Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#41048
of 909177 performers
Top 5%
Rob Nagle works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Rob Nagle appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Rob. Bad Samaritan is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for western, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Andrew Dominik, Ben Meyerson, Dean Devlin and others, Rob Nagle helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Bad Samaritan (2018) as Don Falco · The Soloist (2009) as Neil · Fun with Dick and Jane (2005) as Concerned Businessman
Career snapshot
Ranked #41048 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2003–2026
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
Bad Samaritan
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
6.7
Bad Samaritan
Most frequent director
Andrew Dominik
1 film together
Longest collaboration
1×
With Andrew Dominik
Most common genre
Drama
4 titles
Average runtime
1h 51m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.4 average MV
The 2000s are where the work and the material meet. The Soloist, Fun with Dick and Jane, American Wedding — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.4
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Soloist, Fun with Dick and Jane, American Wedding.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.71 film | 6.32 films | 5.91 film |
| Thriller | — | 6.71 film | 4.82 films |
| Comedy | 6.22 films | 6.01 film | — |
| Crime | 6.21 film | 6.71 film | — |
| Romance | 6.21 film | 6.01 film | — |
| Horror | — | 6.71 film | 5.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2003American Wedding
Where our catalogue meets this career, as Floral Assistant.
Highest rated performance · Career peak
2009The Soloist
6.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Mister Jean LaGrange.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Don Falco
Directed by Dean Devlin
as Neil
Directed by Joe Wright
as Mister Jean LaGrange
Directed by Unknown
as Radio Announcer
Directed by Andrew Dominik
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Don Falco
Bad Samaritan (2018)
Performance score6.6
The performance the rest of the career is read through. Don Falco gives Rob Nagle a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Neil
The Soloist (2009)
Performance score6.6
The Soloist asks for something the previous films did not, and gets it. Neil is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mister Jean LaGrange
The Wolf and the Lamb (2026)
Performance score6.5
The Wolf and the Lamb asks for something the previous films did not, and gets it. Mister Jean LaGrange is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Radio Announcer
Blonde (2022)
Performance score6.5
Blonde asks for something the previous films did not, and gets it. Radio Announcer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Don Falco
Start here. Bad Samaritan is the clearest statement of what Rob Nagle does — accessible, 111 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Rob at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Soloist (2009)
Keeps the drama register of Bad Samaritan but asks for a colder reading of it.
Kidnapped by a Classmate (2020)
A deliberate change of key after The Soloist — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Blonde (2022)
A deliberate change of key after Kidnapped by a Classmate — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Wolf and the Lamb (2026)
A deliberate change of key after Blonde — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Dean Parisot
Director
1 film together
Notably Fun with Dick and Jane
Joe Wright
Director
1 film together
Notably The Soloist
Garry Marshall
Director
1 film together
Notably Mother's Day
Dean Devlin
Director
1 film together
Notably Bad Samaritan
Ben Meyerson
Director
1 film together
Notably Kidnapped by a Classmate
Andrew Dominik
Director
1 film together
Notably Blonde
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Dean Devlin
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bad SamaritanJoe Wright
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The SoloistDean Parisot
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fun with Dick and JaneGarry Marshall
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mother's DayAndrew Dominik
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BlondeBen Meyerson
Director
1 film together · 4.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Kidnapped by a ClassmateSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Soloist
as Neil
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Soloist
as Neil
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Soloist
as Neil
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Fun with Dick and Jane
as Concerned Businessman
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Bad Samaritan
as Don Falco
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Rob Nagle has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Soloist
as Neil
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Bad Samaritan
as Don Falco
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Soloist
as Neil
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Bad Samaritan
as Don Falco
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Soloist
as Neil
Images that would survive with the sound switched off.
Best action sequence
The Wolf and the Lamb
as Mister Jean LaGrange
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Mother's Day
as Hotel Bellman
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Soloist
as Neil
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Tom Hanks
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Bonnie Hunt
Built a career in the same territory: comedy and drama
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: crime and drama
Have your say
Community
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Reference
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