Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#36059
of 909177 performers
Top 5%
Santina Muha works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Santina Muha appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Santina. The Mustang is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, fantasy, family. It is a style built on what is withheld as much as what is played.
Working with Nisha Ganatra, Paul Weitz, Laure de Clermont-Tonnerre and others, Santina Muha helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Mustang (2019) as Woman · Freakier Friday (2025) as Judy (INS Agent) · Don't Worry, He Won't Get Far on Foot (2018) as Debbie
Career snapshot
Ranked #36059 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2018–2025
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
The Mustang
Average Nutevio score
4.6
Across catalogue work
Highest IMDb rating
6.9
The Mustang
Most frequent director
Nisha Ganatra
1 film together
Longest collaboration
1×
With Nisha Ganatra
Most common genre
Comedy
4 titles
Average runtime
1h 14m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
5.0 average MV
The 2010s are where the work and the material meet. The Mustang, Greener Grass, A$$ Level — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
5.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
4.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Mustang, Greener Grass, A$$ Level.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.82 films | 5.91 film |
| Comedy | 6.52 films | 6.32 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2018Don't Worry, He Won't Get Far on Foot
Where our catalogue meets this career, as Debbie.
Highest rated performance · Career peak
2019The Mustang
6.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Freakier Friday
The current state of the argument, as Judy (INS Agent).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Woman
Directed by Laure de Clermont-Tonnerre
as Judy (INS Agent)
Directed by Nisha Ganatra
as James' Mom
Directed by Paul Weitz
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Woman
The Mustang (2019)
Performance score6.8
The performance the rest of the career is read through. Woman gives Santina Muha a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Judy (INS Agent)
Freakier Friday (2025)
Performance score6.7
Freakier Friday asks for something the previous films did not, and gets it. Judy (INS Agent) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Debbie
Don't Worry, He Won't Get Far on Foot (2018)
Performance score6.6
Don't Worry, He Won't Get Far on Foot asks for something the previous films did not, and gets it. Debbie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
James' Mom
Moving On (2023)
Performance score6.5
Moving On asks for something the previous films did not, and gets it. James' Mom is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Woman
Start here. The Mustang is the clearest statement of what Santina Muha does — accessible, 96 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Santina at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Don't Worry, He Won't Get Far on Foot (2018)
Keeps the drama register of The Mustang but asks for a colder reading of it.
Full Picture (2021)
A deliberate change of key after Don't Worry, He Won't Get Far on Foot — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Moving On (2023)
A deliberate change of key after Full Picture — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Freakier Friday (2025)
Keeps the comedy register of Moving On but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Gus Van Sant
Director
1 film together
Notably Don't Worry, He Won't Get Far on Foot
Alison Becker
Director
1 film together
Notably A$$ Level
Jocelyn DeBoer
Director
1 film together
Notably Greener Grass
Laure de Clermont-Tonnerre
Director
1 film together
Notably The Mustang
Paul Weitz
Director
1 film together
Notably Moving On
Nisha Ganatra
Director
1 film together
Notably Freakier Friday
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Laure de Clermont-Tonnerre
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The MustangNisha Ganatra
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Freakier FridayGus Van Sant
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Don't Worry, He Won't Get Far on FootJocelyn DeBoer
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Greener GrassPaul Weitz
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Moving OnAlison Becker
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A$$ LevelSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Freakier Friday
as Judy (INS Agent)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Mustang
as Woman
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Mustang
as Woman
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Don't Worry, He Won't Get Far on Foot
as Debbie
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Mustang
as Woman
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Santina Muha has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Freakier Friday
as Judy (INS Agent)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Mustang
as Woman
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Mustang
as Woman
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Freakier Friday
as Judy (INS Agent)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Mustang
as Woman
Images that would survive with the sound switched off.
Best action sequence
The Mustang
as Woman
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Don't Worry, He Won't Get Far on Foot
as Debbie
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Don't Worry, He Won't Get Far on Foot
as Debbie
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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