Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#146070
of 909177 performers
Top 25%
Stanley Fields works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Stanley Fields appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Stanley. Mutiny on the Bounty is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, mystery, crime. It is a style built on what is withheld as much as what is played.
Working with John Cromwell, James W. Horne, James Whale and others, Stanley Fields helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Mutiny on the Bounty (1935) as William Muspratt · Way Out West (1937) as Sheriff · Island of Lost Souls (1932) as Capt. Davies
Career snapshot
Ranked #146070 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1931–1938
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
Mutiny on the Bounty
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.4
Mutiny on the Bounty
Most frequent director
John Cromwell
1 film together
Longest collaboration
1×
With John Cromwell
Most common genre
Drama
5 titles
Average runtime
1h 37m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1930s
6.5 average MV
The 1930s are where the work and the material meet. Algiers, Way Out West, Show Boat — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1930s
6.5
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1930s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1930s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Algiers, Way Out West, Show Boat.
Most productive era
1930s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1930s |
|---|---|
| Drama | 6.55 films |
| Action | 6.71 film |
| Comedy | 6.62 films |
| Crime | 6.52 films |
| Romance | 6.32 films |
| Horror | 6.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1931Little Caesar
Where our catalogue meets this career, as Sam Vettori.
Highest rated performance · Career peak
7.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1938Algiers
The current state of the argument, as Carlos.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as William Muspratt
Directed by Frank Lloyd
as Sheriff
Directed by James W. Horne
as Capt. Davies
Directed by Erle C. Kenton
as Sam Vettori
Directed by Mervyn LeRoy
as Carlos
Directed by John Cromwell
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
William Muspratt
Mutiny on the Bounty (1935)
Performance score6.9
The performance the rest of the career is read through. William Muspratt gives Stanley Fields a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Sheriff
Way Out West (1937)
Performance score6.7
Way Out West asks for something the previous films did not, and gets it. Sheriff is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Capt. Davies
Island of Lost Souls (1932)
Performance score6.6
Island of Lost Souls asks for something the previous films did not, and gets it. Capt. Davies is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sam Vettori
Little Caesar (1931)
Performance score6.6
Little Caesar asks for something the previous films did not, and gets it. Sam Vettori is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as William Muspratt
Start here. Mutiny on the Bounty is the clearest statement of what Stanley Fields does — accessible, 132 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Stanley at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Little Caesar (1931)
Keeps the drama register of Mutiny on the Bounty but asks for a colder reading of it.
Island of Lost Souls (1932)
A deliberate change of key after Little Caesar — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Way Out West (1937)
A deliberate change of key after Island of Lost Souls — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Algiers (1938)
A deliberate change of key after Way Out West — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Wesley Ruggles
Director
1 film together
Notably Cimarron
Mervyn LeRoy
Director
1 film together
Notably Little Caesar
Erle C. Kenton
Director
1 film together
Notably Island of Lost Souls
Frank Lloyd
Director
1 film together
Notably Mutiny on the Bounty
James Whale
Director
1 film together
Notably Show Boat
James W. Horne
Director
1 film together
Notably Way Out West
John Cromwell
Director
1 film together
Notably Algiers
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Frank Lloyd
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mutiny on the BountyJames W. Horne
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Way Out WestErle C. Kenton
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Island of Lost SoulsMervyn LeRoy
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Little CaesarJames Whale
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Show BoatJohn Cromwell
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AlgiersWesley Ruggles
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CimarronSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Mutiny on the Bounty
as William Muspratt
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Mutiny on the Bounty
as William Muspratt
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Mutiny on the Bounty
as William Muspratt
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Show Boat
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Mutiny on the Bounty
as William Muspratt
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Stanley Fields has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Mutiny on the Bounty
as William Muspratt
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Little Caesar
as Sam Vettori
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Show Boat
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Algiers
as Carlos
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Mutiny on the Bounty
as William Muspratt
Images that would survive with the sound switched off.
Best action sequence
Little Caesar
as Sam Vettori
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Show Boat
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Cimarron
as Les Yountis
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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