Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#14665
of 909177 performers
Top 5%
Stacy Martin works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Stacy Martin appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Stacy. Amanda is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, music. It is a style built on what is withheld as much as what is played.
Working with Mona Fastvold, Brady Corbet, Will Sharpe and others, Stacy Martin helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Amanda (2018) as Léna · The Brutalist (2024) as Maggie Lee · The Electrical Life of Louis Wain (2021) as Felicie Wain
Career snapshot
Ranked #14665 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2015–2026
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Amanda
Average Nutevio score
5.3
Across catalogue work
Highest IMDb rating
7.1
Amanda
Most frequent director
Brady Corbet
3 films together
Longest collaboration
3×
With Brady Corbet
Most common genre
Drama
13 titles
Average runtime
1h 57m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.0 average MV
The 2010s are where the work and the material meet. Casanova, Last Love, Vox Lux, Amanda — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.0
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Casanova, Last Love, Vox Lux, Amanda.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.06 films | 5.47 films |
| Thriller | 6.51 film | 5.93 films |
| Comedy | — | 6.91 film |
| Crime | 6.51 film | 6.11 film |
| Romance | 4.81 film | 0.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2015High-Rise
Where our catalogue meets this career, as Fay.
Highest rated performance · Career peak
2018Amanda
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Fanny Dashwood.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Maggie Lee
Directed by Brady Corbet
as Felicie Wain
Directed by Will Sharpe
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Léna
Amanda (2018)
Performance score7.5
The performance the rest of the career is read through. Léna gives Stacy Martin a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Maggie Lee
The Brutalist (2024)
Performance score7.1
The Brutalist asks for something the previous films did not, and gets it. Maggie Lee is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jules Almore / J3 / J2 (voice)
Archive (2020)
Performance score6.9
Archive asks for something the previous films did not, and gets it. Jules Almore / J3 / J2 (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Felicie Wain
The Electrical Life of Louis Wain (2021)
Performance score6.8
The Electrical Life of Louis Wain asks for something the previous films did not, and gets it. Felicie Wain is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Léna
Start here. Amanda is the clearest statement of what Stacy Martin does — accessible, 107 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Stacy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Archive (2020)
Same director as Amanda, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Electrical Life of Louis Wain (2021)
Keeps the drama register of Archive but asks for a colder reading of it.
The Brutalist (2024)
Keeps the drama register of The Electrical Life of Louis Wain but asks for a colder reading of it.
Islands (2025)
Keeps the drama register of The Brutalist but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Brady Corbet
Director
3 films together
Notably The Brutalist
Ben Wheatley
Director
1 film together
Notably High-Rise
Ridley Scott
Director
1 film together
Notably All the Money in the World
Nicole Garcia
Director
1 film together
Notably Lovers
Will Sharpe
Director
1 film together
Notably The Electrical Life of Louis Wain
Mona Fastvold
Director
1 film together
Notably The Testament of Ann Lee
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Brady Corbet
Director
3 films together · 6.3 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
The BrutalistWill Sharpe
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Electrical Life of Louis WainRidley Scott
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All the Money in the WorldMona Fastvold
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Testament of Ann LeeBen Wheatley
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
High-RiseNicole Garcia
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
LoversSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Amanda
as Léna
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Testament of Ann Lee
as Jane Wardly
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Amanda
as Léna
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
All the Money in the World
as Nancy
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Amanda
as Léna
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Stacy Martin has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
13 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Amanda
as Léna
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
All the Money in the World
as Nancy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Testament of Ann Lee
as Jane Wardly
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
All the Money in the World
as Nancy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Amanda
as Léna
Images that would survive with the sound switched off.
Best action sequence
All the Money in the World
as Nancy
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Electrical Life of Louis Wain
as Felicie Wain
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Testament of Ann Lee
as Jane Wardly
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: comedy and drama
Cillian Murphy
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Robert Downey Jr.
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Have your say
Community
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Reference
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