Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#14259
of 909177 performers
Top 5%
Simon Delaney works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Simon Delaney appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Simon. The Conjuring 2 is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, comedy, music. It is a style built on what is withheld as much as what is played.
Working with Werner Herzog, Ben Kellett, Richard Linklater and others, Simon Delaney helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Conjuring 2 (2016) as Vic Nottingham · Begin Again (2014) as Lawyer · This Must Be the Place (2011) as Jeffrey
Career snapshot
Ranked #14259 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2003–2026
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
The Conjuring 2
Average Nutevio score
5.0
Across catalogue work
Highest IMDb rating
7.3
The Conjuring 2
Most frequent director
Werner Herzog
1 film together
Longest collaboration
1×
With Werner Herzog
Most common genre
Drama
7 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. The Conjuring 2, Begin Again, Delivery Man — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. 28 Weeks Later, Amazing Grace, Intermission.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.62 films | 7.12 films | 2.23 films |
| Action | — | — | 6.01 film |
| Thriller | 6.61 film | — | — |
| Comedy | 6.21 film | 6.82 films | 6.32 films |
| Crime | 6.21 film | — | — |
| Romance | — | 7.21 film | 6.01 film |
| Horror | 6.61 film | 7.31 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2003Intermission
Where our catalogue meets this career, as Bill.
Highest rated performance · Career peak
2016The Conjuring 2
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Shedites
The current state of the argument, as Gavin.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Vic Nottingham
Directed by James Wan
as Lawyer
Directed by John Carney
as Young Parliamentary Officer
Directed by Michael Apted
as Oscar Hammerstein
Directed by Richard Linklater
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Vic Nottingham
The Conjuring 2 (2016)
Performance score7.2
The performance the rest of the career is read through. Vic Nottingham gives Simon Delaney a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lawyer
Begin Again (2014)
Performance score7.1
Begin Again asks for something the previous films did not, and gets it. Lawyer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jeffrey
This Must Be the Place (2011)
Performance score6.9
This Must Be the Place asks for something the previous films did not, and gets it. Jeffrey is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Young Parliamentary Officer
Amazing Grace (2006)
Performance score6.8
Amazing Grace asks for something the previous films did not, and gets it. Young Parliamentary Officer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Vic Nottingham
Start here. The Conjuring 2 is the clearest statement of what Simon Delaney does — accessible, 134 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Simon at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Amazing Grace (2006)
A deliberate change of key after The Conjuring 2 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
This Must Be the Place (2011)
Keeps the drama register of Amazing Grace but asks for a colder reading of it.
Begin Again (2014)
Keeps the drama register of This Must Be the Place but asks for a colder reading of it.
Blue Moon (2025)
Keeps the comedy register of Begin Again but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
John Crowley
Director
1 film together
Notably Intermission
Michael Apted
Director
1 film together
Notably Amazing Grace
Juan Carlos Fresnadillo
Director
1 film together
Notably 28 Weeks Later
Paolo Sorrentino
Director
1 film together
Notably This Must Be the Place
John Carney
Director
1 film together
Notably Begin Again
James Wan
Director
1 film together
Notably The Conjuring 2
Thomas Vincent
Director
1 film together
Notably Role Play
Richard Linklater
Director
1 film together
Notably Blue Moon
Ben Kellett
Director
1 film together
Notably Shedites
Werner Herzog
Director
1 film together
Notably Bucking Fastard
Behind the camera
Who casts this performer, how often, and what the pairing produces.
James Wan
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Conjuring 2John Carney
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Begin AgainPaolo Sorrentino
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
This Must Be the PlaceMichael Apted
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Amazing GraceRichard Linklater
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Blue MoonJuan Carlos Fresnadillo
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
28 Weeks LaterJohn Crowley
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
IntermissionThomas Vincent
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Role PlayWerner Herzog
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bucking FastardBen Kellett
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SheditesSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Conjuring 2
as Vic Nottingham
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Begin Again
as Lawyer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Conjuring 2
as Vic Nottingham
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
28 Weeks Later
as Car Park Civilian
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Conjuring 2
as Vic Nottingham
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Simon Delaney has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Conjuring 2
as Vic Nottingham
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Conjuring 2
as Vic Nottingham
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Begin Again
as Lawyer
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Intermission
as Bill
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Conjuring 2
as Vic Nottingham
Images that would survive with the sound switched off.
Best action sequence
Role Play
as Toby Berman
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Blue Moon
as Oscar Hammerstein
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Delivery Man
as Victor
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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