Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#30760
of 909177 performers
Top 5%
Roschdy Zem works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Roschdy Zem appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Roschdy. 13 Days, 13 Nights is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for war, action, thriller. It is a style built on what is withheld as much as what is played.
Working with Martin Bourboulon, Rebecca Zlotowski, Thierry de Peretti and others, Roschdy Zem helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
13 Days, 13 Nights (2025) as Commandant Mohamed Bida · Winter in Sokcho (2025) as Yan Kerrand · Other People's Children (2022) as Ali Ben Attia
Career snapshot
Ranked #30760 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2012–2025
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
13 Days, 13 Nights
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
6.7
13 Days, 13 Nights
Most frequent director
Martin Bourboulon
1 film together
Longest collaboration
1×
With Martin Bourboulon
Most common genre
Drama
6 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.2 average MV
The 2020s are where the work and the material meet. 13 Days, 13 Nights, Winter in Sokcho, Elyas — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.2
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Oh Mercy, Nothing to Hide, The Cold Light of Day.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.52 films | 6.04 films |
| Action | 5.41 film | 6.52 films |
| Thriller | 5.41 film | 6.52 films |
| Comedy | 6.61 film | 6.72 films |
| Crime | 6.41 film | 5.83 films |
| Romance | — | 6.22 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Zahir.
Highest rated performance
6.7 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Winter in Sokcho
The current state of the argument, as Yan Kerrand.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Commandant Mohamed Bida
Directed by Martin Bourboulon
as Yan Kerrand
Directed by Unknown
as Ali Ben Attia
Directed by Rebecca Zlotowski
as Michel Ferrand
Directed by Louis Garrel
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Commandant Mohamed Bida
13 Days, 13 Nights (2025)
Performance score7.4
The performance the rest of the career is read through. Commandant Mohamed Bida gives Roschdy Zem a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Yan Kerrand
Winter in Sokcho (2025)
Performance score7.1
Winter in Sokcho asks for something the previous films did not, and gets it. Yan Kerrand is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ali Ben Attia
Other People's Children (2022)
Performance score7.1
Other People's Children asks for something the previous films did not, and gets it. Ali Ben Attia is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Michel Ferrand
The Innocent (2022)
Performance score7.1
The Innocent asks for something the previous films did not, and gets it. Michel Ferrand is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Commandant Mohamed Bida
Start here. 13 Days, 13 Nights is the clearest statement of what Roschdy Zem does — accessible, 111 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Roschdy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Other People's Children (2022)
A deliberate change of key after 13 Days, 13 Nights — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Innocent (2022)
Keeps the comedy register of Other People's Children but asks for a colder reading of it.
Elyas (2024)
A deliberate change of key after The Innocent — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Winter in Sokcho (2025)
Same director as Elyas, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Sylvie Verheyde
Director
1 film together
Notably Madame Claude
Louis Garrel
Director
1 film together
Notably The Innocent
Thierry de Peretti
Director
1 film together
Notably Undercover
Rebecca Zlotowski
Director
1 film together
Notably Other People's Children
Martin Bourboulon
Director
1 film together
Notably 13 Days, 13 Nights
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Martin Bourboulon
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
13 Days, 13 NightsRebecca Zlotowski
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Other People's ChildrenLouis Garrel
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The InnocentSylvie Verheyde
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Madame ClaudeThierry de Peretti
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UndercoverSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
13 Days, 13 Nights
as Commandant Mohamed Bida
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Madame Claude
as Jo Attia
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Other People's Children
as Ali Ben Attia
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Cold Light of Day
as Zahir
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
13 Days, 13 Nights
as Commandant Mohamed Bida
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Roschdy Zem has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Other People's Children
as Ali Ben Attia
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Elyas
as Elyas
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Madame Claude
as Jo Attia
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Cold Light of Day
as Zahir
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
13 Days, 13 Nights
as Commandant Mohamed Bida
Images that would survive with the sound switched off.
Best action sequence
The Cold Light of Day
as Zahir
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Innocent
as Michel Ferrand
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Winter in Sokcho
as Yan Kerrand
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: drama and thriller
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Built a career in the same territory: action and crime
Christian Bale
Built a career in the same territory: action and crime
Cillian Murphy
Built a career in the same territory: drama and thriller
Zach Grenier
Built a career in the same territory: crime and mystery
Richmond Arquette
Built a career in the same territory: crime and mystery
Have your say
Community
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Reference
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