Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12349
of 909177 performers
Top 5%
Sebastien Roberts works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Sebastien Roberts appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Sebastien. Accused: The Karen Read Story is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, mystery. It is a style built on what is withheld as much as what is played.
Working with Stephen S. Campanelli, Linda-Lisa Hayter, Elisabeth Röhm and others, Sebastien Roberts helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Accused: The Karen Read Story (2026) as Alan Jackson · Lucky Number Slevin (2006) as The Guy · Husband Father Killer: The Alyssa Pladl Story (2024) as Eric
Career snapshot
Ranked #12349 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2006–2026
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Accused: The Karen Read Story
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
8.0
Accused: The Karen Read Story
Most frequent director
Stephen S. Campanelli
1 film together
Longest collaboration
1×
With Stephen S. Campanelli
Most common genre
TV Movie
4 titles
Average runtime
1h 34m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.5 average MV
The 2000s are where the work and the material meet. Lucky Number Slevin — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Lucky Number Slevin.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.51 film | — | 7.03 films |
| Action | — | — | 6.11 film |
| Thriller | 7.51 film | 6.11 film | 6.02 films |
| Comedy | — | — | 5.71 film |
| Crime | 7.51 film | 6.11 film | 6.51 film |
| Romance | — | — | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as The Guy.
Highest rated performance · Career peak · Most recent film
2026Accused: The Karen Read Story
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Alan Jackson.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Alan Jackson
Directed by Linda-Lisa Hayter
as The Guy
Directed by Paul McGuigan
as Eric
Directed by Elisabeth Röhm
as Shane Pearse
Directed by Stephen S. Campanelli
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Alan Jackson
Accused: The Karen Read Story (2026)
Performance score8.2
The performance the rest of the career is read through. Alan Jackson gives Sebastien Roberts a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
The Guy
Lucky Number Slevin (2006)
Performance score7.3
Lucky Number Slevin asks for something the previous films did not, and gets it. The Guy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Steve Johnson
Left for Dead: The Ashley Reeves Story (2021)
Performance score7.0
Left for Dead: The Ashley Reeves Story asks for something the previous films did not, and gets it. Steve Johnson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Eric
Husband Father Killer: The Alyssa Pladl Story (2024)
Performance score6.7
Husband Father Killer: The Alyssa Pladl Story asks for something the previous films did not, and gets it. Eric is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Alan Jackson
Start here. Accused: The Karen Read Story is the clearest statement of what Sebastien Roberts does — accessible, 88 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Sebastien at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Lucky Number Slevin (2006)
Keeps the mystery register of Accused: The Karen Read Story but asks for a colder reading of it.
Left for Dead: The Ashley Reeves Story (2021)
Keeps the drama register of Lucky Number Slevin but asks for a colder reading of it.
Husband Father Killer: The Alyssa Pladl Story (2024)
Keeps the tv movie register of Left for Dead: The Ashley Reeves Story but asks for a colder reading of it.
How to Lose a Popularity Contest (2026)
A deliberate change of key after Husband Father Killer: The Alyssa Pladl Story — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Paul McGuigan
Director
1 film together
Notably Lucky Number Slevin
Julien Magnat
Director
1 film together
Notably Faces in the Crowd
Elisabeth Röhm
Director
1 film together
Notably Husband Father Killer: The Alyssa Pladl Story
Linda-Lisa Hayter
Director
1 film together
Notably Accused: The Karen Read Story
Stephen S. Campanelli
Director
1 film together
Notably How to Lose a Popularity Contest
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Linda-Lisa Hayter
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Accused: The Karen Read StoryPaul McGuigan
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lucky Number SlevinElisabeth Röhm
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Husband Father Killer: The Alyssa Pladl StoryJulien Magnat
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Faces in the CrowdStephen S. Campanelli
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Lose a Popularity ContestSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Accused: The Karen Read Story
as Alan Jackson
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
How to Lose a Popularity Contest
as Shane Pearse
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Accused: The Karen Read Story
as Alan Jackson
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Lucky Number Slevin
as The Guy
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Accused: The Karen Read Story
as Alan Jackson
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Sebastien Roberts has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
TV Movie Legend
Awarded
4 catalogue titles in tv movie, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Accused: The Karen Read Story
as Alan Jackson
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Lucky Number Slevin
as The Guy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
How to Lose a Popularity Contest
as Shane Pearse
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Lucky Number Slevin
as The Guy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Accused: The Karen Read Story
as Alan Jackson
Images that would survive with the sound switched off.
Best action sequence
Mercy
as Ellis
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
How to Lose a Popularity Contest
as Shane Pearse
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Mercy
as Ellis
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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