Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#59875
of 909177 performers
Top 10%
Scotty Mattraw works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Scotty Mattraw appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Scotty. The Grapes of Wrath is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, emotional range, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, fantasy. It is a style built on what is withheld as much as what is played.
Working with John Ford, Henry King, William Cottrell and others, Scotty Mattraw helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Grapes of Wrath (1940) as Migrant (uncredited) · Snow White and the Seven Dwarfs (1938) as Bashful (voice) (uncredited) · Design for Living (1933) as Man Laughing in Audience (uncredited)
Career snapshot
Ranked #59875 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1933–1940
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
The Grapes of Wrath
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
7.8
The Grapes of Wrath
Most frequent director
John Ford
1 film together
Longest collaboration
1×
With John Ford
Most common genre
Drama
2 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1940s
7.5 average MV
The 1940s are where the work and the material meet. The Grapes of Wrath — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1940s
7.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1940s
7.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1930s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. In Old Chicago, Snow White and the Seven Dwarfs, Design for Living.
Most productive era
1930s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1930s | 1940s |
|---|---|---|
| Drama | 6.51 film | 7.51 film |
| Comedy | 6.81 film | — |
| Romance | 6.81 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Man Laughing in Audience (uncredited).
Highest rated performance · Career peak · Most recent film
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Migrant (uncredited).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Bashful (voice) (uncredited)
Directed by William Cottrell
as Man Laughing in Audience (uncredited)
Directed by Ernst Lubitsch
as Beef King
Directed by Henry King
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Migrant (uncredited)
The Grapes of Wrath (1940)
Performance score7.3
The performance the rest of the career is read through. Migrant (uncredited) gives Scotty Mattraw a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Bashful (voice) (uncredited)
Snow White and the Seven Dwarfs (1938)
Performance score7.2
Snow White and the Seven Dwarfs asks for something the previous films did not, and gets it. Bashful (voice) (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Man Laughing in Audience (uncredited)
Design for Living (1933)
Performance score6.7
Design for Living asks for something the previous films did not, and gets it. Man Laughing in Audience (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Beef King
In Old Chicago (1938)
Performance score6.5
In Old Chicago asks for something the previous films did not, and gets it. Beef King is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Migrant (uncredited)
Start here. The Grapes of Wrath is the clearest statement of what Scotty Mattraw does — accessible, 129 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Scotty at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Design for Living (1933)
A deliberate change of key after The Grapes of Wrath — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Snow White and the Seven Dwarfs (1938)
A deliberate change of key after Design for Living — same instrument, unfamiliar tuning, and the reason range gets mentioned.
In Old Chicago (1938)
A deliberate change of key after Snow White and the Seven Dwarfs — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Ernst Lubitsch
Director
1 film together
Notably Design for Living
William Cottrell
Director
1 film together
Notably Snow White and the Seven Dwarfs
Henry King
Director
1 film together
Notably In Old Chicago
John Ford
Director
1 film together
Notably The Grapes of Wrath
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John Ford
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Grapes of WrathWilliam Cottrell
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Snow White and the Seven DwarfsErnst Lubitsch
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Design for LivingHenry King
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In Old ChicagoSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Grapes of Wrath
as Migrant (uncredited)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Snow White and the Seven Dwarfs
as Bashful (voice) (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Grapes of Wrath
as Migrant (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Grapes of Wrath
as Migrant (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Grapes of Wrath
as Migrant (uncredited)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Scotty Mattraw has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
2 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Snow White and the Seven Dwarfs
as Bashful (voice) (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Grapes of Wrath
as Migrant (uncredited)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Snow White and the Seven Dwarfs
as Bashful (voice) (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Snow White and the Seven Dwarfs
as Bashful (voice) (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Grapes of Wrath
as Migrant (uncredited)
Images that would survive with the sound switched off.
Best action sequence
The Grapes of Wrath
as Migrant (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
In Old Chicago
as Beef King
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Snow White and the Seven Dwarfs
as Bashful (voice) (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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