Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7,680
of 15,890 eligible performers
Stefania Casini represents the rare performer whose career became more ambitious with every decade — 50 years in, and Stefania is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Stefania Casini appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Stefania. Suspiria is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, horror. It is a style built on what is withheld as much as what is played.
Working with Kat Coiro, Dario Argento, Bernardo Bertolucci, Stefania Casini helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Suspiria (1977) as Sara · 1900 (1976) as Neve · You, Me & Tuscany (2026) as Nonna Alessia
Career snapshot
Ranked #7,680 of 15,890 eligible performers in the Nutevio catalogue.
Films in Nutevio
5
1976–2026
Career length
50 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
Suspiria
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.8
1900
Most frequent director
Kat Coiro
1 film together
Longest collaboration
1×
With Kat Coiro
Most common genre
Horror
3 titles
Average runtime
2h 17m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.0
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
7.4 average MV
The 1970s are where the work and the material meet. Suspiria, 1900 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
7.4
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
7.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Suspiria, 1900.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 2020s |
|---|---|---|
| Drama | 7.41 film | 6.31 film |
| Thriller | — | 6.11 film |
| Comedy | — | 6.91 film |
| Romance | — | 6.91 film |
| Horror | 7.41 film | 6.22 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
19761900
Where our catalogue meets this career, as Neve. 7.4 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
1977Suspiria
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Nonna Alessia.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Neve
Directed by Bernardo Bertolucci
as Giovanna
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Sara
Suspiria (1977)
Performance score7.7
The performance the rest of the career is read through. Sara gives Stefania Casini a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Neve
1900 (1976)
Performance score7.2
1900 asks for something the previous films did not, and gets it. Neve is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Nonna Alessia
You, Me & Tuscany (2026)
Performance score6.8
You, Me & Tuscany asks for something the previous films did not, and gets it. Nonna Alessia is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Madre di Miriam
Funeral: I Don't Want You (2024)
Performance score6.8
Funeral: I Don't Want You asks for something the previous films did not, and gets it. Madre di Miriam is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Sara
Start here. Suspiria is the clearest statement of what Stefania Casini does — accessible, 99 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Stefania at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
1900 (1976)
A deliberate change of key after Suspiria — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Goldsmith (2022)
A deliberate change of key after 1900 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Funeral: I Don't Want You (2024)
Same director as The Goldsmith, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
You, Me & Tuscany (2026)
A deliberate change of key after Funeral: I Don't Want You — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Dario Argento
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SuspiriaBernardo Bertolucci
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
1900Kat Coiro
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
You, Me & TuscanySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Suspiria
as Sara
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
1900
as Neve
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
1900
as Neve
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
1900
as Neve
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Suspiria
as Sara
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Stefania Casini has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
50 years of relevant work — not merely a long career, but a long career of choices.
Horror Legend
Awarded
3 catalogue titles in horror, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Suspiria
as Sara
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Suspiria
as Sara
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
1900
as Neve
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Goldsmith
as Giovanna
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
1900
as Neve
Images that would survive with the sound switched off.
Best action sequence
You, Me & Tuscany
as Nonna Alessia
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
1900
as Neve
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Goldsmith
as Giovanna
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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