Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#17524
of 909177 performers
Top 5%
Robert Larriviere works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Robert Larriviere appears in 17 films in the Nutevio catalogue, and none of them would work the same way without Robert. All My Life is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, thriller, drama. It is a style built on what is withheld as much as what is played.
Working with Jaume Collet-Serra, George Tillman Jr., Olivia Newman and others, Robert Larriviere helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
All My Life (2020) as Professor · Big George Foreman (2023) as Bank Manager · Where the Crawdads Sing (2022) as Dr. Foster
Career snapshot
Ranked #17524 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
17
2012–2024
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
All My Life
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.8
All My Life
Most frequent director
Jaume Collet-Serra
1 film together
Longest collaboration
1×
With Jaume Collet-Serra
Most common genre
Drama
9 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.8 average MV
The 2020s are where the work and the material meet. Carry-On, Big George Foreman, Where the Crawdads Sing — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.8
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Poms, Night School, Passengers.
Most productive era
2010s
10 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.56 films | 7.63 films |
| Action | 6.03 films | 6.72 films |
| Thriller | 6.04 films | 6.72 films |
| Comedy | 6.43 films | 6.11 film |
| Crime | 6.25 films | — |
| Romance | 7.01 film | 7.13 films |
| Horror | 6.31 film | 6.02 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Forensic Scientist.
Highest rated performance · Career peak
2020All My Life
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Carry-On
The current state of the argument, as Frustrated Passenger.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
17 of 17 films
as Professor
Directed by Unknown
as Bank Manager
Directed by George Tillman Jr.
as Dr. Foster
Directed by Olivia Newman
as TV Host (uncredited)
Directed by Morten Tyldum
as Frustrated Passenger
Directed by Jaume Collet-Serra
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Professor
All My Life (2020)
Performance score7.6
The performance the rest of the career is read through. Professor gives Robert Larriviere a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Bank Manager
Big George Foreman (2023)
Performance score7.4
Big George Foreman asks for something the previous films did not, and gets it. Bank Manager is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dr. Foster
Where the Crawdads Sing (2022)
Performance score7.3
Where the Crawdads Sing asks for something the previous films did not, and gets it. Dr. Foster is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
TV Host (uncredited)
Passengers (2016)
Performance score6.9
Passengers asks for something the previous films did not, and gets it. TV Host (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Professor
Start here. All My Life is the clearest statement of what Robert Larriviere does — accessible, 93 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Robert at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Passengers (2016)
Keeps the romance register of All My Life but asks for a colder reading of it.
Where the Crawdads Sing (2022)
Keeps the romance register of Passengers but asks for a colder reading of it.
Big George Foreman (2023)
Keeps the drama register of Where the Crawdads Sing but asks for a colder reading of it.
Carry-On (2024)
A deliberate change of key after Big George Foreman — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Walter Hill
Director
1 film together
Notably Bullet to the Head
Allen Hughes
Director
1 film together
Notably Broken City
Baltasar Kormákur
Director
1 film together
Notably 2 Guns
Daniel Stamm
Director
1 film together
Notably 13 Sins
Mike Binder
Director
1 film together
Notably Black or White
Ramin Bahrani
Director
1 film together
Notably 99 Homes
Edward Zwick
Director
1 film together
Notably Jack Reacher: Never Go Back
Morten Tyldum
Director
1 film together
Notably Passengers
Malcolm D. Lee
Director
1 film together
Notably Night School
Michael Showalter
Director
1 film together
Notably The Lovebirds
Ryan Zaragoza
Director
1 film together
Notably Madres
Adam Randall
Director
1 film together
Notably Night Teeth
Olivia Newman
Director
1 film together
Notably Where the Crawdads Sing
George Tillman Jr.
Director
1 film together
Notably Big George Foreman
Jaume Collet-Serra
Director
1 film together
Notably Carry-On
Behind the camera
Who casts this performer, how often, and what the pairing produces.
George Tillman Jr.
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Big George ForemanOlivia Newman
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Where the Crawdads SingMorten Tyldum
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PassengersJaume Collet-Serra
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Carry-OnRamin Bahrani
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
99 HomesMike Binder
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Black or WhiteBaltasar Kormákur
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
2 GunsAdam Randall
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Night TeethDaniel Stamm
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
13 SinsMichael Showalter
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The LovebirdsMalcolm D. Lee
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Night SchoolEdward Zwick
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jack Reacher: Never Go BackAllen Hughes
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Broken CityRyan Zaragoza
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MadresWalter Hill
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bullet to the HeadSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Big George Foreman
as Bank Manager
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
All My Life
as Professor
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
All My Life
as Professor
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Passengers
as TV Host (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
All My Life
as Professor
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Robert Larriviere has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
9 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Where the Crawdads Sing
as Dr. Foster
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Carry-On
as Frustrated Passenger
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Where the Crawdads Sing
as Dr. Foster
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Madres
as Dr. Bell
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Carry-On
as Frustrated Passenger
Images that would survive with the sound switched off.
Best action sequence
Night Teeth
as Professor
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Big George Foreman
as Bank Manager
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
All My Life
as Professor
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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