Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1792
of 909177 performers
Top 1%
Salma Hayek Pinault represents the rare performer whose career became more ambitious with every decade — 31 years in, and Salma is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Salma Hayek Pinault appears in 39 films in the Nutevio catalogue, and none of them would work the same way without Salma. We Are Cinema is the clearest case: a film rated 9.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, adventure. It is a style built on what is withheld as much as what is played.
Working with Julian Starks, Joel Crawford, Chloé Zhao and others, Salma Hayek Pinault helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
We Are Cinema (2021) as Self (archive footage) · Puss in Boots: The Last Wish (2022) as Kitty Softpaws (voice) · Frida (2002) as Frida Kahlo
Career snapshot
Ranked #1792 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
39
1995–2026
Career length
31 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
9.5
We Are Cinema
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
9.5
We Are Cinema
Most frequent director
Robert Rodriguez
5 films together
Longest collaboration
5×
With Robert Rodriguez
Most common genre
Comedy
21 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.4 average MV
The 1990s are where the work and the material meet. Dogma, Wild Wild West, 54 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.4
Across 8 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Dogma, Wild Wild West, 54.
Most productive era
2010s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | 6.11 film | 6.34 films | 6.32 films | 6.23 films |
| Action | 6.34 films | 5.95 films | 6.82 films | 4.53 films |
| Thriller | 6.91 film | 6.13 films | 6.53 films | 6.61 film |
| Comedy | 6.13 films | 5.83 films | 6.210 films | 5.55 films |
| Crime | 7.02 films | 6.24 films | 6.53 films | 6.62 films |
| Romance | — | 6.33 films | 5.61 film | 6.41 film |
| Horror | 6.92 films | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1995Four Rooms
Where our catalogue meets this career, as TV Dancing Girl.
First Nutevio masterpiece · Highest rated performance · Career peak
2021We Are Cinema
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 9.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Sacrifice
The current state of the argument, as Gloria Bracken.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
39 of 39 films
as Self (archive footage)
Directed by Unknown
as Kitty Softpaws (voice)
Directed by Joel Crawford
as Frida Kahlo
Directed by Julie Taymor
as Carolina
Directed by Robert Rodriguez
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self (archive footage)
We Are Cinema (2021)
Performance score9.1
The performance the rest of the career is read through. Self (archive footage) gives Salma Hayek Pinault a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Kitty Softpaws (voice)
Puss in Boots: The Last Wish (2022)
Performance score8.5
Puss in Boots: The Last Wish asks for something the previous films did not, and gets it. Kitty Softpaws (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Frida Kahlo
Frida (2002)
Performance score8.0
Frida asks for something the previous films did not, and gets it. Frida Kahlo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sara
How to Be a Latin Lover (2017)
Performance score7.3
How to Be a Latin Lover asks for something the previous films did not, and gets it. Sara is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self (archive footage)
Start here. We Are Cinema is the clearest statement of what Salma Hayek Pinault does — accessible, 71 minutes, and rated 9.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Salma at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Desperado (1995)
A deliberate change of key after We Are Cinema — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Frida (2002)
A deliberate change of key after Desperado — same instrument, unfamiliar tuning, and the reason range gets mentioned.
How to Be a Latin Lover (2017)
A deliberate change of key after Frida — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Puss in Boots: The Last Wish (2022)
Keeps the comedy register of How to Be a Latin Lover but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Robert Rodriguez
Director
5 films together
Notably From Dusk Till Dawn
Dennis Dugan
Director
2 films together
Notably Grown Ups
Patrick Hughes
Director
2 films together
Notably The Hitman's Bodyguard
Quentin Tarantino
Director
1 film together
Notably Four Rooms
Kevin Hooks
Director
1 film together
Notably Fled
Mark Christopher
Director
1 film together
Notably 54
Barry Sonnenfeld
Director
1 film together
Notably Wild Wild West
Kevin Smith
Director
1 film together
Notably Dogma
Julie Taymor
Director
1 film together
Notably Frida
Brett Ratner
Director
1 film together
Notably After the Sunset
Espen Sandberg
Director
1 film together
Notably Bandidas
Robert Towne
Director
1 film together
Notably Ask the Dust
Todd Robinson
Director
1 film together
Notably Lonely Hearts
Paul Weitz
Director
1 film together
Notably Cirque du Freak: The Vampire's Assistant
Chris Miller
Director
1 film together
Notably Puss in Boots
Peter Lord
Director
1 film together
Notably The Pirates! In an Adventure with Scientists!
Oliver Stone
Director
1 film together
Notably Savages
Tom Vaughan
Director
1 film together
Notably Some Kind of Beautiful
James Bobin
Director
1 film together
Notably Muppets Most Wanted
Conrad Vernon
Director
1 film together
Notably Sausage Party
Ken Marino
Director
1 film together
Notably How to Be a Latin Lover
Fred Wolf
Director
1 film together
Notably Drunk Parents
Miguel Arteta
Director
1 film together
Notably Like a Boss
Ridley Scott
Director
1 film together
Notably House of Gucci
Chloé Zhao
Director
1 film together
Notably Eternals
Joel Crawford
Director
1 film together
Notably Puss in Boots: The Last Wish
Julian Starks
Director
1 film together
Notably A Journey to Sundance
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Robert Rodriguez
Director
5 films together · 6.4 avg MV
A working relationship rather than a booking — 5 films, and the register shifts each time.
Best film together
From Dusk Till DawnPatrick Hughes
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Hitman's BodyguardDennis Dugan
Director
2 films together · 6.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Grown UpsJoel Crawford
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Puss in Boots: The Last WishJulie Taymor
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FridaKen Marino
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Be a Latin LoverKevin Smith
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DogmaChloé Zhao
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
EternalsRidley Scott
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
House of GucciChris Miller
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Puss in BootsPeter Lord
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Pirates! In an Adventure with Scientists!Oliver Stone
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SavagesJames Bobin
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Muppets Most WantedMiguel Arteta
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Like a BossBrett Ratner
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
After the SunsetTodd Robinson
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lonely HeartsMark Christopher
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
54Espen Sandberg
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BandidasPaul Weitz
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cirque du Freak: The Vampire's AssistantQuentin Tarantino
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Four RoomsConrad Vernon
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sausage PartyKevin Hooks
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FledTom Vaughan
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Some Kind of BeautifulBarry Sonnenfeld
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wild Wild WestRobert Towne
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ask the DustFred Wolf
Director
1 film together · 4.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Drunk ParentsJulian Starks
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Journey to SundanceSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
We Are Cinema
as Self (archive footage)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Frida
as Frida Kahlo
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
We Are Cinema
as Self (archive footage)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
We Are Cinema
as Self (archive footage)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
We Are Cinema
as Self (archive footage)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Salma Hayek Pinault has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
31 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
21 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
We Are Cinema
as Self (archive footage)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
We Are Cinema
as Self (archive footage)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Ask the Dust
as Camilla Lopez
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Puss in Boots: The Last Wish
as Kitty Softpaws (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
We Are Cinema
as Self (archive footage)
Images that would survive with the sound switched off.
Best action sequence
Eternals
as Ajak
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Puss in Boots: The Last Wish
as Kitty Softpaws (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Wild Wild West
as Rita Escobar
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Harvey Keitel
Works with the same directors — Quentin Tarantino
Harry Dean Stanton
Works with the same directors — Ridley Scott
Michael Caine
Built a career in the same territory: adventure and drama
Have your say
Community
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Reference
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