thriller | — | — | 6.11 film |
| Crime | — | — | 6.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1948Joan of Arc
Where our catalogue meets this career, as Jean de Metz, a knight.
Highest rated performance · Career peak
6.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1982Firefox
The current state of the argument, as Admiral Curtin.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as David Randall
Directed by Rudolph Maté
as Admiral Curtin
Directed by Clint Eastwood
as Mr. Williams
Directed by Paul Schrader
as Jean de Metz, a knight
Directed by Victor Fleming
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
David Randall
When Worlds Collide (1951)
Performance score7.1
The performance the rest of the career is read through. David Randall gives Richard Derr a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Admiral Curtin
Firefox (1982)
Performance score6.5
Firefox asks for something the previous films did not, and gets it. Admiral Curtin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mr. Williams
American Gigolo (1980)
Performance score6.5
American Gigolo asks for something the previous films did not, and gets it. Mr. Williams is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Jean de Metz, a knight
Joan of Arc (1948)
Performance score6.5
Joan of Arc asks for something the previous films did not, and gets it. Jean de Metz, a knight is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as David Randall
Start here. When Worlds Collide is the clearest statement of what Richard Derr does — accessible, 83 minutes, and rated 6.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Richard at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Joan of Arc (1948)
Keeps the drama register of When Worlds Collide but asks for a colder reading of it.
American Gigolo (1980)
Keeps the drama register of Joan of Arc but asks for a colder reading of it.
Firefox (1982)
A deliberate change of key after American Gigolo — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rudolph Maté
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
When Worlds CollidePaul Schrader
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
American GigoloVictor Fleming
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Joan of ArcClint Eastwood
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FirefoxSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
American Gigolo
as Mr. Williams
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Joan of Arc
as Jean de Metz, a knight
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
When Worlds Collide
as David Randall
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Firefox
as Admiral Curtin
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
When Worlds Collide
as David Randall
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Richard Derr has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
34 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
American Gigolo
as Mr. Williams
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
American Gigolo
as Mr. Williams
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Joan of Arc
as Jean de Metz, a knight
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
American Gigolo
as Mr. Williams
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Firefox
as Admiral Curtin
Images that would survive with the sound switched off.
Best action sequence
Firefox
as Admiral Curtin
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Joan of Arc
as Jean de Metz, a knight
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
American Gigolo
as Mr. Williams
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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