Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#11,788
of 15,890 eligible performers
Roderick Hill works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Roderick Hill appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Roderick. Poor Things is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, drama. It is a style built on what is withheld as much as what is played.
Working with James Vanderbilt, J.C. Chandor, Brandon Cronenberg and others, Roderick Hill helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Poor Things (2023) as Man in Park (uncredited) · Nuremberg (2025) as Radio Show Guest · The King (2019) as Cloaked Man
Career snapshot
Ranked #11,788 of 15,890 eligible performers in the Nutevio catalogue.
Films in Nutevio
15
2016–2025
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Poor Things
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.6
Poor Things
Most frequent director
James Vanderbilt
1 film together
Longest collaboration
1×
With James Vanderbilt
Most common genre
Drama
7 titles
Average runtime
2h 2m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.7 average MV
The 2020s are where the work and the material meet. Silent Zone, Nuremberg, Kraven the Hunter — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.7
Across 8 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The King, Curtiz, Robin Hood.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.75 films | 7.32 films |
| Action | 6.32 films | 6.61 film |
| Thriller | 6.11 film | 6.33 films |
| Comedy | 6.51 film | 6.63 films |
| Romance | — | 7.71 film |
| Horror | — | 6.22 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Older American Gentleman.
Highest rated performance · Career peak
2023Poor Things
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Nuremberg
The current state of the argument, as Radio Show Guest.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Man in Park (uncredited)
Directed by Unknown
as Radio Show Guest
Directed by James Vanderbilt
as Cloaked Man
Directed by David Michôd
as Viktor
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Man in Park (uncredited)
Poor Things (2023)
Performance score7.5
The performance the rest of the career is read through. Man in Park (uncredited) gives Roderick Hill a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Radio Show Guest
Nuremberg (2025)
Performance score7.2
Nuremberg asks for something the previous films did not, and gets it. Radio Show Guest is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Cloaked Man
The King (2019)
Performance score7.1
The King asks for something the previous films did not, and gets it. Cloaked Man is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sergeant
Mudbound (2017)
Performance score7.1
Mudbound asks for something the previous films did not, and gets it. Sergeant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Man in Park (uncredited)
Start here. Poor Things is the clearest statement of what Roderick Hill does — accessible, 141 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Roderick at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Mudbound (2017)
A deliberate change of key after Poor Things — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The King (2019)
Keeps the drama register of Mudbound but asks for a colder reading of it.
The Swimmers (2022)
Keeps the drama register of The King but asks for a colder reading of it.
Nuremberg (2025)
Keeps the drama register of The Swimmers but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Brady Corbet
Director
1 film together
Notably The Childhood of a Leader
Dee Rees
Director
1 film together
Notably Mudbound
Wash Westmoreland
Director
1 film together
Notably Colette
Susanna Fogel
Director
1 film together
Notably The Spy Who Dumped Me
Otto Bathurst
Director
1 film together
Notably Robin Hood
David Michôd
Director
1 film together
Notably The King
Rob Zombie
Director
1 film together
Notably The Munsters
Brandon Cronenberg
Director
1 film together
Notably Infinity Pool
J.C. Chandor
Director
1 film together
Notably Kraven the Hunter
James Vanderbilt
Director
1 film together
Notably Nuremberg
Behind the camera
Who casts this performer, how often, and what the pairing produces.
James Vanderbilt
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
NurembergDavid Michôd
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The KingDee Rees
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MudboundWash Westmoreland
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ColetteJ.C. Chandor
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Kraven the HunterSusanna Fogel
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Spy Who Dumped MeBrandon Cronenberg
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Infinity PoolBrady Corbet
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Childhood of a LeaderOtto Bathurst
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Robin HoodRob Zombie
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The MunstersSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Poor Things
as Man in Park (uncredited)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Curtiz
as Golab
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Poor Things
as Man in Park (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Poor Things
as Man in Park (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Poor Things
as Man in Park (uncredited)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Roderick Hill has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Poor Things
as Man in Park (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Kraven the Hunter
as Barnum
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Curtiz
as Golab
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Robin Hood
as Boat Doctor
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Kraven the Hunter
as Barnum
Images that would survive with the sound switched off.
Best action sequence
Kraven the Hunter
as Barnum
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The King
as Cloaked Man
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Curtiz
as Golab
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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