Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5735
of 909177 performers
Top 1%
Stephen Kunken works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Stephen Kunken appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Stephen. The Wolf of Wall Street is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, comedy, action. It is a style built on what is withheld as much as what is played.
Working with Ron Howard, Cindy Chupack, Paul Greengrass and others, Stephen Kunken helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Wolf of Wall Street (2013) as Jerry Fogel · Still Alice (2014) as Dr. Benjamin · Bridge of Spies (2015) as William Tompkins
Career snapshot
Ranked #5735 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2009–2020
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
The Wolf of Wall Street
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
8.0
The Wolf of Wall Street
Most frequent director
Ron Howard
1 film together
Longest collaboration
1×
With Ron Howard
Most common genre
Drama
8 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.9 average MV
The 2010s are where the work and the material meet. Otherhood, Jason Bourne, Café Society — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.9
Across 8 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Taking Woodstock.
Most productive era
2010s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.21 film | 7.35 films | 3.42 films |
| Action | — | 6.41 film | — |
| Thriller | — | 6.63 films | — |
| Comedy | 6.21 film | 6.93 films | — |
| Crime | — | 8.31 film | — |
| Romance | — | 6.32 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2009Taking Woodstock
Where our catalogue meets this career, as Mel.
Highest rated performance · Career peak
8.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2020Incidental Moments of the Day
The current state of the argument, as Tim Andrews.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Jerry Fogel
Directed by Martin Scorsese
as Dr. Benjamin
Directed by Wash Westmoreland
as William Tompkins
Directed by Steven Spielberg
as Phillip Roseman
Directed by Ron Howard
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Jerry Fogel
The Wolf of Wall Street (2013)
Performance score8.0
The performance the rest of the career is read through. Jerry Fogel gives Stephen Kunken a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Dr. Benjamin
Still Alice (2014)
Performance score7.3
Still Alice asks for something the previous films did not, and gets it. Dr. Benjamin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
William Tompkins
Bridge of Spies (2015)
Performance score7.1
Bridge of Spies asks for something the previous films did not, and gets it. William Tompkins is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Teacher
Extremely Loud & Incredibly Close (2011)
Performance score6.9
Extremely Loud & Incredibly Close asks for something the previous films did not, and gets it. Teacher is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Jerry Fogel
Start here. The Wolf of Wall Street is the clearest statement of what Stephen Kunken does — accessible, 180 minutes, and rated 8.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Stephen at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Extremely Loud & Incredibly Close (2011)
Keeps the drama register of The Wolf of Wall Street but asks for a colder reading of it.
Still Alice (2014)
Keeps the drama register of Extremely Loud & Incredibly Close but asks for a colder reading of it.
Bridge of Spies (2015)
Keeps the drama register of Still Alice but asks for a colder reading of it.
Hillbilly Elegy (2020)
Keeps the drama register of Bridge of Spies but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Ang Lee
Director
1 film together
Notably Taking Woodstock
Andrew Jarecki
Director
1 film together
Notably All Good Things
Stephen Daldry
Director
1 film together
Notably Extremely Loud & Incredibly Close
Martin Scorsese
Director
1 film together
Notably The Wolf of Wall Street
Wash Westmoreland
Director
1 film together
Notably Still Alice
Steven Spielberg
Director
1 film together
Notably Bridge of Spies
Woody Allen
Director
1 film together
Notably Café Society
Paul Greengrass
Director
1 film together
Notably Jason Bourne
Cindy Chupack
Director
1 film together
Notably Otherhood
Ron Howard
Director
1 film together
Notably Hillbilly Elegy
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Martin Scorsese
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Wolf of Wall StreetWash Westmoreland
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Still AliceSteven Spielberg
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bridge of SpiesStephen Daldry
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Extremely Loud & Incredibly CloseRon Howard
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hillbilly ElegyPaul Greengrass
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jason BourneWoody Allen
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Café SocietyAng Lee
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Taking WoodstockCindy Chupack
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OtherhoodAndrew Jarecki
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All Good ThingsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Wolf of Wall Street
as Jerry Fogel
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Café Society
as Leonard
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Wolf of Wall Street
as Jerry Fogel
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Extremely Loud & Incredibly Close
as Teacher
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Wolf of Wall Street
as Jerry Fogel
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Stephen Kunken has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
8 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Wolf of Wall Street
as Jerry Fogel
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Wolf of Wall Street
as Jerry Fogel
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Café Society
as Leonard
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
All Good Things
as Todd Fleck
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Wolf of Wall Street
as Jerry Fogel
Images that would survive with the sound switched off.
Best action sequence
Jason Bourne
as Baumen
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Wolf of Wall Street
as Jerry Fogel
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Wolf of Wall Street
as Jerry Fogel
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Works with the same directors — Martin Scorsese
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Have your say
Community
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Reference
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